$185.00
It has a slightly splayed body with a relatively thick rolled top rim, and a set back foot...
$90.00
Likely dating from the 1870s, one private researcher has postulated Fessenden of Providence, Rhode Island, as a maker. Seymour of Syracuse produced some similar work, as did San Francisco sources, so no true solid attribution is at hand...
On Hold
Very similar in design, both versions feature papyrus fronds on the ends of their handles, with the major distinction between them being that Whiting's interpretation incorporates five stems, while Gorham's only three.
This example by Whiting is an 8 3/8" long, 1.77 T...
$45.00
It was made by Towle, whose "T in a standing lion" emblem and the word "Sterling" is imprinted on the handle backside.
Rendered in an Arts & Crafts manner, it has a reticulated handle portraying something of a Chippendale design...
$1,400.00
This 10 3/4" tall silver and cut glass claret jug is in full conformity with other examples of such Dresser items from this source, and as such is an important example...
$32.00
This example is a 6" long, .77 T...
$145.00
The handle is an Old English pattern with a Tipt backside. The front is engraved in a motif that is identified as either Buckle or Garter. The interior of this is further engraved "E.S.F...
$165.00
The pattern is Lady Washington, which was one of Gorham's early lines, dating from 1876, the year of the American Centennial. That anniversary may have occasioned the development of the design given the name is associated with the first family of the then new nation...
$32.00
Sculptural in manner, the central design element is a cherubic figure set against a dense, decorative background.
It is strongly reminiscent of Dominick & Haff's Labors of Cupid, which it predates by five years, introduced in 1895 vs. 1900.
It is a multi-motif line, meaning the figural representation varies between different pieces...
$165.00
$95.00
This pair of 5 7/8" long, 1.09 T. oz., tongs is stamped "PB/WB" for Peter and William Bateman, members of the legendary family that also included matriarch Hester and Ann.
Other marks include a "lion passant" for sterling, a date letter for 1806-7, and a "bust" duty mark.
It has scalloped edge arms with bowl form grips. The arms are bright cut engraved in a leaf and floral design with wriggle work detailing.
The arch is broad and inscribed with an elaborated, feathered letter ...
Made by Gorham, whose "lion, anchor, G" emblem and the word "Sterling" are imprinted on the reverses, they are 4 7/8" long, and relatively very heavy at 4.37 the group.
Finished in a satin matte gold on all surfaces, they have blue (it may read black in the above composites, but it is a deep blue), yellow, and white enameled handles, executed in an Arabesque with rosettes design.
They...
$65.00
This example, a tea caddy spoon with a likely late 19th century date, is stamped with the number 406 on the reverse, along with Gorham's "lion, anchor, G" emblem and the word "Sterling."
It measures 3 5/8" long and weighs just over .5 T. oz.
Comprising slightly more than half the length of the piece, i.e. 2", the handle is shaped somethi...
On Hold
This 8 5/16" long, 2.12 T. oz., berry scoop or shovel (sometimes identified as a cracker scoop) is marked "W. Gale & Son" along with "Sterling," with this identifier used 1853-59 and aga...
$38.00
With family roots in Gardner, Massachusetts, George originally worked with Arthur Stone. Porter went on to establish one of the most well-known silver workshops in California, where the family also founded the California Society of Arts & Crafts.
The "B09 in an oval" that appears on this 6 3/16" long, .87 T. oz., teaspoon was an early mark of the partnership,...
$46.00
This example, a 6 3/16" long, .96 T. oz., serving spoon, is marked for Phildadelphia's Peter Krider and follows standard conventions for the pattern.
Catherine Hollan in Philadelphia Silver illustrates this specific design within her section on handle patterns save she identif...
$36.00
It is marked J.C. Kelley, along with "Sterling," for the Philadelphia jeweler in business 1849-77.
The pattern is an engraved leaf and grass design presented in an Aesthetic manner on a convex Antique Tipt handle with a mid point crossed ribbon.
This is one of two similar designs produced by James Watts, also Philadelphia, and Kelley and Watts are paired on other jointly...
$44.00
Straightforward in design, it has a (Fiddle) Tipt handle set at a right angle to a scalloped edge, pointed end, blade.
Architectural in manner and ruggedly plain, it has flat surfaces throughout. The handle tapers to a square, solid, block where it joins the blade (this strengthens the piece at this natural stress point).
The piece is without adornment, although its clean, serviceable, character and balanced prop...