It remained required for less than a century, but continued in limited use subsequent to the reversion to sterling in 1720, enjoying a revival in the late Victorian era.
This muffineer, aka sugar shaker or caster, traces to that period, having an Old English "a" date letter for 1896-97...
The date is consistent with the style of the piece, which reflects the Colonial Revival/Adamesque sensibilities that came into their own during the first decades of the 20th century.
The approximately 2.0 T. oz., sterling silver body is oval, with reticulated sides that have beaded band margins and solid, cee scroll handles...
The handled cup measures 3" high, has a top diameter of 2 5/8", a maximum span of 3 3/4" to the end of the handle, and a 2 3/16" wide underside. It weighs 4.2 T. oz. There is a script "DMC" monogram on the sidewall.
Made by Gorham about 1900, it combines two styles.
First, it falls within the Art Nouveau mode popular during the period...
It dates circa 1870 and was made by John Wendt whose "925/1000 in a shield" emblem is stamped on the underside, encircled by the name of the retailer, "Ball Black & Co" "New York."
It stands on four very slender, hoof foot, stag legs that are joined to bands that run vertically to the top of the body...
Price for the pair.
Made by Tiffany, they are hollowware accompaniments to the company's 1872 "Persian" flatware line. The Moorish pattern is replicated on the two handles of the bowl and the single handle of the creamer, with a modification of the design appearing on the banding that encircles both the top and bottom of each piece...
It measures 4" at the widest, is 2 1/2" across on the base, and stands 2 1/2" high to the top of the knob on the lid. The total silver content is 4.0 T. oz.
The interior is finished in a bright gold wash, and the piece retains its original (lambswool?) puff in mint condition...
Exceptionally quality, it has three, cast and applied, pad feet, with raised anthemions where they join the body. The splayed rim has a repeating leaf and bead design, while the interior is finished in a bright gold wash...
Not surprisingly, the two dominant names in 19th century silver, Gorham and Tiffany, generated the greatest variety of pieces in this medium.
This example was made by Gorham in 1881, as indicated by the date letter imprinted on the backside...
This was a period when Tiffany made reproduction items or designs inspired by older, especially English Georgian, holloware, and that is the case with this piece. It is round, cauldron shaped, and stands on three pad feet with acanthus leaf sprays where the legs are attached...
Price per pair, two pairs available.
Other marks include the order number, "4016," "Tiffany & Co.," "M," and "Sterling Silver."
Each of these stands 7/8" high on a footed base 1 3/8" across, and has a maximum body diameter of 1 3/4". The pair combined weigh 1.4 T. oz.
They have satin matte finish bodies with applied rim tops and bright rose gold-surface...
It is stamped on the bottom with the words "Sterling" and "Hand Made," along with a "lion."
Plain walled, it has a flat bottom, gadroon top rim, and a gold wash interior finish.
There is a fitted and hinged lid that has a natural or composite pineapple finial with cast silver leaves and knob top.
It is in excellent condition. The body is free of...
The body is glass, cut in a flower, perhaps aster or daisy, leaf, and scroll design.
This is all capped with a solid sterling collar with a rolled rim and fitted lid.
The lid has a dome top, a thumb lift attached to a hinge, and is engraved "JMD" in script. ...
Essentially decorative rather than utilitarian, it was likely meant to be gazed upon, like a plaque, or at best put into light service.
The entire piece is a representation of an iris blossom. The design is no less than ebullient, with the petals o...
It is cauldron shaped, with a flat bottom, two handles, and a scalloped rim. The body has a hammered surface and beaded detailing on the handles.
The underside is marked "Sterling," with the model number "304," and the Dominick & Haff three-part emblem that includes "925" and the date "1884."
It is in excellent condition, free of dents, ...
Standing on a footed base that is 3" in diameter, it measures 4 3/4" high to the rim and 5 1/8" to the top of the handles, is 4" across rim to rim, has a maximum span of 7 1/4" handle to handle, and weighs a heavy 14.8 T....
English "Georgian" in style, it has a bulbous body with a tall, fitted sleeve, tiered lid surmounted by an urn shaped finial.
The lid has a series of swirled, patterned piercings offset by fine engraved bands.
The underside is stamped "Norman of London" over "New York," "Sterling," and with the number "10N."
It is double scallop shaped, with undulating walls with a flange rim. There are six smaller lobes with channels that run to the flat bottom base.
The interior retains a portion of its original gold wash finish.
The outside surface is acid etched in a branch, leaf, and flower motif that is both finely rendered and embl...