Price for the set of six.
They are stamped "E.E. & S.C. Bailey," for brothers Ebenezer and Samuel, who established a partnership in Claremont, New Hampshire, circa 1825.
They are particularly well-crafted and elegantly formed. Slender in shaped, they have elongated "Tipt" handles with upturned ends. The bowls are also rather narrow and long, and have pointed tips and exposed drops on...
Priced as set of eight. Eleven total available.
They have plain handles with rounded and upturned ends. The lower sections are engraved in a period design with a central palmette motif, while the ends have script "EL" monograms. The backsides are unadorned.
The are in very good estate condition. There is slight ove...
Apropos of the form, this example measures a lengthy 11 3/4" and weighs 3.4 T. oz.
It is English in origin, specifically London circa 1800. The marks are rubbed but the lion for sterling and leopard for the city are legible enough to validate. The date letter is simply blurred while the maker's mark, which appears to be a script "LM" in a scalloped punch, is insufficient...
Standing on a footed base that is 3" in diameter, it measures 4 3/4" high to the rim and 5 1/8" to the top of the handles, is 4" across rim to rim, has a maximum span of 7 1/4" handle to handle, and weighs a heavy 14.8 T....
First is the maker's identifier, which is "MF" in a rectangle. This is for M(ontague) Friedlander & Co., who also registered in the Glasgow, Scotland assay office.
Secondly, it is inscribed on the reverse with a crest and a Gaelic motto "carid nam fecham" ("a friend in time of trial") both of which are associated with the Smythe family of Balharry, ...
This large, 7 3/4" long, weighty at 2.1 T. oz., gravy ladle is stamped "Eno & Co." and "Coin," dating it 1854-60, prior to Eno's 1860-70 partnership with George Bechtel.
The narrow handle is hexagonal with two square block elements. The end is broad and spreads out into a fan or anthemion form. This is finely engraved and outlined in...
Sculptural in manner, it was made by Watson, whose design and execution in silver manufacturing consistently reflects a high standard.
The subject is drawn from the nursery rhyme "Little Bo Peep" and features a complexly detailed, three dimensional, portraiture of the miss herself.
She is adorned with a big bonnet hat, is wearing a corseted bodice that i...
That is the case with this 5 7/8" long, weighty at 2.1 T. oz., presumably wine taster, or possibly nut spoon, with a likely late 19th century date.
It has an oversized, seemingly carved, roughly rectangular, 3 1/2" by 2 1/4", handle.
The design is enigmatic, and could trace to multiple origins.
Overall the imagery suggests it found inspiration in Aztec themes....
It possesses late Victorian sensibilities, employing cee scrolls, acanthus leaves, and beading detailing to frame the actual rose and floral elements that lend the pattern its name.
There is a script "N" monogram on the handle front. The backside is plain save for the mark "925 Sterling 1000."
This example is a 6" long, relatively light weight at not quite .5 T. oz., cheese knife. ...
This example is a 6 1/4" long, heavy, 1.7 T. oz. sauce ladle. The 1 3/4" diameter, 5/8" deep, bowl has flanged shoulders and a scalloped and patterned outer border.
This is in immaculate condition and without a monogram or removal. There is no polishing wear, o...
This particular pair are stamped "Ford & Tupper," located in New York City, and "Sterling."
Measuring 8 1/2" long and weighing 4.4 T. oz., they are typical in style and size with other commensurate pieces, but exhibit exceptional design.
There are two substantially scaled arms that are joined by a broad arch, which ...
These four, matching, generously sized, 6 1/8" long, 2.5 T. oz. the lot, teaspoons bear his mark and have a second provenance in the inscriptions on the backsides, which read, "J.S. Pote" in script.
They are in choice condition, showing no wear and having bright finishes. The pointed tip bowls remained well-shaped and are free of dents, burrs, o...
This example of the line is a medium sized, 4 3/4" long, moderately heavy at nearly 1.3 T. oz., pair of sugar tongs.
Naturalistic in their portraiture, the three leaves that adorn each leg of the tongs are nonetheless precisely arrayed within the overall design, with one on the bottom and two on the top, surrounding an open area with lined margins.
The leaves are offset with several...
Each arm is stamped "F. [for Foster] Tinkham," born in Middleboro, Massachusetts, and documented working in New York City in 1840 as a jeweler and watchmaker.
The "Fiddle" shape of the arms on these correlates with that date.
The grips are shell form, and the arch is engraved in a very elegant feathered script, "SAE."
They are in remarkably fine condition, and especially so for an item the better part of...
This example of his work is a 7 3/8" long, weighty at 2.0 T. oz., gravy ladle.
It has a twisted handle and broad, shaped, flat handle that is bright cut engraved with an engine turned background.
There is a shield reserve with an Old English "CPK" or "CPR" monogram inscribed on it.
The bowl is generously sized at 2 3/8" by 2" by 5/8" d...
Marked "G.W & H" and with "bust" and "eagle" pseudo hallmarks, it was made by the firm of Gale, Wood and Hughes, one of the numerous partnerships that New York City's William Gale established.
The pattern is a "Fiddle Thread," aka "French Thread," and in this regard not much to be distinguished from other good...
This example of his work is a 1 3/4" diameter, 1" high, weighty at just over 1.0 T. oz., napkin ring.
In keeping with Gebelein's Arts & Crafts roots combined with his sensitivities to ...
An estate piece dating from the first part of the 20th century, the bottle itself is high quality cut glass fitted with a substantial all silver cap that is 1 1/4" high and 1 7/16" in diameter....