It is a replica of an anointing spoon, also identified as a coronation spoon. These largely English items have a history that traces back to the late 19th century, with early ones like this, date mark 1904-05, generally the best crafted examples.
Indeed, this is hallmarked for the London firm of Carrington & Co...
Almost never marked, it frequently goes unrecognized for what it is, namely coin silver produced by the above maker...
Price for the pair.
The pattern is Whiting's 1885 "Lily of the Valley."
These stand apart on two bases. One, they are the less common, twisted handle, form of this piece. Two, they were retailed by "William Kendrick's Sons," the renowned Louisville, Kentucky, jeweler, known as a supplier of julep cups...
The pattern is "Apollo," which is a scroll, bead, and rose design that is very much in keeping with its late Victorian period (1892 issue date).
The cupped server on this is 1 3/4" long by 3/4" at the widest, and has a satin matte finish...
The rim is scalloped and the tapered sidewalls are undulating. The solid handle is twisted, with a smooth, square, grip at the top.
There is a large scale representation of a wild rose blossom, branch, and leaves acid etched on the otherwise plain body...
The handle backside is plain save for the marks, which are the Frank Smith "lion" emblem and "925/1000 fine."
This example is a 6 1/8" long, relatively weighty at 1.0 T. oz., youth fork.
Although having a reserve area, this was never monogrammed and is in very good condition...
A popular design in its period, examples of it are readily found. This piece stands apart, however, for the naturalistic leaf, flower, and bird motif engraved on the blade.
It is also inscribed "Viola" on the backside of the handle...
Having a bulbous, cauldron shape body, it is relatively large, standing 2 1/2" to the top of the lid, 3" to the highest point on the thumb lift, is 2 1/2" at the widest, and weighs a substantial 4.0 T. oz.
The solid handle is a double cee scroll form, with an acanthus leaf detail...
It is a substantially sized piece at 9" long and weighing just under 1.5 T. oz.
Having a scalloped handle with an engraved surface, it reads as both characteristic for the period and for Philadelphia. The backside is plain save for the marks.
There is a handsome, feathered sc...
Price per piece, two available.
The pattern is "Ionic," patented in 1860, as marked on the reverse. Other identifiers include "J.P.," "Tiffany & Co.," and "Sterling." Tiffany was early to require a sterling, rather than the then dominant coin, standard.
"Ionic" is double die struck, meaning the design appears on both sid...
It is marked "Huntington & LaBoyteaux" for a partnership that existed 1850-56, between William C. Huntington, who first established himself in Cincinnati, Ohio, in 1846, and Issac N. LaBoyteaux (Cincinnati Silver, Amy Dehan).
The "exaggerated fiddle handle and pointed shoulders" form is "typical of flatware associated with Cincinnati in the mid-19th century" (Deha...
Price for the pair.
They are stamped "Porter Blanchard," who was a prominent, 20th century name in California Arts and Crafts silver, and "Sterling," on the backsides of "Pointed (1800)" pattern handles.
Alternatively identified as a large salad set, or buffet or platter items, they present as slender, elongated pieces, with a narrow bowl on the spoon, and two lengthy, splayed tin...
Stamped "Coin" on the larger blade, there is no further identification, save that this belonged to "Emily" as engraved in script on the reserve area on one side of the engine turned surfaces of the handle.
There is a repeating line and star design on the upper edge of one of the blade braces, and a line a...
In this case, the primary piece is a 5 7/8" long, approximately 1.0 T. oz., teaspoon in Reed & Barton's "Les Cinq Fleurs," which is a highly textured, Art Nouveau floral design.
The bowl is bright cut engraved in a representation of the American Civil War, "Soliders and Sailors Monument" in "Cleveland, O.," as inscribed around the actual port...
Price for the set of six.
Each one measures 7 1/2" long, which is an unusual size by contemporary convention in that it is lengthier than a dessert spoon but not quite as long as a tablespoon. In their time, when large scale was favored, these would have served as standard place pieces.
They have a substantial feel, although they weigh marginally les...
The pattern is Alvin's "Raleigh," issued in 1900. It is a fancy bead and scroll design, with an upturned handle end.
The blade is essentially round and flat, and has a slightly tapered edge and measures 3 1/2" by 3". It has scalloped shoulders and an intricately cut surface.
The piece is without a monogram o...
Price for the set of eight.
Marked "Sterling," they were retailed by Boston's Crosby & Morse (1864-69) and carry forward some of the design sensibilities of earlier coin silver flatware.
They have plain handles with rounded and upturned terminals. The lower sections are engraved in a period design with a central palmette motif, while the ends have script "EL" monograms. The backsides are unadorned.