Catalog

Zebulon (alternatively Zachariah as noted by Belden in Marks of American Silversmiths) was listed in New York City directories 1815-20 and from 1822-70 in Sag Harbor, on Long Island. He spent 1821-22 in Salisbury, North Carolina as a partner with Edmund Burnham.

The plain, rounded and downturned end with a smooth back, style of this 9 1/4", 1.4 T. oz., coin silver serving spoon dates circa 1820, tracing to his NYC years or even his short period in NC.

The handle has a slight fidd...

This Reverse Tipt teaspoon measures 5 1/2" long and weighs .74 T. oz.

It is clearly stamped with pseudo hallmarks that include a "lion passant," a "leopard face," "YS," and a "bust."

Intentionally mirroring late Georgian English style and period hallmarks, this is an example of Chinese Export silver, produced in this instance in Canton by the maker Yatshing aka Yat Shing.

As export silver, it would likely have been made to a sterling standard and is well crafted.

As documented by Flynt & Fales in The Heritage Foundation Collection of Silver, Eleazer Wyer, born in Boston in 1786, learned goldsmithing from his father (of the same name), and his sister married silversmith Timothy Keith, so the trade was clearly a family tradition.

Eleazer relocated to Portland, Maine about 1806, and from 1814-18 was in partnership there with Charles Farley.

Four of these six, essentially matched, coffee or tea spoons are marked "Wyer & Farley" along with an "ea...

This preserve or jelly spoon measures 6 7/8" long and weighs 1.0 T. oz.

It is a mid 19th century, coin silver, piece in a French Thread aka Fiddle Thread pattern.

The 2 1/4" bowl is shell form with a scalloped and notched edge and high, rounded, shoulders at the join with the handle.

Never monogrammed, it is in excellent condition, absent polishing wear, free of dents, bends, or tears in the bowl, and with a pleasing patina. There are light surface scratches consistent wit...

An 8 1/2" long, 1.8 T. oz., large berry or other serving spoon, this piece is marked "W.P. Jones," along with "Sterling," for William P. Jones, Newburyport, Massachusetts, who formed a partnership with Anthony F. Towle in a firm that eventually became A.F. Towle Silversmiths, then Lunt.

It has a twisted stem and flat, rounded end, handle. This and the generously proportioned, 3 1/4" by 2 1/4", bowl are bright cut engraved in the Aesthetic taste. It likely dates from the mid 1870s.

The deta...

Born in 1827 in Newburyport, Massachusetts, William P. Jones apprenticed with William Moulton IV of the renowned family of silversmiths, as did contemporary, Anthony Francis Towle.

The two men established a partnership, which through a series of transitions eventually became Lunt Silversmiths, thus there is a long silversmithing lineage represented in this 6 3/16" long, .5 T. oz., sugar, or possibly small jelly, spoon marked "W. P. Jones" and "Coin."

It dates 1847-57, the period when Jones...

Born in Providence, Rhode Island, where he worked as a silversmith in the 1820s, and apparently with a short-lived presence on Nantucket Island, Masschusetts, William P. Stanton established himself in business in 1829 with his brother, Henry, in Rochester, New York.

This pair of 5 3/4" long, .9 T. oz., coin silver tongs are marked "W.P. & H. Perry" for that partnership.

Their plain, angular, fiddle shaped arms date them from early in the partnership, c. 1830. Perhaps they were an old style...

A spectacular example of pattern and form preserved in impeccable condition, this solid silver cake saw measures 10 3/4" long and weighs 2.8 T. oz.

Made by Wood & Hughes, the pattern is Viola, issued in 1875. The design incorporates an arch, palmettos, anthemia, and scrolling, drawing together Greek, Egyptian, and Gothic Revival elements in a successful amalgamation of period motifs.

The handle front incorporates an elegant, engraved, Victorian style, "OR" or "RO" monogram.

The f...

A 7 1/2" long, just over 1.5 T. oz., preserve spoon, this piece was made by Wood & Hughes, New York City, whose "WwH" emblem is stamped on the handle reverse, along with "Sterling," and "Pat. 1878."

The pattern is "Venetian," which is a Moorish or Renaissance Revival design.

The plum-shaped bowl is relative large and elongated at 3" by 1 3/4" at the widest, by 1/2" deep. It has a central groove in the base, a flange rim, and a pale, satin matte, gold finish on the engraved interior, and ...

Standing 2 7/8" high, with a top diameter of 2 3/8" and a bottom diameter of 1 7/8", a maximum span of 3 5/8" to the end of the handle, and weighing a relatively light but proportional to the overall size, 2.8 T. oz., this mug is marked "WwH" for Wood and Hughes, New York City, and "900/1000" for coin silver.

Baluster form, it has a beaded base with smaller beading encircling the top rim. The area of the body opposite the C scroll, hollow handle is chased in a floral (perhaps hibiscus)...

An elegant Rococo pattern dating from 1885, Wood & Hughes' "Louvre" shows to advantage at the large scale of this pair of 5 3/4" long, 1.4 T. oz., tongs.

A multi-motif design that incorporates scrolling, rosettes, and acanthus leaf detailing, the pattern is markedly elaborated.

This particular pair have added engraving on the upper portions of the arms. The leaf form grips are highly articulated and finished in a satin gold wash.

The arch has a folded crimp, which serves to add strength...

Issued in 1880, Wood & Hughes' "Humboldt" pattern incorporates Moorish design elements, as popular in the period, laid out on an angular handle.

Produced at a time when the company was enjoying great prosperity and was especially productive, it exhibits sophisticated design and high quality execution. This is especially evident in the plum-shaped, notched edge, bowl that is intricately engraved and finished with a matte gold surface on the interior and bright gold on the exterior.

The name...

This basket stands 4 7/8" tall to the rim, reaches 7 1/2" to the top of the upraised swing handle, has a top diameter of 5 1/4", stands on a footed base that is 3 1/2" across, and weighs 9.4 T. oz.

Solid coin silver and dating circa 1860, it was made by Wood & Hughes whose "WwH" emblem is stamped on the underside.

It could be a sugar basket for large tea set, or perhaps a sweet meat server.

Very much a period piece, it incorporates design elements popular in the period.

The body and ...

Measuring 5 1/2" long and weighing just over .6 T. oz., this item has a 1 5/8" diameter, flat-bottomed, bowl with scalloped sides.

An unusual form, it is likely a cream ladle.

The pattern is "Angelo," which is a Renaissance Revival design patented in 1878, as indicated on the reverse. Other marks are "WwH" and "Sterling."

This is engraved "MEP" over "'90" in fancy, feathered script lettering on the handle backside.

The pattern detail remains sharp and well defined, absent polishing w...

This lengthy at 9 1/8", and weighty at just under 2.5 T. oz, spoon was produced by Wood Hughes, whose "WwH" emblem and "Sterling" appear alongside the patent date.

The pattern is "Angelo" which is a Renaissance Revival design that also shows Persian stylistic influences.

Having a large, 3 3/4" long by 2 3/8" at the widest, bowl, this is likely a salad serving spoon, although it certainly could function as a rice or platter piece.

The bowl has fluted or coffered shoulders and is engraved...

A virtually unused example of Wood & Hughes' Renaissance Revival Angelo pattern, this preserve spoon measures 6 15/16" long and weighs just over 1.0 T. oz.

The intricate detail of the design on the handle is complimented in this instance with a bowl engraved with particularly fine, decorative, palmetto leaves, all set against a soft, satin finish on the interior.

The backside of the handle is engraved "Irene." in script. This may have been a cherished gift, and left unused, thus off...

This 7 1/2" long, 1.2 T. oz., master butter, sometimes identified as a fish, knife was made by Wood & Hughes, whose "WwH" emblem, "Sterling," "Patent," "1868," and the name of the retailer, "W.M. Savage," Columbus, Ohio, appear on the blade backside.

The pattern is unnamed, but is essentially an unembellished version of the company's 1875 Renaissance Revival "Angelo," with an engraved script "H.B.L." monogram in the place where the Moorish detail of "Angelo" otherwise appears.

Solid silver...

A noted 19th century Philadelphia silver manufacturer, William Faber, later joined by his sons, produced items of high quality and lasting appeal as evidenced in this solid silver 7 1/2" long, 1.1 T. oz., master butter knife.

Dating circa 1870, the handle is of a form that Faber favored. It has a curved surface handle with a gently pointed tip and scalloped sides. This is bright cut and wriggle work engraved in a period, toward a Greek Revival style, design that incorporates a leaf and flower...