The maker's stamp is "Jeffrey R. Brackett," along with the word "Boston." Brackett is well documented, identified as working as a silvers...
It has a flat surface, with slightly beveled edges, and rounded ends that taper from 1 1/4" across at the wide end to 1/2" at the narrow end.
Otherwise plain, it has a flourishing, Art Nouveau style "JA" monogram." The style of this suggests a date circa 1900.
It is in very good condit...
Price per piece, two available.
Sold to Towle and Jones in 1860, Moulton's business formed the bedrock of the firm that eventually became Towle Silversmiths.
That Joseph was a capable craftsman is unequivoc...
English in origin, some makers specialized in this form, and that is the case with this example made by John Bettridge of Birmingham in 1820. A web sear...
Price per piece, three available.
It is clearly stamped with a castle for Edinburgh, a thistle for sterling, a date letter W for 1828, and a bust duty mark. The maker's initials are "JH," for John Hay whose dates correspond with this.
The handle features a "Kings" pattern on the front, and a plain backside with a thumb drop on the heel of the bowl.
There is a script "G" monogram.
It is in exceptionally fine ...
It is an 8 1/4" long, approximately 1.9 T. oz., berry spoon made by Joseph Seymour.
The pattern is "Duchess," which dates from 1877. It reflects the Moresque and renaissance revival sensibilities of its period, having a dense, tapestry-like design set against a finely lined background that lends it a parchment look. There is...
The pattern is "Wreath" introduced in 1854 by Joseph Seymour. The retailer is identified on the backside and was "C.S. Durfee" who operated as a jeweler in the above two referenced cities, likely starting in the 1860s.
Featuring draped leav...
The company was known for its outstanding Art Nouveau designs in both silver and jewelry, and this follows in that mode. The motif incorporates flanking violet blossoms embossed on front and back sides of the lid, with trailing, wispy leaves framing central reserve a...
Priced as a Pair.
According to the identifications offered in the "Encylopedia of American Silver Manufacturers," the style of the "S. Kirk & Son" mark, along with the word "Sterling," was used 1925-32, indicating these have considerable age.
The footed, open salt stands 1 13/16" tall on a base that is 1 3/4" in diameter, and has a top opening that measures 2 5/8" across....
This piece is a 7" long, 3 1/2" at the widest, 4" to the highest point at the top of the handle, 8.1 T. oz., gravy or sauce boat.
It is stamped "S. Kirk & Co," "925/1000," and "7" on the underside. Rainwater indicates this particular mark was used on holloware 1903-07.
Judging from other examples of repousse gravy boats showing on the internet, Kirk produced numerous v...
It is lone coffee pot made imprinted on the underside "S. Kirk & Son," "Sterling," model number "184 A F," and "Hand Decorated."
It is a "Half Chased" Repousse, meaning there is a plain area on the upper and lower portions of the main part of the body.
There is a script "FFM" in the open area at the top of the body, just below the lid.
Price per set of six. Two extra pieces available.
These examples are stamped "S.Kirk & Son," which was used beginning in 1932 until 1961 according to one reference and until 1979 according to another.
They are cream soup spoons, measuring 6 1/8" long. There are 14 of these, all matching, with the same script "ELS" monogram on the backside. They all weigh between 1.2 and 1.3 T. oz., with one exception which is extra weight at 1.5 T. oz.
The pattern is "Alameda" aka "Ivy." It strongly resembles Gorham's "Corinthian" of the same c. 1870 date, but with the addition of a spray of raised ivy leaves and berries set against a stippled ground.
The bowl has a central rib and something of a pie crust border....
This mug is stamped with the "crossed K & B" symbol for the "Krider & Biddle" partnership, along with the model number "433."
There has been some difference of opinion about the exact dates of this pairing. The most recent, and likely most reliable, scholarship on Philadelphia silversmiths has been offered in a volume by Catherine Hol...
It has a 4 5/8" by 3" at the widest, blade with raised shoulders that have flange shoulders with scalloped edges.
The handle has a fan shaped end. It and the blade are extensively engraved in a stylized design that suggests a dating circa 1870.
The backside is plain save for the imprinted word "Sterling," without a maker's or retailer's identification.
It appears barely ever to have been u...
The handle has a period "Bead" pattern front, and curiously a "Thread" pattern on the reverse. There is a fancy, feathered script "CAC" monogram on the obverse, and what appears to be a "CAP" monogram on the reverse. Such details always raise the question of whe...
Dating circa 1880, it has a slightly upturned, round end handle and a large, 5" by 3 1/16" at the widest, teardrop shaped serving end.
The entire front surface is extensively bright cut with wriggle work and hatched detailing. The theme of this is vegetative, expressed with an Aesthetic sensibility.
The imagery on the handle is largely leaves with two sma...