Price for the pair.
This matched pair in Whiting's "Lily of the Valley," introduced in 1885. It immediately established itself as an outstanding pattern, and has remained sought after ever since.
Sculptural in nature, it features a raised stalk of blossoms enveloped by leaves, which form the margins of the handle. The ground behind the blossoms is lined, again rep...
This 6 1/8" long, approximately .4 T. oz., butter fork or pick is an example of the limited production series.
It has a twisted shank, with a cast rather than die struck cluster of blossoms on the end of the handle. These hang to the side on openwork stems.
The fork end has two splayed tines that have a satin finish and ...
Price for the pair.
The pattern is Whiting's 1885 "Lily of the Valley."
These stand apart on two bases. One, they are the less common, twisted handle, form of this piece. Two, they were retailed by "William Kendrick's Sons," the renowned Louisville, Kentucky, jeweler, known as a supplier of julep cups.
They have front and back, gold washed, trident tines, that are sinuous,...
"Lily" is an enduringly popular, Art Nouveau pattern that essentially set the standard for this floral interpretation after its introduction in 1902.
Absent noticeable polishing wear, this pair show the design to full advantage, retaining all the fine flower and leaf elements for which the line is known, as well ...
It also has a steel rod that makes up nearly two-thirds of the total length of the piece. This is six-sided and pointed. It appears to be a skewer although it is often identified as a sharpener or hone. Typically, however, these latter were rounded and had knurled surfaces.
Price per piece.
They are long versions of an olive serving spoon and fork, with the former measuring 8 3/4" and weighing just over .9 T. oz., while the latter is 8 7/8" long and weighs just under .8 T. oz.
The spoon has a lattice work bowl with decorated shoulders. It and the two hooked tines on the fork are finished in a satin gold wash.
Neither piece has ever been monogrammed, and both of them ar...
This example is a large, 10 1/2" long, just under 2.6 T. oz., serving spoon. It has an extra wide and deep bowl, to be distinguished from a nearly identical version with a smaller bowl.
This is assembled from a variety of parts, rather than being die struck as a unit, or a single casting. This approach was pop...
The rim is scalloped and the tapered sidewalls are undulating. The solid handle is twisted, with a smooth, square, grip at the top.
There is a large scale representation of a wild rose blossom, branch, and leaves acid etched on the otherwise plain body. Acid etching is a technique that produces a more textured surface than simple e...
It is double scallop shaped, with undulating walls with a flange rim. There are six smaller lobes with channels that run to the flat bottom base.
The interior retains a portion of its original gold wash finish.
The outside surface is acid etched in a branch, leaf, and flower motif that is both finely rendered and embl...
This example is a 7 1/2" long, 1.5 T. oz., preserve or jelly spoon. It has the plum-shaped bowl with a flange rim and central rib that Whiting used across several pattern lines.
There is a reserve area at the front of the handle which is a natural location for an inscription. On this piece that ...
It was made by William B. Kerr of Newark, New Jersey. The company emblem, "Sterling," and the model number "2448" are imprinted on the backside of the 3/8" wide, slightly curved, band that forms the body of the piece.
The backside is fitted with a pivoting crossbar to which two prongs that reach to the front are attached.
The surface of the band is acid etched in a swirling, leafy, Ar...
Producers of fine silver, much of which demonstrated artful bright cut work, the company also produced this die struck pattern that bears strong similarity to one, also unnamed, produced by George Sharp in the same 1860s period.
This example is a 7 1/8" long, approximately 1.1 T. oz., master butter ...
It was made by New York City's William Gale, who operated in various partnerships over a long history. This has double marks for one of the associations, "William Gale & Son." One of the stamps includes a diamond imprinted with the date "185x," with the final number obscur...
Price for the set of six.
Flynt and Fales also note in their entry on him that he has been referred to as the "honest goldsmith" and that he "supplied well-crafted church silver and other vessels."
The style of these six, matched, 6 1/8" long, 3....
One only available.
This 3 3/4" diameter by 1 1/4" high, .6 T. oz., individual nut or candy dish exemplifies the firm's design capabilities.
It features raised pond lily leaves alternating between indistinct, i.e. ethereal, floral elements, all arrayed on an undulating rim. The stylized stems form a...
This 7 1/2" long, weighty at 2.1 T. oz., tablespoon is an early example of his work and is imprinted on the backside "W. Mitchell Jr." in a banner.
It is a "Reverse ...
The fiddle shaped handle has beveled edges, a tipt backside, and curves downward. It has a feathered script "MTP" monogram on the front. There is an exposed drop where the handle joins the bowl.
A "Chinese Export" piece, it is stamped with four pseudo hallmarks used by "Wongshing," aka "Wong Shing," located in Canton c. 1810-35 according to...
Dating from the last quarter of the 19th century, it was made by Wood & Hughes, whose "WwH" emblem, the word "Sterling," and the model number "41" is imprinted on the inside lip of the lower half.
The design is exceptional, deriving from the intricate reticulation on both the top and bottom halves of the ball.
In addition to apostrophe like cuts, there is a 1/2" wide band on each...