Catalog

An expression of Art Nouveau floral design at its finest, this bowl was made by Wallace, whose "RW deer head &S" emblem, the word "Sterling," model number "1140," and "9 in." for the top diameter are imprinted on the brushed finish underside.

It stands 2 1/4" tall and weighs a substantial 15.34 T. oz., and likely dates from the first decade of the 20th century.

It features six undulating lobes on its 1 1/2" wide rim. The rim is bordered by applied pansies with trailing, interconnect...

While a matching pair, these two large serving pieces come from different sources, with slightly different dates.

Both are marked for London, England, and sterling silver. The earlier one is an 11 3/8" long, 2.9 T. oz., platter, aka stuffing or basting, spoon. It is marked "PB/AB" for Peter and Ann Bateman, and with a date letter for 1798-99.

The second piece is an 11" long, also 2.9 T. oz., runcible spoon (which is actually a fork with a spoon bowl) marked "RC" for Richard Crossley...

Very early examples of San Francisco marked flatware, this set of six, matched, 8 3/8" long, 10.9 T. oz. the lot, coin silver spoons date circa 1860.

They are stamped on backsides "G.C. Shreve & Co., which firm according to an entry in Dorothy Rainwater's Encyclopedia of American Silver Manufacturers, was established in 1852.

It eventually became the West Coast's premier jeweler and silver manufacturer.

In its early years, however, as noted by Rainwater, flatware was sourced from...

Introduced in 1906, Pointed End was one of renowned Arts & Crafts silversmith Arthur Stone's earliest line patterns. It has a "Tipt" backside and slender, arched and tapered handle.

These six, matching, 8" long, 5.7 T. oz. the group, individual iced tea or lemonade stirring spoons are stamped with the "hammer over Stone" emblem, "Sterling," and an "E," for benchman George Erickson who established his own well-regarded silver shop subsequent to his work with Stone.

These show the qua...

Identified as the first pattern produced by renowned silversmith Arthur Stone, "Round End" was issued in 1901 and reflects the clean, direct style which was emblematic of the Arts & Crafts movement of the early 20th century.

This example is unusual in three aspects.

First is the form of the piece, a fully original, 7" long, cheese scoop, which is a rare item from this maker. It has a semicircular end with a chamfered lip.

Second is the exceptional weight at 2.0 T. oz., resulting in a thi...

A pattern developed by Albert Coles in the mid 19th century, Jenny Lind proved a popular period design that was eventually offered by a number of producers and retailers, and made over time in both coin and sterling silver.

This example is marked "Sterling" and "Wm. Gale & Son," who was a major New York City manufacturer, with this particular mark dating 1862-66 according to Dorothy Rainwater in Encyclopedia of American Silver Manufacturers.

A massive piece, it measures 9 1/2...

These six matching, heavy at 7.6 T. oz. the group, spoons all measure 7 1/8" long and are marked "John A. Cole" along with a "bust, lion, D" hallmark that John McGrew in Manufacturers' Marks on American Coin Silver attributes to an unknown New York City manufacturer.

McGrew offers dates 1841-59 for John A. Cole, New York City, as does Louise Belden in Marks of American Silversmiths and both sources indicate he was a manufacturer as well as jeweler, although these were likely onl...

Massively scaled, this serving piece measures 10 3/4" long and weighs 4.4 T. oz.

Shovel form, it has a blade that is 4 1/2" long and 3 5/8" wide at the splayed end.

This has notched shoulders, wide flanged edges, and a central raised groove in the base.

The surface is extensively engraved in a leaf and flower motif with wriggle work on the flanged edges.

The handle is Old English with a rounded end and tipt backside. The front is bright cut engraved in a design ...

Although primarily a New York City Silversmith, Louise Belden in Marks of American Silversmiths and other sources note that William Grigg spent some years in other locations, namely Albany 1770-78, and Halifax, Canada, 1782-89.

He was a freeman worker in 1765, dating this group of six, matched, 5 1/2" long, just over 3.0 T. oz. (95 grams) the lot, to the decades between then and Grigg's death in 1797.

They are all stamped "W.Grigg" in a serrated cartouche, which is one of four marks...

Nearly square at 8" x 7 5/8", 1 1/2" deep, and weighing 7.0 T. oz., this solid silver piece is an open vegetable or other serving bowl.

It is marked on the underside with the crossed "stakes" or "swords" of "Fenniman & Co.," which was a short-lived, early 20th century, New York City silver manufacturer.

Other marks include "Sterling" and model number "368."

It has a 1" wide, scalloped and undulating, rim, and fluted walls. The base is slightly convex and is engraved with a lined script ...

This weighty, 3.0 T. oz., 9" long, c. 1865 solid silver pie server, aka pie knife, is marked for the Brockton, Massachusetts jeweler "Gurney Brothers" ("Bro's." as stamped).

Also marked "Pure-Coin," this doubtlessly has Boston origins, likely made by Farrington and Hunnewell, based on the design.

It has an Old English, i.e. downturned, rounded end, Reverse Tipt handle.

The 4 1/2" long by 2 3/4" at the widest, blade is unusually shaped, with a double scalloped edge, a raise...

Combining characteristics of a spoon, with the handle set nearly horizontal to the circular, 2" wide by 1/2" deep, bowl, and a ladle, this 7 1/2" long and weighty at 2.3 T. oz. piece is well-suited for dipping.

It is an older, i.e. mid 19th century, example of Baltimore silver marked "S. Kirk & Son," used 1846-61, and "10.15" which was a mid 19th century Baltimore silver standard designation (roughly equivalent to coin).

The handle is a rounded end Antique shape, which is plain on t...

A matched set, each of these four place, aka dessert or soup, spoons measures 7 1/8" long, with the group weighing 5.0 T. oz.

They are all stamped "Duhme & Co.," for the Cincinnati manufacturer and jeweler, and all have the same feathered "TGM" monogram inscribed sideways on their handle.

The pattern is "No. 1," introduced in 1869.

These have twisted stems with flat, oval, ends, which are engraved with wriggle work borders as well as leaf and other period detailing."

An online commen...

A rarely found piece in Gorham's Old Medici pattern, this sardine fork measures 5 3/4" long and weighs .8 T. oz.

It has four, relatively broad, pointed tines that are joined to a deep-shouldered, wavy-edged, heel that is engraved with an acanthus leaf design surface.

The tines retain a portion of an original gold wash on the upper sides.

Most references date the pattern to 1880, although Charles Carpenter in his benchmark Gorham Silver places it about 1883. This is ...

In the realm of American silver the notion prevails that the finest and most elegant pieces were rendered in sterling, with "lesser" items produced in silverplate.

This 4 3/4" tall, 3" diameter, tea caddy marked for the outstanding 19th century Connecticut manufacturing firm of Meriden Britannia is disabusing of this idea.

Cylindrical in form, the entire body is contoured in a dense, raised respousse acanthus leaf design.

Three figures are incorporated within this matrix.

One ...

Measuring 8" long and weighing approximately 2.5 T. oz., this ladle is larger than a gravy and is likely for bouillon. It has a large, plum-shaped, 2 1/2" diameter, 1" deep, bowl with a central vee, flange shoulders, and a matte gold finish on the interior.

The arched handle is an "Old English" pattern with a "Reverse Tipt" end. The front has a satin finish and is extensively engraved in a floral (anemone) and leaf design.

The engraving extends onto the flange of the bowl, and into the hee...

This pair of 6" long tongs that weigh a sturdy near 2.0 T. oz., are consequential on several counts.

The first and most immediate feature is the design. They are a "French Thread" aka "Fiddle Thread" pattern with concave shells at the terminus of each arm. The shell form is repeated on the cupped grips.

The wide arch has a gentle point on either side, where it accommodates an unusual crest, which is the second outstanding aspect of this. The crest shows a helmeted knight's shoulders and he...

Henry Hebbard was a New York City silversmith who generated a number of well-known silver patterns that were subsequently continued in production by George Shiebler and Whiting.

He was in a short-lived partnership with George E. Moore in the mid 1860s, and that is the source of these six, matching, 6" long each, 3.34 T. oz. the group, teaspoons marked "H & M," as well as "Culbert & Bros" for the New York City jeweler.

Curiously, given the Fiddle Tipt pattern and overall design of th...