Price for the set of 12
Short handled, individual, chocolate spoons, they are rarely found items, and all the more so in this quantity. The pattern is "Old Newbury" made by Towle.
Each one has an Art Nouveau, script "MAH" monogram. The style of engraving is consistent with the 1900 date of issue of this beaded pattern.
The bowls are ovoid, 1 5/16" by 1", scaled t...
These two items, a large, 5 1/4" long, pair of tongs, and a 5 7/8" long cream ladle, each piece weighing just over 1.0 T. oz., are examples of "Number 50."
They were a presentation set, packaged in a purple colored velvet clad box, with a pale blue satin interior. There is a trade sticker on the underside that identifies this as retailed by "Myers...
Price for the set of twelve.
They have heart, or spade, shaped stirring ends that are engraved in a leaf and scroll design and stamped "Sterling" on the backsides. The sipping ends have ball or sphere like attachments.
They are in excellent condition, free of bends, breaks, or splits, and have bright finishes. One has a pinprick dimple and that seems to be the only sign of use among the whole set.
Price for the pair.
The pattern is Gorham's old "Medici," which is an elaborate design that features Renaissance period figures, including a woman carrying a bundle of fruit in her skirt, as well as satyr and gryphon images
These are particularly early examples, marked "lion, anchor, G," "Sterling," and "Co...
It was made by New York City's William Gale, who operated in various partnerships over a long history. This has double marks for one of the associations, "William Gale & Son." One of the stamps includes a diamond imprinted with the date "185x," with the final number obscur...
This example, a 7 1/4", heavy at 2.0 T. oz., place aka regular, fork portrays what appear to be eggplants on the vine. The backside is monogrammed "JO'B."
There are two specifics about this that set it apart. William P. Hood in "Tiffany Silver Flatware" notes that there were four bowl...
This mug is stamped with the "crossed K & B" symbol for the "Krider & Biddle" partnership, along with the model number "433."
There has been some difference of opinion about the exact dates of this pairing. The most recent, and likely most reliable, scholarship on Philadelphia silversmiths has been offered in a volume by Catherine Hol...
According to the identifications offered in the "Encylopedia of American Silver Manufacturers," the style of the "S. Kirk & Son" mark, along with the word "Sterling," was used 1925-32, indicating these have considerable age.
The footed, open salt stands 1 13/16" tall on a base that is 1 3/4" in diameter, and has a top opening that measures 2 5/8" across....
Price per piece, two available.
This 8 11/16" long, 2.0 T. oz., likely berry serving spoon, is an early example in the line, marked with the firm's "lion, anchor, G" emblem and "Gorham Mfg. Co," which saw time-bound use. It is also stamped "Patent 1868...
Made for Colonial Williamsburg as part of an exclusive line, it is described in a 1976 catalog as "A design of classic simplicity copied from a bowl made by Philip Syng (1676-1739)."
It sits on a tiered base that is 3" across, and has an applied upper rim.
There is a line "MSB" script monogram on the side.
In exceptionally fine condition, it sits eve...
Priced as a set.
This pair of of items is reflective of their high quality work. They are in the fashion of earlier styles, executed in an Arts & Crafts manner.
The main piece is a 5 5/8" diameter handle tip to handle tip, 1.1 T. oz., tea strainer. The actual strainer section m...
It sits on a knurled edge, pedestal base that is 2 3/4" in diameter, and has a rimmed top that is 1 7/8" wide, with a 1/2" actual opening.
The overall shape is classically inspired, with a gracefully tapered, slender, body that c...
The pattern is Gorham's "Colonial," the main feature of which is striping that runs up about two-thirds the length of the handle.
This is more subtle than it appears, as the surface alternates between convex and concave and suggests banding, perhaps of a naturalistic material such as bamboo, which in turn implies an Aesthetic influence, which would be consistent wit...
Price for the set of six.
Five of them are stamped with the "bearded man" 950 (higher than sterling) French standard emblem used 1819-38, along with a round guarantee mark, and the lozenge for maker Pierre-Phillipe Rousseau 1808-20.
The sixth piece is similar to the others, save it has a different maker's mark, which includes the letters "U, C and D," and is slightly lighter weight.
They are a "F...
The marks are rubbed, but clear enough to identify the maker's stamp, TC on the horizontal intersecting with WC on the vertical, belonging to Thomas and William Chawner, as attributed by Grimwade in the "unregistered marks" section. The leopard and lion are blurred but legible, while the date letter is difficult to identify precisely, but the Got...
Price per set of six. Twelve total available.
It is a turn of the 20th century pattern made by International. The company's Wilcox & Evertsen indian head emblem and the word "Sterling" appear on the backsides of these twelve, matched bouillon spoons. Each one measures 4 3/4" long and has an approximately 2" diameter bowl, while the group weighs 9 T. oz.
They all have the same, script, "L...
Pricing for the pair as a set.
While a salad set, either piece could be used independently.
They are substantially sized items, with the fork measuring 9 1/4" long and weighing 1.9 T. oz., and the spoon 9 1/8" long and 2.2 T. oz.
The serving ends shows an Aesthetic influence, with their irregular, scalloped shoulders and rippled bowls. This latter...
All three feature a knight's helmet at the handle end, which is also embellished with scrolling acanthus leaves. Alvin's is the most robust of the three iterations, as is evidenced by the scale of this serving ...