The handled cup measures 3" high, has a top diameter of 2 5/8", a maximum span of 3 3/4" to the end of the handle, and a 2 3/16" wide underside. It weighs 4.2 T. oz. There is a script "DMC" monogram on the sidewall.
Made by Gorham about 1900, it combines two styles.
First, it falls within the Art Nouveau mode popular during the period. This is expressed in the overall undulating form, and in the sinuous character of the detailing, for example the organic nature of the handle and the...
It is a large, 9 1/4" long, approximately 2.5 T. oz. ice cream server.
It has an oval blade with two ribs in the interior, notched shoulders, a beveled edge, and a gold washed upper surface. This is shallowly concave and more o...
It is an exceptionally large, 12" long, and heavy, nearly 4.5 T. oz., fish slice. At this scale, the shank is thick and the beading high relief.
The blade is elegantly shaped, with a gently curved lower edge, scalloping on the upper end and shoulder, a notched lower corner, and a gent...
This example is model number "D453M" as imprinted on the edge of the rim. Other marks include Gorham's "lion, anchor, G" emblem, "Sterling," and a date symbol for 1903. The rim is plain save for a beaded edge where it abuts the glass.
This is a particularly...
The pattern is "Chantilly."
This example likely dates from the second quarter of the 20th century. The handle is curved and engraved in a script "ETR" monogram.
It is in excellent condition, showing no polishing wear and having a bright finish. The four tines remain even, straight, and pointed.
Highly detailed, the imagery is iconic. The bowl portrays the Chicago Herald building constructed in 1891, which date appears on the lower portion of the handle. There is a pennant that reads "Herald" flying from the flagpole atop the building.
Close inspection reveals a figure standing on a pediment placed on a...
It has a 1 1/8" wide, rimmed border that is divided into fourteen panels. Each of these is acid etched in a scene that portrays a different children's rhyme.
These include (see image two for detail):
Jack the Giant Killer
The Merry Hunter
The Wolf and the Lamb
Tom the Piper's Son ...
Price for the set of four.
Typically identified as a demitasse spoon, catalogs of the period commonly call this size a coffee spoon. True demitasse spoons can be considerably smaller.
The pattern is "Cluny" which bespeaks the French origins of its renowned designer, Antoine Heller. The pattern features dense, high...
It is stamped "Gorham & Co.," "Patent 1861" and "Coin" on the backside of the blade, and is engraved "Bertha" in Old English lettering on the front of the handle.
Solid silver, it has a flat handle and blunt end blade. The pattern is raised and appears on both sides of the handle.
It is in very good condition, free of polishing wear and with a blade that is free of nicks or burrs. There are ligh...
The pattern is Gorham's "Colonial," the main feature of which is striping that runs up about two-thirds the length of the handle.
This is more subtle than it appears, as the surface alternates between convex and concave and suggests banding, perhaps of a naturalistic material such as bamboo, which in turn implies an Aesthetic influence, which would be consistent wit...
The 3/4" deep, nearly round, 2" diameter, bowl with a central vee, flanged shoulders, and slightly tipped lip, on this 6" long, 1.2 T. oz., sauce ladle is engraved in a Palmetto leaf motif that is evocative of Egyptian Revival style. The bowl interior also retains most of its original, bright...
The body is glass, cut in a flower, perhaps aster or daisy, leaf, and scroll design.
This is all capped with a solid sterling collar with a rolled rim and fitted lid.
The lid has a dome top, a thumb lift attached to a hinge, and is engraved "JMD" in script. ...
This example is a 4 3/16" long, relatively weighty .8 T. oz., pair of sugar tongs.
A muli-motif floral design drawing from Aesthetic sensibilities, this pair features what appear to be peony blossoms, leaves, and branches.
The detailing is extensive, with a textured background adding character and depth to the overall imagery.
It is qui...
The lower portions of the handle where it joins the bowl suggest an Egyptian Revival influence, while other areas point toward Renaissance Revival inspiration. Lastly, the dense floral clusters employ similar imagery to Gorham's "Cluny" pattern that was designed by Antoine Heller who was highly regarded for his Classical motifs.
This particular piece stands apart for two reasons. One is the quite spectacular p...
The pattern is "Lady Washington" by Gorham. Dating from the 1870s, it is relatively early in the stable of the company's full line flatware designs.
It features an elegant and refined looking central female bust in profile. This is surrounded by swags, drapery, and trailing garlands of ivy vines and leaves. Th...
It dates from the late Art Nouveau period, as indicated by the "Pat. 1907" imprinted on the back of the handle. Other marks include Gorham's "lion, anchor, G," emblem, and "Sterling."
Pieces in this line tend to be large scaled, and that is the case with...
It features the figure of a bearded man at the handle terminus, a pedestal urn laden with fruit midway up the handle, and an array of other fruit and acanthus leaf elements overall.
This example is a 9" long, very heavy at 4.3 T. oz., berry spoon.
The bowl is large, 3 5/8" long by 2 7/8" at the widest, has decorated flange shoulders, and retains traces of an original gol...
Price for the set of eight.
Issued by Gorham in 1882, the pattern is "Fontainebleau," which is a design that features characters from the French Court of Francis I (see image 2 for all the figures). The specific image on these is a woman garbed in a bustled dress, carrying a kettle in one hand and supporting a large cup or mug in the other.
These are early examples, all marked with Gorham's "lion, anchor, G...