Price for the set of twelve.
They are unusual form with narrow, 1 7/8" long by 15/16" at the widest, deep at 3/8", bowls with oval tips and gold finishes both front and back sides.
They are clearly distinct from typical citrus or orange spoons but are likely to be used for eating fruit.
The pattern is Gorham's "St. Cloud...
The pattern is "St. Cloud," one of the outstandingly successful designs produced by Antoine Heller in his long and consequential career with Gorham.
It is in very good condition. The dense leaf and shell motif remains well-defined, showing minimal polishing wear. The tines remain straigh...
It measures 4" at the widest, is 2 1/2" across on the base, and stands 2 1/2" high to the top of the knob on the lid. The total silver content is 4.0 T. oz.
The interior is finished in a bright gold wash, and the piece retains its original (lambswool?) puff in mint condition.
The reason for its fine condition is bittersweet, as it was lit...
This piece is a 6 1/2" long sugar sifter with an oval 2" by 2 1/2" bowl. It is remarkably heavy, weighing 2.7 T. oz., resulting in an usually thick handle and substantial bowl.
The rather strict bluntness of the design is offset by the delicate, patterned piercing in the gold finished bowl.
It is without a monogram or removal and in ve...
It is stamped on the bottom with the words "Sterling" and "Hand Made," along with a "lion."
Plain walled, it has a flat bottom, gadroon top rim, and a gold wash interior finish.
There is a fitted and hinged lid that has a natural or composite pineapple finial with cast silver leaves and knob top.
It is in excellent condition. The body is free of...
It is solid sterling silver, with a flat blade that measures 7 1/2" by 1 3/4". This has a beveled lower edge, and upswept, pointed tip. The upper edge is perfectly straight.
The pattern is "Corona" by Dominick & Haff. This is a double shell design that appears on both sides of the handle. The handle front ha...
It is marked "Sterling," "Patent," and "Starr & Marcus" for the New York City retailer.
Made by John Wendt, it does not carry an official pattern name, but has come to be known as "Diana," in reference to Diana Cramer, silver scholar, former editor of "Silver Magazine," and Wendt authority.
An 1860s design, it is quite similar to John Polhamus' "Armor" of the same period. Both of them bespeak th...
Stamped "H & M" for the partnership of (Henry) Hebbard & (George) Moore, New York City, it dates 1861-65.
It is also stamped "Sterling," and while coin silver was still the dominant standard in this period, Hebbard retailed much of his output through Tiffany, which required sterling, so he likely produced with this in mind.
The design is singular, but characteristi...
Price for the pair.
Dating from the late 19th century, they are high quality items stamped "Hennegan, Bates Co." for the prominent Baltimore firm, and "Sterling."
The pattern is an engraved "Lily," which is more accurately "lily of the valley," and is one of several variations of the same theme made by numerous manufacturers. This work, largely bright cut, is set against an enhancing ...
The pattern is "Grecian" originated by Henry Hebbard, as evidenced by the "H.H. Pat. 862" imprinted on the backside. Early versions like this were frequently retailed by Tiffany, while the design itself became part of the Whiting stable of patterns circa 1882.
The motif features two figures. One is a ram's head placed at the t...
This example of his work is fully marked with his maker's "H.H," a date letter for 1858-59, London, sterling, and a queen's head.
It is a large mustard pot with a clear glass liner. It stands 2 1/8" tall, has a body that is 2 1/8" wide, a maximum span of 3 1/2" to the end of the handle, and the silver ...
It is marked "H.I. Sawyer," for Henderson Inches Sawyer, who worked in New York City 1835-45, then Hartford, Connecticut, 1845-58.
It also carries a "lion" pseudo hallmark that McGrew identifies in his benchmark work on marks as characteristic of the Hartford area, so this item likely traces to Sawyer's (earlier based on s...
The specific "H&S" mark on this 8 7/8" long, heavy at 1.7 T. oz., table serving spoon is an early mark used 1857-64 according to the "Encylcopedia of American Silver Manufacturers."
It is also stamped "W.S. Taylor" for the Utica, New York retailer with dates, 1858-61, convergent with the maker's stamps...
The pattern name is "Unique."
The scalloped edge blade with fancy engraving is set at a right angle to the handle and is joined to it with a ...
Hotchkiss & Schreuder of Syracuse, NY, operated under various names from the mid to late 1800s. The "H&S" mark (along with "Sterling") imprinted on the blade of this 7" long, relatively weighty at 1.2 T. oz., master butter knife in the company's "Unique" pattern was used 1864-71 according to an entry in Rainwater's "Encyclopedia of American Silver Manufacturers."
The design is characteristic of the period, incorporating leaf and anthemion elements rather abundantly employed. It is doubl...
The first factor that stands out is that they are made of solid sterling silver. Grape shears typically have steel cutters, while these are clearly marked on the backside of the lower blade "Howard & Co.," the date "1892," "New York," and "Sterling." To be sure, they do have darkened sur...
Many of Howard's lines are identified with successor firms Roger Williams Silver and ultimately Mount Vernon, and that is the case with "Josephine," the pattern on this 10 3/8" long, 3.2 T. oz., platter, stuffing, or basting spoon.
Presumably named after Napoleon's empress consort, the design features bold acanthus leav...
Traditional in style, this has six paneled sides, rests on a footed base, has a beaded border on the upper rim, ...