Price for the pair.
Made by Gorham circa 1865, they are coin silver and stamped with that company's "lion, anchor, G" emblem on the undersides.
They are identical except for the round, applied medallion that adorns the wall of each piece. One of these has a female figure and the other a male figure. These are cast, very finely executed, preci...
This appears on the banding on the upper inner rim and edge of the pedestal base of this 8" top diameter, 4" across the bottom, 5 1/4" tall, 14.9 T. oz., footed bowl, aka tazza or compotier.
The entire piece is characterized by elegant, clean lines, and bright, mirror-like surfaces.
The bowl itself is 2 1/4" deep and has a domed base w...
Price for the pair as a set.
Made by George Sharp of Philadelphia, they are stamped with his "lion, S, lion" emblem, as well as "Tiffany & Co.," who would have retailed this pair about the mid 1860s. Presumably they are sterling rather than coin silver, given that Tiffany early on required this.
They are exceptionally large items, with the fork measuring 10 3/4" long and weighin...
Offered as a three piece set, this is the pot. It stands 6" tall to the top of the finial, has a main body that is 4" at the widest, 5" to the end of the spout, and has a sterling and ebony handle that extends 4 1/4" at a slight upward cant from the body. It weighs 14.1 T. oz. and has a cap...
It is a large, well-proportioned, and handsome item.
Standing 4 1/4" high, it rests on a pedestal base that is 2" in diameter. The maximum span to the end of the handle is approximately 3 1/4" and the weight is just above 4.5 T. oz.
This example is a 9" long, 3.3 T. oz., berry spoon in "Grapevine."
William Hood in Tiffany Silver Flatware notes that this was made with a variety of bowl forms, and the shell or fluted design on this is observationally one of the less common ones. It is finished with a bright gold wash front and backsides.
An early production item, t...
Price for the set of twelve.
They are unusual form with narrow, 1 7/8" long by 15/16" at the widest, deep at 3/8", bowls with oval tips and gold finishes both front and back sides.
They are clearly distinct from typical citrus or orange spoons but are likely to be used for eating fruit.
The pattern is Gorham's "St. Cloud...
Price for the pair.
Made by Tiffany, they are hollowware accompaniments to the company's 1872 "Persian" flatware line. The Moorish pattern is replicated on the two handles of the bowl and the single handle of the creamer, with a modification of the design appearing on the banding that encircles both the top and bottom of each piece.
The creamer measures 3...
It remained required for less than a century, but continued in limited use subsequent to the reversion to sterling in 1720, enjoying a revival in the late Victorian era.
This muffineer, aka sugar shaker or caster, traces to that period, having an Old English "a" date letter for 1896-97. Other marks are the Britannia figure, and an "e...
It stands 3 5/8" tall, has a diameter of 2 7/8", a maximum span of 4 3/8" to the end of the handle, and weighs just under 6.0 T. oz.
The body is plain walled and has a satin finish on the upper section, while the lower portion has a ...
It stands 3 1/4" high, has a top opening of 3", tapers to a a base diameter of 2 1/2", and weighs 3.2 T. oz.
It has a rim bottom and top and is otherwise plain except for two inscriptions.
One of these, "Castlelow 1854," relates to the maker's marks on the underside, which reads, "E. & D. Kinsey," "Prem. B. Co A.S.," "1854."
The word "premium" references t...
The scale of pieces in this pattern is large, as evidenced by the fact that this 8 3/4" long, very heavy at 4.7 T. oz., piece is identified as a preserve spoon, when it is actually the size of a typical berry spoon.
Multi-motif, the portraiture on this is lily. The blossoms and leaves fold ov...
It was offered in three versions, plain, acid etched, and with applied elements. This pair of tongs are acid etched, showing a leaf and vine design on one arm and clover blossom and leaves on the other.
The work is intricate, precise, and artfully expressed. The etching wraps around the edges of the handle, which feature lends the pattern i...
Common to all these pieces are silver bases, crowns, and the truly defining element, which is a dolphin or sea serpent handle.
The bodies are high quality, finely cut rock crystal. At least one source attributes the...
"Mythologique" has generated interest and commentary since its introduction in the late 19th century. Some of the most informative insight about the history of this pattern can be found in an essay written by Elizabeth Williams, Curator of Decorative Arts and Design at the Rhode Island School ...
Price for the pair.
They are stamped "Porter Blanchard," who was a prominent, 20th century name in California Arts and Crafts silver, and "Sterling," on the backsides of "Pointed (1800)" pattern handles.
Alternatively identified as a large salad set, or buffet or platter items, they present as slender, elongated pieces, with a narrow bowl on the spoon, and two lengthy, splayed tin...
Generally cast, they all bear in common innovative design features, with a preponderance falling within the Art Nouveau style, particularly fine execution and finishing, and often, as in the instance of this massive, 10 1/8" long, 5.1 T. oz., example, commanding presentation.
There were several designs offered in this subset of large spoons, of which this i...
The motif is a lotus blossom, fully developed in the 1 5/8" diameter, 1" deep, bowl, complimented by a triplet of lotus leaves surmounting the handle.
That simple descriptive, however, scarcely encompasses the delicacy and subtlety with which the piece is imbued.
The blossom, for example, has fully articulated petals with sawtooth ed...