Standing on a footed base that is 3" in diameter, it measures 4 3/4" high to the rim and 5 1/8" to the top of the handles, is 4" across rim to rim, has a maximum span of 7 1/4" handle to handle, and weighs a heavy 14.8 T....
Brix lists his dates 1825-30, which would be consistent with the style of this 8 3/8" long, nearly 1.3 T. oz., tablespoon stamped "E. Shaw" in a hatched cartouche. This would seem to provide a conclusive attribution. Catherine Hollan's publication "Philadelphia Silversmiths" is the most recent entry about Philadelphia silver and she indicates the 1850 and 1860 censuses located Shaw...
Price for the pair.
Made by Tiffany, they are holloware accompaniments to the company's 1872 "Persian" flatware line. The Moorish pattern is replicated on the two handles of the bowl and the single handle of the creamer, with a modification of the design appearing on the banding that encircles both the top and bottom of each piece.
The creamer measures 3 ...
Sculptural in manner, it was made by Watson, whose design and execution in silver manufacturing consistently reflects a high standard.
The subject is drawn from the nursery rhyme "Little Bo Peep" and features a complexly detailed, three dimensional, portraiture of the miss herself.
She is adorned with a big bonnet hat, is wearing a corseted bodice that i...
That is the case with this 5 7/8" long, weighty at 2.1 T. oz., presumably wine taster, or possibly nut spoon, with a likely late 19th century date.
It has an oversized, seemingly carved, roughly rectangular, 3 1/2" by 2 1/4", handle.
The design is enigmatic, and could trace to multiple origins.
Overall the imagery suggests it found inspiration in Aztec themes....
It is comprised of an open ball or basket that is 1 7/8" in diameter and 1 1/8" deep.
This is fitted with a wire bail handle which in turn is attached to a 2 1/2" long, pronged wire that locks into a spout, held in place by tension.
It is solid silver, weighing .9 T. oz., and marked "Sterling" on the rim.
This functions effectively to capture any ...
The terminus is rounded, with a "Tipt" backside, and a tapered, slightly upturned, pointed end typical of the form.
It has a satin finish that is plain on the backside and finely engraved in an intricate, stylized design on the front. There is a reserve area which has an Old English "M" monogram.
It is in mint estate condi...
It is also imprinted "Pure Coin," which was a silver standard term used in New England in the period.
It has a downturned, "Reverse Tipt" handle that is elegantly engraved on the front in a design that is similar enough to Knowles' of nearby Providence, Rhode Island, die struck "Coronet" as perhaps to share a commonality of sourc...
It possesses late Victorian sensibilities, employing cee scrolls, acanthus leaves, and beading detailing to frame the actual rose and floral elements that lend the pattern its name.
There is a script "N" monogram on the handle front. The backside is plain save for the mark "925 Sterling 1000."
This example is a 6" long, relatively light weight at not quite .5 T. oz., cheese knife. ...
This example is a 6 1/4" long, heavy, 1.7 T. oz. sauce ladle. The 1 3/4" diameter, 5/8" deep, bowl has flanged shoulders and a scalloped and patterned outer border.
This is in immaculate condition and without a monogram or removal. There is no polishing wear, o...
This particular pair are stamped "Ford & Tupper," located in New York City, and "Sterling."
Measuring 8 1/2" long and weighing 4.4 T. oz., they are typical in style and size with other commensurate pieces, but exhibit exceptional design.
There are two substantially scaled arms that are joined by a broad arch, which ...
This example of the line is a medium sized, 4 3/4" long, moderately heavy at nearly 1.3 T. oz., pair of sugar tongs.
Naturalistic in their portraiture, the three leaves that adorn each leg of the tongs are nonetheless precisely arrayed within the overall design, with one on the bottom and two on the top, surrounding an open area with lined margins.
The leaves are offset with several...
Each arm is stamped "F. [for Foster] Tinkham," born in Middleboro, Massachusetts, and documented working in New York City in 1840 as a jeweler and watchmaker.
The "Fiddle" shape of the arms on these correlates with that date.
The grips are shell form, and the arch is engraved in a very elegant feathered script, "SAE."
They are in remarkably fine condition, and especially so for an item the better part of...
This example of his work is a 7 3/8" long, weighty at 2.0 T. oz., gravy ladle.
It has a twisted handle and broad, shaped, flat handle that is bright cut engraved with an engine turned background.
There is a shield reserve with an Old English "CPK" or "CPR" monogram inscribed on it.
The bowl is generously sized at 2 3/8" by 2" by 5/8" d...
This example of his work is a 1 3/4" diameter, 1" high, weighty at just over 1.0 T. oz., napkin ring.
In keeping with Gebelein's Arts & Crafts roots combined with his sensitivities to ...
An estate piece dating from the first part of the 20th century, the bottle itself is high quality cut glass fitted with a substantial all silver cap that is 1 1/4" high and 1 7/16" in diameter....
It is apparently modified from a Whiting "Louis XV" pattern. It retains the "Sterling" and "Pat. 1891" marks of that line, accompanied by "Geo. C. Shreve & Co." It apparently dates between 1891 and 1894, when the name of the firm became "Shreve & Co."
The piece incorporates two modifications, both of which reflect h...
His work was of the highest order and exemplary of the silversmith's art. That is the case with this 7" long, weighty, 2.3 T. oz., silver gravy ladle.
Inspired by American colonial period design, about which Gebelein was a scholar, it has a clean, straightf...