Apropos of the form, this example measures a lengthy 11 3/4" and weighs 3.4 T. oz.
It is English in origin, specifically London circa 1800. The marks are rubbed but the lion for sterling and leopard for the city are legible enough to validate. The date letter is simply blurred while the maker's mark, which appears to be a script "LM" in a scalloped punch, is insufficient...
Price per piece with liner, two available.
A slightly convex barrel shaped form, it stands 1 1/2" to the top edge and has a body diameter of 1 7/8". The silver by itself weighs 1.5 T. oz.
It has its original, fitted, deep colored, cobalt blue glass liner.
It is without a monogram or inscription, or removal of same.
It is in excellent condition. Solid and relatively thick-walled, the body has one p...
Brix lists his dates 1825-30, which would be consistent with the style of this 8 3/8" long, nearly 1.3 T. oz., tablespoon stamped "E. Shaw" in a hatched cartouche. This would seem to provide a conclusive attribution. Catherine Hollan's publication "Philadelphia Silversmiths" is the most recent entry about Philadelphia silver and she indicates the 1850 and 1860 censuses located Shaw...
Price for the pair.
Made by Tiffany, they are holloware accompaniments to the company's 1872 "Persian" flatware line. The Moorish pattern is replicated on the two handles of the bowl and the single handle of the creamer, with a modification of the design appearing on the banding that encircles both the top and bottom of each piece.
The creamer measures 3 ...
Sculptural in manner, it was made by Watson, whose design and execution in silver manufacturing consistently reflects a high standard.
The subject is drawn from the nursery rhyme "Little Bo Peep" and features a complexly detailed, three dimensional, portraiture of the miss herself.
She is adorned with a big bonnet hat, is wearing a corseted bodice that i...
That is the case with this 5 7/8" long, weighty at 2.1 T. oz., presumably wine taster, or possibly nut spoon, with a likely late 19th century date.
It has an oversized, seemingly carved, roughly rectangular, 3 1/2" by 2 1/4", handle.
The design is enigmatic, and could trace to multiple origins.
Overall the imagery suggests it found inspiration in Aztec themes....
The terminus is rounded, with a "Tipt" backside, and a tapered, slightly upturned, pointed end typical of the form.
It has a satin finish that is plain on the backside and finely engraved in an intricate, stylized design on the front. There is a reserve area which has an Old English "M" monogram.
It is in mint estate condi...
Measuring 7" long and weighing 1.1 T. oz., this example is a preserve or jelly spoon. The pattern is double die struck, meaning it appears on the front and back sides of the handle. It is high relief and highly detailed.
The bowl i...
It possesses late Victorian sensibilities, employing cee scrolls, acanthus leaves, and beading detailing to frame the actual rose and floral elements that lend the pattern its name.
There is a script "N" monogram on the handle front. The backside is plain save for the mark "925 Sterling 1000."
This example is a 6" long, relatively light weight at not quite .5 T. oz., cheese knife. ...
This example is a 6 1/4" long, heavy, 1.7 T. oz. sauce ladle. The 1 3/4" diameter, 5/8" deep, bowl has flanged shoulders and a scalloped and patterned outer border.
This is in immaculate condition and without a monogram or removal. There is no polishing wear, o...
This example of the line is a medium sized, 4 3/4" long, moderately heavy at nearly 1.3 T. oz., pair of sugar tongs.
Naturalistic in their portraiture, the three leaves that adorn each leg of the tongs are nonetheless precisely arrayed within the overall design, with one on the bottom and two on the top, surrounding an open area with lined margins.
The leaves are offset with several...
It was made by Frank Smith, whose "lion and S" emblem is stamped on the inside lower rim, along with the word "Sterling."
It is entirely plain, and without a monogram or inscription, or removal of same.
In choice estate condition, it remains perfectly round and is free of bends, nicks, or blemishes. The finish is bright, with a rich patina.
The pattern is "Priscilla," which dates from 1924. It is a clean design, with a double lined border and delicate shell and bow at the terminus, and in this instanc...
It is dessert size, 7" long, and weighing approximately 1.0 T. oz. It has a down-turned, reverse tipt end, and a lined drop on the bowl. There is a feathered script "HT" monogram.
The condition is very good. The bowl remains ...
This example of his work is a 1 3/4" diameter, 1" high, weighty at just over 1.0 T. oz., napkin ring.
In keeping with Gebelein's Arts & Crafts roots combined with his sensitivities to ...
An estate piece dating from the first part of the 20th century, the bottle itself is high quality cut glass fitted with a substantial all silver cap that is 1 1/4" high and 1 7/16" in diameter....
It is apparently modified from a Whiting "Louis XV" pattern. It retains the "Sterling" and "Pat. 1891" marks of that line, accompanied by "Geo. C. Shreve & Co." It apparently dates between 1891 and 1894, when the name of the firm became "Shreve & Co."
The piece incorporates two modifications, both of which reflect h...
His work was of the highest order and exemplary of the silversmith's art. That is the case with this 7" long, weighty, 2.3 T. oz., silver gravy ladle.
Inspired by American colonial period design, about which Gebelein was a scholar, it has a clean, straightf...