Two spoons available.
The pattern is Unger Brothers' Art Nouveau "Douvaine."
An expressive design, it features a dolphin or fish like image at the tip of the handle, and a renaissance or wizard like figure set midway on the handle.
This is all surrounded by an array of flowing detail that includes a crossed ribbon motif that extends down t...
Price per piece.
They are long versions of an olive serving spoon and fork, with the former measuring 8 3/4" and weighing just over .9 T. oz., while the latter is 8 7/8" long and weighs just under .8 T. oz.
The spoon has a lattice work bowl with decorated shoulders. It and the two hooked tines on the fork are finished in a satin gold wash.
Neither piece has ever been monogrammed, and both of them ar...
It is marked "H.I. Sawyer," for Henderson Inches Sawyer, who worked in New York City 1835-45, then Hartford, Connecticut, 1845-58.
It also carries a "lion" pseudo hallmark that McGrew identifies in his benchmark work on marks as characteristic of the Hartford area, so this item likely traces to Sawyer's (earlier based on s...
It is marked Bailey & Co. (1848-78) for the firm that became Philadphia's renowned "Bailey, Banks & Biddle." It also carries the pseudo hallmark of manufacturer "Taylor & Lawrie," who sold to "Bailey & Kitchen," forerunner of "Bailey & Co."
Citing D.A. Soeffing, Dorothy Rainwater in her "Encyclopedia of American Silver Manufacturers" notes, "In 185...
Matching pitcher available.
It is English "Georgian" in style, with a bulbous lower body and slender neck, lending it an overall lofty look. It stands on three modified paw feet, and has a lengthy curved spout that is attached at the base and rises to the height of the rim.
The double cee scroll handle is hollow and retains its original insulators....
The piece is a citrus or grapefruit spoon in Durgin's late 19th century "Chrysanthemum" pattern, with a script "PCL" monogram on the front.
It is in excellent condition, free of polishing wear, and with a well-shaped bowl that is without dents or nicks. The bowl retains sligh...
Few equal, and none exceeds, the design on this 7" long, approximately 1.3 T. oz., coin silver preserve spoon made by Boston's Farrington & Hunnewell. The portraiture is artful, realistic and balanced. While decorative, it is constrained, resulting in a design that would have been appealing even to the most decorous of Victorian se...
The piece measures 6 1/16" long and, consistent with the line and the firm, is robust weight at 1.5 T. oz.
It is inscribed "F O'D" in script on the front.
It is in very good condition. There is some slight overall polishing softening of detail on the high spots of the des...
The patent references the "Leaf" pattern on this, which is quite similar to Gorham's "Josephine" of the same period, as well as one produced by William Gale.
An impressive item, likely a fish, or possibly entree, serving fork, the dominant feature is i...
An estate piece dating from the first part of the 20th century, the bottle itself is high quality cut glass fitted with a substantial all silver cap that is 1 1/4" high and 1 7/16" in diameter....
It is a very early example of Kirk's touchstone "Repousse" pattern. it is stamped "S. Kirk 1015.," which the Baltimore Museum of Art reference work on Maryland silver indicates was used 1846-61. The silver standard is roughly equivalent to coin, and is one of several measures uniquely employed in Baltimore at various times during the 19th century.
The repousse appears on...
Price for the set of ten.
The pattern is Wallace's "St. Leon, which is a densely articulated floral design dating from 1890. The flowers and leaves are portrayed in intricate detail, but exactly what they are is uncertain. One source suggests columbine.
All matching, they have script "MR" monograms on the backsi...
This 6" long, weighty at nearly 1.2 T. oz., teaspoon dates early in the line history, as evidenced by the inscription on the reverse, which reads "Kathryn 1904" in script.
It is in mint condition, likely never used. Every detail of the intricate design is fully and clearly articulated. The satin gray finish shows not even the lightest scratch. The bowl is p...
This piece is a 6 1/2" long sugar sifter with an oval 2" by 2 1/2" bowl. It is remarkably heavy, weighing 2.7 T. oz., resulting in an usually thick handle and substantial bowl.
The rather strict bluntness of the design is offset by the delicate, patterned piercing in the gold finished bowl.
It is without a monogram or removal and in ve...
Marked "T.W. Baily" and "Coin" on the reverse, it traces to Philadelphia. Essentially "Old English" in design, with a rounded, "Tipt" end, it has an engraved surface with wriggle work borders. The design includes a reserve where the inscription is applied.
The condition is very good. The engraving remains crisp and ...
It is more substantial than the diminutively scaled, delicate tine, pieces used for soft lettuce, but it is not as robust as a salad serving fork.
The lengthy handle is the proportion of a lettuce fork, but more substantial. The tines, two of which are splayed and one barbed, are relatively wide and joined to a cupped, pierced heel, but still smaller than regular salad servers.
The pattern is Tiffany's turn of the 20th century, "Florentine," which is an elaborate and richly textured design.
It is in choice estate condition, showing no polishing wear, having a bright finish, and retaining its original gold wash, front and backside, bowl.
There is an Old English "C" monogram on the handle reverse.
Marks are "Tiffany & Co.," "Sterling," ...
This example is a 7 1/8" long, nearly 1.2 T. oz., dessert or oval soup, spoon.
It is engraved "Tryon" in script on the interior side of the bowl. Both the name, which could be a first or a surname, and its location are unusual, all of which add interest and implied provenance to this.
The condition is outstandin...