Catalog

Relatively lengthy at 6", with slender, Fiddle Tipt handles in a style that is particular to Baltimore where they were made, this group of four, matching, teaspoons weigh 2.3 T. oz.

Each one is stamped "S. Kirk & Son" along with the standard mark "10.15," which is roughly equivalent to coin silver. This specific combination of marks was used 1846-61.

Each piece has a feathered script "EVE" monogram engraved on the front and an exposed thumb drop on the bowl reverse.

In very fine ...

Offered in both sterling silver and silver plate, Harlequin was a floral series issued by Reed & Barton circa 1890 and continued in production for nearly a century.

These eight pieces are from an original, old, set of 5 1/8" long, 4.56 T. oz. the group, 5 o'clock spoons marked with R&B's "eagle, R, lion" emblem and "Sterling."

The bowls all have the same soft satin very pale gold surface and are engraved with "HVR" monograms in flowing script lettering.

Cast rather than die struc...

A firm with a long chronology in Albany, New York, the origins of Hall, Hewson & Brower traced to 1810, with the last configuration of the firm ending in 1898.

The company operated under several names in the above span of years, two of which, the three part "HH & B with an eagle" emblem of Hall, Hewson & Brower, and "S.D. Brower & Son," are present on this 8 1/2" long, 1.35 T. oz., serving spoon.

It is also marked "Sterling 925," which would be unexpected in the circa 1850 period of this w...

Having rounded, double scroll shoulders, with a triple leaf drop and a different single leaf also flanked by scrolls set mid handle, "Pacific" issued in 1870 by San Francisco's Schulz & Fisher was very much a period design. It is highly reminiscent, for example, of Knowles & Ladd "Crete" and Gorham's "Pompeii," both contemporaneous with "Pacific."

This example is an 8 7/8" long, 1.9 T. oz., pie server marked "coin" for the silver content.

It has a generously proportioned, 4 1/2" by 2 7/8" ...

Established in 1867, Schohay & Ludwig (later Schohay, Ludwig & Co.) produced high quality silver, although as the company was short-lived, examples of their wares are not commonly found.

Located in Philadelphia, the firm's work followed after regional style typical of the period and that is the case with this 7 1/8" long, .9 T. oz., preserve spoon.

It has a flat, ovoid handle with a Tipt end that is joined to a twisted stem. This is engraved in a bright cut, line, and wriggle work l...

Exceptionally weighty at 3.6 T. oz., this 8 3/4" long berry or other serving spoon is marked with the three part emblem of the "Schofield Co." founded in 1903 in Baltimore, and "Sterling."

The pattern is "Lorraine" and has antecedents that predate the company itself.

The handle is a "Pointed Antique" with a slightly "Tipt" backside. The front is engraved in a "Mayflower" design that has its origins in Baltimore and which evolved into a full line of flatware produced by Kirk under this name...

Measuring 5 5/8" long and weighing .5 T. oz., this circa 1840 teaspoon has a double provenance.

It is marked "S. Ayers Elmira" for Socrates Ayers born in 1814. He worked in Elmira as a silversmith, watchmaker and jeweler until about 1877.

It is also stamped with a "star D star," which mark John McGrew in his Manufacturer's Marks on American Coin Silver attributes to an "Unidentified - Up-State New York" maker.

The handle is engraved "Ruth Burnham" in script lettering set sideways...

The pattern on this 9" long, weighty at 2.8 T. oz., pie server is a "Leaf & Scroll" design that is indigenous to Philadelphia.

It is illustrated in a "handle patterns" unit of Catherine Hollan's Philadelphia Silversmiths, where it is attributed to Robert and William Wilson, a partnership that dates from the second quarter of the 19th century, and their "R.&W. Wilson" mark does appear on the backside of this coin silver piece.

The handle is flat and double die struck, meaning the pat...

This 7 1/4" long, .93 T. oz., coin silver jelly or preserve spoon is marked "R. Smith" over "Newark" for Richard Smith, 1827-1904, generally identified as a jeweler.

A highly decorative item dating from the 1860s, it has a twisted stem joined to a scalloped edge, slightly upturned handle. This has a central shield shaped reserve surrounded by a textured background with wriggle work and bright cut engraved detailing.

The handle backside is plain save for wriggle work around the margins and ...

This 5 1/2" long, approximately .4 T. oz., teaspoon is one of three matching, exquisitely made, New England origin, pieces dating from the 1850s.

It has a Fiddle Tipt handle that is engraved "S M R" in fine script lettering set sideways on the front.

The bowl is well-formed, proportionate, has a pointed end, and rounded, tapered fins at the join with the handle.

Coin silver, it is marked "R.R. Conn" for the Fitchburg, Massachusetts jeweler. While not an uncommon piece per se, thi...

An estate piece long held in one family, this chamber stick is a significant example of its form. It is stamped for London, 1801-2, sterling, and Robert Sharp, who is identified in Jackson's Hallmarks as an "important maker." Grimwade's London's Goldsmiths affords him a lengthy biographical entry.

It is large, with a base that measures 5 1/2" in diameter, 7" to the end of the solid finger grip, and stands 4" tall.

Solid silver, it weighs 9.4 T. oz.

The base has a raised ed...

Very much a period table piece, this 8 1/4" long, 1.5 T. oz., spoon has a rounded end with a tipt backside, and an exposed drop on the bowl.

The handle front is diamond cut and wriggle work engraved, and has a block letter "E S" monogram, in a manner that bespeaks its age.

The handle reverse is fully hallmarked with a castle assay mark for Exeter, England, 1799-1800 date letter (George III), duty bust, lion for sterling silver, and "RJ" for silversmith Richard Jenkins (d. 1807).

The bow...

Measuring 8 1/8" long and weighing 1.8 T. oz., this coin silver item has a generously sized, 2 1/2" diameter, shell-shaped, pierced, bowl and "Reverse Tipt" handle.

Generally identified as a large sugar sifter, there is some argument to be made that pieces this scale from this period were actually early ice spoons.

In either case, it is a fine representation of what it is.

It is stamped "R. Fisher, Jr." and "331 Broad Way, N.Y." on the reverse, for Richard Fisher, working 1846-50, also ...

This mid 1850s piece is stamped with a three part, "bust, letter, lion" pseudo hallmark and the name "E. Benjamin," for the New Haven, Connecticut jeweler, Everard Benjamin, son of well-known silversmith Barzilli Benjamin.

An olive variant which incorporates what may more accurately be interpreted as anthemion or honeysuckle portraiture, this design is attributed in Silver in the Golden State to the San Francisco firm of Frederick R. Reichel, and identified by the name Olive.

Dating from the first part of the 20th century, this item was made by Reed & Barton, whose early "eagle, R, lion" emblem appears on the lip of the bottom half, along with model number "709" and "Sterling."

A tea ball, it is egg or acorn shaped, 1 3/4" tall and 1 1/4" wide, with a 4" long chain attached to a 1" diameter ring. It weighs approximately .6 T. oz.

The bottom half has round piercings, while the hinged top is solid and engraved with an Old English "F" monogram. There is a snap lat...

Made by Reed & Barton and akin to the company's Harelquin line of flower designs, this orange or grapefruit spoon has a cast handle with a narrow, branch-like stem.

An older piece, it is marked with R&B's "eagle, R, lion" emblem and the word "Sterling."

Measuring 5 3/8" long and weighing .6 T. oz., the pattern is an Orange or Orange Blossom, interpreted in something of an Art Nouveau manner.

Strongly naturalistic and intricately detailed, the fruit is round and full...

This 7 7/8" long and weighty at 2.3 T. oz., small berry or jelly serving spoon is an original example of Reed & Barton's "Les Six Fleurs," a pattern issued in 1901.

It is marked with the company's "eagle, R in a shield, lion" emblem, "Pat. Appl'd For," and "Sterling" on the reverse, all in precise, fine lettering as would be expected of an original piece.

In addition, it is engraved on the backside in an Old English letter "C" monogram.

An extravagant design, the multi-floral portraitur...

The larger of two sizes of sugar tongs that Reed & Barton produced in one of its flagship Art Nouveau designs, Les Cinq Fleurs, this item measures 4 5/8" long and weighs a relatively heavy 1.2 T. oz.

Issued at the turn of the 20th century, the pattern features a variety of deeply textured and highly detailed flowers, each one specific to the particular item.

The portraiture on this is poppy.

It has talon grips and a wide arch with raised edges on either side.

The arms s...