The pattern is Gorham's "Cottage," which according to company archives, was in active production for over thirty years, beginning in 1861. As this pair are stamped "Sterling," they date post 1868 when Gorham adopted the sterling standard. Earlier examples of "Cottage" were made in coin silver. This is also im...
It employs a robust amount of detailing, all well-balanced and set in high relief.
Known for heavy pieces, D&H went all the way with weight in this 7 1/4" long gravy ladle which tops the scale at a full 4.0 T. oz.
The round bowl is generously proportioned, measuring 2 1/2" in diameter and 1 1/8" deep. The stylized shell fo...
Exceptionally quality, it has three, cast and applied, pad feet, with raised anthemions where they join the body. The splayed rim has a repeating leaf and bead design, while the interior is finished in a bright gold wash.
It is stamped on the underside "Eng'Sterling," which was a term in limited use circa 1870, and below this "925-1000" flanked by an Old Engli...
The pattern is "Armor," issued by Whiting Manufacturing Company in 1871. It incorporates acanthus leaf elements, an area of scaling that is perhaps intended to evoke chain mail, and other details that are Gothic Revival in style.
The serving end is what defines this likely vegetable fork, and it is commanding.
Measuring 4 1/8", it has five, 2 1/4" long, tines. It is e...
The holder is sterling silver with a lattice body with beaded detailing on the upper rim and handle. The 2" diameter lid has a raised flower, perhaps wild rose, and leafy scroll design with a solid thumb grip.
The liner is ruby red glass and is original to the piece, as is the 3 3/4" long, sterling bead and twist pattern mustard ladle. The total weight of the silver is 2.5 T. oz.
Price per piece, five available.
This 5 1/2" long, relatively heavy at .9 T. oz., egg spoon is such an example.
It is a "Bead" pattern, with the design appearing on both sides of the handle. The reverse has a fancy script "CBD" monogram.
The oval bowl is generously sized at 1 3/4" long and 1" across at the widest. It retains an original, bright gold wash front and back surfaces.
It is in excellen...
It is stamped "Lincoln & Reed" for the Boston firm with dates 1838-48, and "Pure Silver Coin," which is a term typically used only in New England.
It is a thoroughly engaging period piece which takes its character from the delicate engraving on the top surface. The portraiture is of a wreath comprised of innumerable flowers that include among others, morning glories, peo...
It remained required for less than a century, but continued in limited use subsequent to the reversion to sterling in 1720, enjoying a revival in the late Victorian era.
This muffineer, aka sugar shaker or caster, traces to that period, having an Old English "a" date letter for 1896-97. Other marks are the Britannia figure, and an "e...
This 11 1/4" long example has an engraved margin, but is otherwise plain and without any erasures.
The large, 6" long by 3 1/4" at the widest, blade is sterling silver, as is the shank which is fitted with a turned, appearing to be rosewood or mahogany, handle. The piece weighs 4.8 T. oz., including the handle, which comprises a relatively insignificant a...
This 6 9/16" long, heavy, 1.5 T. oz., probably youth fork is stamped "Marquand & Co." which dates it 1830-33.
It is a "Kings" pattern with a plain back. The front is inscribed "Rockwell" i...
It is fully marked for Sheffield, sterling silver, a date letter "h" for 1900-01, and the maker's "RM over EH" in a diamond.
It is Georgian in style, having a center bar with turned ends and a hexagonal middle section. The resting legs have double ball tips.
It is without a monogram or inscriptio...
It measures 5 3/4" long and weighs just over .7 T.oz.
It is in excellent condition and without a monogram or removal. Apart from light overall surface wear, th...
Dating from the George III period, it is fully and clearly hallmarked for Dublin, 1777, sterling, and maker Michael Homer, whose dates are appropriate to this.
It has a "Hanoverian" style handle, with a down turned, reverse tipt handle that is extensively engraved in bright cut and wriggle work on the front.
There is a feathered script "VL" monogram on the f...
Its mid 19th century pattern is a variant of "Tuscan," attributed to New York's Michael Gibney, or a similar design called "Cottage" produced by Joseph Seymour, John Polhamus, William Gale, and possibly other makers.
This example is only identified by the retailer's name, "J.W. Helmer," location unknown, stamped on the backside.
It has a particularly charming script engraving set sideways on the handle. This read...
The pattern is "Violet," one of several Art Nouveau floral designs Wallace produced early in the 20th century. It is an expressive, true to life portraiture, with the design carrying into the matte finish, gold washed bowl.
There is a script "MKW" monogram.
It is in impeccable condition. There is no evident wear wh...
The manufacturer's name appears on the backside of this 9" long, just over 3.1 T. oz., large serving, likely pudding, spoon. Other marks incl...
English "Georgian" in style, it has a bulbous body with a tall, fitted sleeve, tiered lid surmounted by an urn shaped finial.
The lid has a series of swirled, patterned piercings offset by fine engraved bands.
The underside is stamped "Norman of London" over "New York," "Sterling," and with the number "10N."
It is distinguished by an elongated bowl, 3 1/2" by 2 1/16" at the widest, which in this instance retains very slight traces of an original gold wash.
It is without a monogram or removal and in mint estate co...