They are both products of the c. 1870 Egyptian Revival movement and are patterns that have never lost appeal.
This example is a 6 3/8" long, just over .7 T. oz., sugar spoon...
The pattern is "Cherub," by Watson, Newell & Co. It takes its name from the winged figure that appears at the tip of the extensively embellished handle. Employing acanthus leaf detailing, and with an irregularly shaped margin, the design embraces rococo sensibilities.
The figure is portrayed in two versions through the pattern line, one with upward facing, and one with downward facing, wings...
This example of his work is fully marked with his maker's "H.H," a date letter for 1858-59, London, sterling, and a queen's head.
It is a large mustard pot with a clear glass liner...
The pattern is the fancy version of "Baltimore Rose," with a patterned rather than plain back. The design dates from 1905.
It is a fully original item, that is, not made up or customized.
It is without a monogram or removal (which would appear in the reserve area on the back) and in choice condition...
The 1901 pattern is "Federal Cotillion" by Frank Smith. It is a handsome design reminiscent of an English "King," save the shell motifs of that pattern are replaced with acanthus leaves on this...
Priced as a Pair.
They are a "Pointed Antique" design with engraved fronts, a slightly tipt backside, and exposed drops on the bowls. There are reserve areas that are without monograms or inscriptions.
Marks are a harp for Ireland, Hibernia for sterling silver, and a distinct, script "JO" for John Osborne, working in Dublin 1784-1809.
They are in good condition, noting some wear...
Elegant in its simplicity, the pattern shows spectacularly so at the scale of this 12 1/2" long, heavy at 6.2 T. oz., soup ladle.
The bowl is large, 3 3/4" across and 1 1/2" deep...
Priced as a set.
It was made by Gorham, whose "lion, anchor, G" emblem and the word "Sterling" are stamped on the underside of each piece. The pot also includes the name of the retailer, "Starr and Marcus" of New York City...
Other marks include the company name and "lion, anchor, G" emblem, "Sterling," and the model number "60."
While fitting in the "mid century modern" period, and having the clean lines of that category, it is more truly Chippendale in style. It has a repeating rib design that appears beaded on the rim.
In excellent condition, i...
The design actually portrays a lily of the valley, with strong Greek Revival elements. The raised pattern is set on an anthemion-shaped, curved, leaf, and there are rosettes set either side of the flower cluster.
This example is simply marked with Gorham's "lion, anchor, G" emblem, "Sterling," "Pat. 1870," and the name of the retailer, Cincinnat...
Such is represented in this 7" diameter, 1 1/8" high, very heavy at 11.4 T. oz., open bowl. It is stamped on the underside "Tilden-Thurber," "Sterling," and "943," and likely dates from early in the 20th century.
It has a flat bottom, with an eight lobed wall,...
The pattern is "English King," which is typically heavy, as is the case with this item. It measures 7 1/4" long and weighs a massive 3.7 T. oz.
It is in immaculate estate condition and without a monogram or removal of same. Pattern detail remains well-defined. The finish is brilliant. The bowl is without dents, dings, or nicks.
English in origin, they are stamped for London, 1808, and WE over WF over WC, for William Eley, William Fearn, and William Chawner. There is also a "C" imprint, which is likely a journeyman's mark.
The handles are fiddle-shaped, with down-turned ends, and exposed drops on the backs. The fronts are engraved with dragon head crests.
They are in very good condition. The bowls remain well-sh...
This example, a 4 3/8" long, 1.1 T. oz., bon bon is unusual in two aspects.
One, it was produced by Cincinnati's "Duhme & Co." whose name is imprinted on the reverse. This is an unexpected source.
Two, rather than featuring a figure from Greek or Roman mythology as is typical of "Homeric," ...
Priced as a set of six.
An enduringly popular pattern introduced in 1907, older examples are bestowed with a crispness and clarity of detail that is lacking on later made items.
These pieces possess the qualities that go with their age. The high relief fruit and floral design remains sharply defined...
The pattern is "Louis XV," introduced in 1891 by William B. Durgin.
An extravagant Rococo design, it features high relief shell, acanthus leaf, scroll, floral and other elements set in a dense, asymmetrical, array.
Both sides of the handle have reserve areas, with the front one engraved with an elegant, period "CM" monogram. ...
Its features bespeak its origins, and quite impressively so. It has a twisted stem in the central portion of the handle, suggesting a date from the mid 1860s when this detail was popular.
The handle end is broad, with a slightly tipt backsid...
Retailed by one of New York City's premier 19th century outlets, "Black, Starr & Frost," this is early production of the pattern which was introduced in 1880. In addition to the retailer's stamp, it is marked with Whiting's "lion" logo, "Sterling," and "1."
The raised design on the handle, set against a checkerboard background, is blueberry, and remains precisely articul...