The pattern is Antique, issued in 1875. Akin to Old English, it has a rounded end with a tipt backside attached to a narrow shank.
There are three tines on each of these pieces, the lower one of which is hooked and wider than the other two.
In choice estate condition and never mo...
$335.00
Gorham Silver: Designing Brilliance 1850-1970 edited by Elizabeth Williams recounts,
"Sitting down to the Furbers' table, one would have been confronted with a bevy of Gorham flatware--687 pieces in all. The majority of serving and dining utensils are the Angelo pattern, which d...
$48.00
Dating c. 1880, it is bright cut engraved on its otherwise plain walls in an Aesthetic, i.e. Eastlake, style that incorporates fern, leaf, flower, and non-representational detailing and wriggle work.
An open reserve area is inscribed "F.A. Brock." in elegant cursive lettering.
In excellent condition, this is wi...
$105.00
The rim is acid etched in an elegant design of scrolling acanthus leaves with floral compliments.
One side has a shell-like reserve that is engraved with a line script "JNE" monogram.
Measured yet expressive in style and manner, this piece evidences the dignity and proportionality of traditional classic design.
D...
$165.00
The form was popular in the late 19th century, and no company was more successful in producing impressive examples than Gorham. This example is model number "588" offered by that firm.
It is medium-sized, measuring 6 1/8" long, has a bowl that is roughly 2 3/4" in diameter, and weighs just under 2.0 T. oz.
It is cast rather than die struck, as these forms generally were. Casting allows for the introduction of more intricate detail and great...
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English Georgian in style, the bottom edge of the body is encircled by an egg and dart band, while the top has an applied gadroon band on the outside edge.
The side has two plain areas, top and bottom, separating a central pierced, convex, strip.
The bottom is made of fine grained, dark wood, which has been ...
$115.00
The lower portions of the handle where it joins the bowl suggest an Egyptian Revival influence, while other areas point toward Renaissance Revival inspiration. In addition, the dense floral clusters employ imagery similar to Gorham's "Cluny" pattern that was designed by Antoine Heller, who was highly regarded for his Classical motifs.
Lastly, ...
$65.00
The handle features a rounded, upturned end with a stylized shell, and honeysuckle detailing and two rosettes and a palmette set midway, all replicated on the backside save for the absence of a ...
$72.00
Other marks are a "lion" for sterling, a "bust" duty mark, and date letter "G" for 1802-03.
Very much a period item, the slender, curvilinear, arms are bright cut and wriggle work engraved in a starburst and diamond pattern.
The grips are spoon bowl shaped and decorated with a novel wriggle work design on ...
They are English in origin and fully hallmarked for London, 1897-98, sterling, and WG/JL for William Gibson and John Langman (also operating as the Goldsmiths & Silversmiths Co.).
Traditional in design, they are round, with heavily repoussed bodies, applied hatched rims, and stand on three lion's paw and shell legs.
Each piece has a reserve area which ...
$105.00
The form is uncommon and hence of uncertain function. It may be a spinach or toast/bread fork, or for another purpose yet. The proportions assure it is definitely original and not adapted from another piece as, for example, most potato forks are derived from dinner forks.
The maker was George Sharp, Philadelphia, as indicated by his "lion, S, ...
$165.00
A Marrow scoop, if follows fully after the form, with two elongated, rounded end, bowls, one wide and one narrow, joined by a solid bar.
The backside heel of the larger bowl is engraved with a block letter "T over L R" monogram.
In excellent condition, this is without any without damage such as be...
$65.00
This source also notes that he "conducted his highly successful jewelry and silver shop under the name Webb & Co. on Baltimore and Light Streets with W.H. Sexton as a partner 1877-86."
As this 9" long, 2.2 T. oz., serving spoon carries this mark, along with the word "Sterling," it can be def...
$65.00
It was produced in a wide variety of pieces, from large servers to items as small as a master salt spoon or this, a 5" long, .3 T. oz., nut pick.
It is an early piece, marked "Patent 1863 Pending" and "Bailey & Co.," for the Philadelphia retailer with whom Sharp was closely asso...
$38.00
With family roots in Gardner, Massachusetts, George originally worked with Arthur Stone. Porter went on to establish one of the most well-known silver workshops in California, where the family also founded the California Society of Arts & Crafts.
The "B09 in an oval" that appears on this 6 3/16" long, .87 T. oz., teaspoon was an early mark of the partnership,...
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One distinguishing aspect is the combination of maker and retailer.
It is stamped with the "eagle, thistle, harp" mark of Philadelphia's Taylor & Lawrie." Catherine Hollan in Philadelphia Silver notes "they [T&L] advertised they had manufactured for Bailey & Kitchen then for Bailey & Co. for twenty years . . . (1857 adv)."
This is stamped "M.W. Galt & Bro.," for the Washington, D.C. firm establishe...
Made by Frank Whiting, this set of forks is marked with the company's "W in a circle" emblem, "Sterling," and the number "2" on the backsides.
Measuring 5 3/4" long each and weighing 4.0 T. oz. the group, they are oyster, shrimp, or seafood cocktail forks.
Each piece has three tines, one of which is hooked, all joined to cupped heels with subtly notched should...
This matched set of eight, 5 15/16" long, 4.0 T. oz. the group, oyster, shrimp, or simply seafood, cocktail forks were made by Frank Whiting whose "W in a circle" and "Sterling" are imprinted on the reverses.
The handles are an "Antique" pattern with rounded ends and tipt backsides.
The fronts have satin matte finishes, which sets...
