This piece is a 6 1/2" long sugar sifter with an oval 2" by 2 1/2" bowl. It is remarkably heavy, weighing 2.7 T. oz., resulting in an usually thick handle and substantial bowl.
The rather strict bluntness of the design is offset by the delicate, patterned piercing in the gold finished bowl.
It is without a monogram or removal and in ve...
This example is long handle, 8 1/2", 1.0 T. oz., olive spoon.
The plum-shaped bowl has decorated, notched shoulders, while the piercing mirrors the grasses and clover of the overall pattern. There are remaining traces of an original gold wash.
It is without a monogram or removal and in flawless estate condition. Design d...
Price for the pair.
Each one has three legs and stands 1 1/4" high to the top of base and 1 5/8" tall with the liner in place, and is 1 3/4" wide at the maximum. The combined weight of the metal is .7 T. oz.
German in origin, they are stamped "800" for the grade of the silver. These marks are on the rims, and are flanked by two other imprints. These are so small they are indecipherab...
The faceted base is molded glass while the top is silver attached to an applied rim. The lid is divided in half and is fitted with a hinge and knob allowing it to open fully.
The fixed side of the top is engraved with an Old English "S" monogram.
The edge of the rim is stamped "Sterling," "95" (a model number), and with a rubbed gr...
The pattern is a "Pointed Antique" with an engraved shield surrounded by a swag and ribbon.
Marked "Sterling," there is no manufacturer's identifier, although similar examples are marked for "Galt & Brother" of Washington, D.C.
The work is Arts & Crafts in manner, particularly evident in the hand hammered bowl with notched shoulders, and an exposed drop on the backsid...
Price per pair, two pairs available.
Other marks include the order number, "4016," "Tiffany & Co.," "M," and "Sterling Silver."
Each of these stands 7/8" high on a footed base 1 3/8" across, and has a maximum body diameter of 1 3/4". The pair combined weigh 1.4 T. oz.
They have satin matte finish bodies with applied rim tops and bright rose gold-surface...
This is high fashion and complimented by a fancy leaf style lettered "EGD" monogram.
It could be a plate or equally serve as a wine caddy, of a size that could accommodate either a 750 ml or 1.5 liter bottle.
It is stamped on the underside for pro...
This attribution is further reinforced by the somewhat eggplant-shaped bowl with raised central ribbing on this 8 1/2" long, approximately 1.8 T. oz., berry or serving spoon. This is a form singular to Krider.
The interior of the bowl has a matte gold finis...
The trail of the numerous patterns produced under these various nameplates can be intricate, but that is not the case with this 5 3/4" long, just over .9 T. oz., "Josephine" sardine fork which bears the earliest Howard Co. "H, four leaf clover, L" emblem, along with the word "Sterlin...
A "French Thread," aka "Fiddle Thread," design, it was made by New York City's Henry Hebbard, who with his contemporary and sometime partner John Polhamus, was one of Tiffany's major suppliers in the 1850s and 60s.
Hebbard's "star, H, anchor" pseudo hallmark appears on the reverse, along with "Tiffany & Co.," and "Sterling."
It is engraved "EAS" in a delicate sc...
Price for each piece individually.
Offerings in this line were made to a higher standard of finish and refinement than general production items, and that is the case in this instance.
The handles are a tipt backside "Old English" design while the fronts are acid etched with a "Humpty Dumpty" figure on the spoon and "Sim...
This is an older piece, with a reinforced arch, and decorative beading on the claw grips.
Without a monogram or removal, they are in superb condition. There are no bends, nicks, dents, or polishing wear. The finish is lustrous.
Marks are the Towle lion emblem, "Sterling," and "Pat. 1895."
Price per piece, three available.
It is clearly stamped with a castle for Edinburgh, a thistle for sterling, a date letter W for 1828, and a bust duty mark. The maker's initials are "JH," for John Hay whose dates correspond with this.
The handle features a "Kings" pattern on the front, and a plain backside with a thumb drop on the heel of the bowl.
There is a script "G" monogram.
It is in exceptionally fine ...
It is more substantial than the diminutively scaled, delicate tine, pieces used for soft lettuce, but it is not as robust as a salad serving fork.
The lengthy handle is the proportion of a lettuce fork, but more substantial. The tines, two of which are splayed and one barbed, are relatively wide and joined to a cupped, pierced heel, but still smaller than regular salad servers.
Appropriate to the period, it is "Old English," style, with a downturned, reverse tipt, handle and a thumb drop on the bowl. The front has a feathered script "R" monogram.
The bowl is unusual in that it is a perfectly shaped hemisphere, 2 1/16" in diameter and 3/4" deep.
It is in very good condition, absent any bends, breaks, or cracks, ...
This example is 9" long, approximately 1.8 T. oz., (probably berry) serving spoon. The plum-shaped bowl is elongated, relatively narrow, and has a lip edge. It is finished in a satin matte gold wash front and back sides.
The otherwise plain handle has an embellished leaf script "P" monogram.
The pattern is "Acorn," which is one of Georg Jensen's defining designs.
Emblematic of the Danish Modern mode, it features a stylized acorn set at the tip of the columnar handle.
This is an exquisite example, showing no wear whatsoever, with even, pointed tines, and a brilliant finish.
Marks are "Georg Jensen" set within a circle of dots, used since 1945, "Sterling,"...
It is stamped "Canfield," referencing one of three (later two) brothers, Ira, William and Jared, the majority of whose working years were spent as partners.
The Baltimore Museum of Art reference work, "Maryland Silver," assigns this particular mark to Ira, located in Haddam, Connecticut until c. 1834, and Baltimore after that, where the partnership was situated.
It is also marked "10....