This 11 1/4" long example has an engraved margin, but is otherwise plain and without any erasures.
The large, 6" long by 3 1/4" at the widest, blade is sterling silver, as is the shank which is fitted with a turned, appearing to be rosewood or mahogany, handle. The piece weighs 4.8 T. oz., including the handle, which comprises a relatively insignificant a...
It is fully marked for Sheffield, sterling silver, a date letter "h" for 1900-01, and the maker's "RM over EH" in a diamond.
It is Georgian in style, having a center bar with turned ends and a hexagonal middle section. The resting legs have double ball tips.
It is without a monogram or inscriptio...
It measures 5 3/4" long and weighs just over .7 T.oz.
It is in excellent condition and without a monogram or removal. Apart from light overall surface wear, th...
It stands 3/4" high and rests on four silver ball feet, which distinguishes it from most other similar items which do not have feet.
The body is thick glass with a plain surface. This is encased in a sterling frame (not overlay) with leaf and flower engraving. There is a reserve area, which in this instance was never monogrammed.
In keeping wit...
Dating from the George III period, it is fully and clearly hallmarked for Dublin, 1777, sterling, and maker Michael Homer, whose dates are appropriate to this.
It has a "Hanoverian" style handle, with a down turned, reverse tipt handle that is extensively engraved in bright cut and wriggle work on the front.
There is a feathered script "VL" monogram on the f...
Its mid 19th century pattern is a variant of "Tuscan," attributed to New York's Michael Gibney, or a similar design called "Cottage" produced by Joseph Seymour, John Polhamus, William Gale, and possibly other makers.
This example is only identified by the retailer's name, "J.W. Helmer," location unknown, stamped on the backside.
It has a particularly charming script engraving set sideways on the handle. This read...
The pattern is "Violet," one of several Art Nouveau floral designs Wallace produced early in the 20th century. It is an expressive, true to life portraiture, with the design carrying into the matte finish, gold washed bowl.
There is a script "MKW" monogram.
It is in impeccable condition. There is no evident wear wh...
This 6 7/8" long, .9 T. oz., spoon dates from the earliest years of the firm, and may have been produced by it.
It has a flat handle, with notched edges and an anthemion shaped tip. The surface front is extensively engraved with diamond bright cutting, wriggle work, and cross hatching. The backside shows much simpler, lar...
The manufacturer's name appears on the backside of this 9" long, just over 3.1 T. oz., large serving, likely pudding, spoon. Other marks incl...
English "Georgian" in style, it has a bulbous body with a tall, fitted sleeve, tiered lid surmounted by an urn shaped finial.
The lid has a series of swirled, patterned piercings offset by fine engraved bands.
The underside is stamped "Norman of London" over "New York," "Sterling," and with the number "10N."
It is distinguished by an elongated bowl, 3 1/2" by 2 1/16" at the widest, which in this instance retains very slight traces of an original gold wash.
It is without a monogram or removal and in mint estate co...
The pattern is "Buttercup," issued in 1899. Featuring an array of delicate blossoms and leaves, it exhibits the abundance of expression characteristic of Art Nouveau design.
This piece is a 4 5/8" long, .6 T. oz., nut spoon or bon bon.
It has a gold finish, pierced bowl with a flange rim and decorated shoulders. This last feature is found only on older...
They are a large version, measuring 4 3/4" long and weighing just over 1.1 T. oz.
They are also in mint condition, have elaborate grips, and are without a monogram or removal. The design detail is free of any signs of wear, the arch remains well-shaped, and the finish has a natural, brilliant finish.
It has an upturned handle end, a 1 1/2" round bowl that retains a residue of its original gold wash, and is marked with the Simpson, Hall, Miller helmet over shield emblem of International, "Pat.," and "Sterling."
Without a monogram or removal, it is in superb condition. Pattern detail, with its stippled margins, remains sharp ...
The nearly round bowl measures 2" by 1 1/2" by 1/2", has a ribbed and decorated interior and scalloped edges.
The piece is in mint estate condition, and is without a monogram or removal. Pattern detail remains well-defined, down to the pollen flecks on the lily flower petals, and the stippled detailin...
It is a 4 7/16" long, just over .4 t. oz., lemon fork with three tines, the outer two of which are splayed. The center one is wider and slightly more elongated than the other two.
It is without a monogram or removal, and in immaculate condition. The high relief, clustered fruit pattern detail remains clear and well-d...
The pattern is "English King," which is typically heavy, as is the case with this item. It measures 7 1/4" long and weighs a massive 3.7 T. oz.
It is in immaculate estate condition and without a monogram or removal of same. Pattern detail remains well-defined. The finish is brilliant. The bowl is without dents, dings, or nicks.
This piece is a 5" long, just scant of 1.0 T. oz., cream or sauce ladle.
Marked only "Sterling," the maker is unknown, but the character of the work is Arts & Crafts, evocative of "Onslow" patterns produced by Arthur Stone and Tuttle, and suggesting an early 20th century date.
The rolled, broadly lined, handle tip that defines "Onslow" is p...