It is apparently modified from a Whiting "Louis XV" pattern. It retains the "Sterling" and "Pat. 1891" marks of that line, accompanied by "Geo. C. Shreve & Co." It apparently dates between 1891 and 1894, when the name of the firm became "Shreve & Co."
The piece incorporates two modifications, both of which reflect h...
It is an English, Victorian era item, fully hallmarked for George Adams of London, with a date letter for 1852. Chawner was of the Firm Chawner & Co., which reference work "Jackson's Hallmarks" describes as "the most important [English] mid 19th century firm of spoon ma...
His work was of the highest order and exemplary of the silversmith's art. That is the case with this 7" long, weighty, 2.3 T. oz., silver gravy ladle.
Inspired by American colonial period design, about which Gebelein was a scholar, it has a clean, straightf...
Staunch and clean, these were made to a standard and no doubt intended to serve dutifully while presenting with a quiet nobility.
The elongated cup grips have high shoulders that, which, along with the length of the arms, have beveled edges. The arch i...
Made by Philadelphia's George Sharp, who is most associated with this style, and particularly so his "Ball End," it is stamped "Patent 1863," "G.S.," and "Sterling," on one of the facets of the six-sided handle.
The cube is substantial, measuring 3/4" square, and si...
They are marked on the inside of each arm "GS" for George Smith III, working in London the last quarter of the 18th century.
They are finely made and in choice condition.
Each arm is bright cut in a diamond pattern with wriggle work trim. This extends around the margins of the round cup grips and the broad, concave arch.
The arch has a novel crest illustrating the tail of a fis...
Appropriate to the period, it is "Old English," style, with a downturned, reverse tipt, handle and a thumb drop on the bowl. The front has a feathered script "R" monogram.
The bowl is unusual in that it is a perfectly shaped hemisphere, 2 1/16" in diameter and 3/4" deep.
It is in very good condition, absent any bends, breaks, or cracks, ...
Sources vary about the date for the use of this last mark, but 1932 seems to be the latest possible year.
The design is architectural in manner, comprised of a sharply angular handle with what appear to be a series of chiseled "parallel" lines with beveled surfaces.
While Jensen defined "Danish Modern" style, this also reflects the "Art De...
Price for the pair.
Each one has three legs and stands 1 1/4" high to the top of base and 1 5/8" tall with the liner in place, and is 1 3/4" wide at the maximum. The combined weight of the metal is .7 T. oz.
German in origin, they are stamped "800" for the grade of the silver. These marks are on the rims, and are flanked by two other imprints. These are so small they are indecipherab...
Priced as a pair.
The pitcher is 3 3/8" tall, 3" across to the handle tip, has a 1 1/2" rimmed base, and weighs 3.0 T. oz.
The design is a study ...
It appears to be a pen tray, and is indeed very similar to the item alongside it identified as that, but late Victorian sensibilities provided for separate items for each functional need of the time.
It is particularly handsome and intricately detailed. The motif appears to be taken from English court style, ...
It was made by Gorham, whose "lion, anchor, G" emblem, the word "Sterling," and model number "D1656" appear on the lower edge of the cover.
The cover is domed and acid etched in a design that includes various blossoms, acanthus leaves, and other elements set against a double band. The area around the etching has a...
Made by Gorham, whose "lion, anchor, G" emblem is stamped on the inside, it is model number "673" which is also imprinted on the interior, along with the word "Sterling."
Dating circa 1880, it is Aesthetic or Eastlake in style, engraved in a pattern that is part foliate and part stylized.
It has a fancy, feathered script, "HMR" monogram.
First, it falls within the Art Nouveau style popular during the period. This is expressed in the overall undulating form, and in the sinuous character of the detailing, for example the organic nature of the handle and the stem and leaf elements that are applied to the body. Second, it also incorporates four applied children's figures that are very much in the manner of Kate Greenaway whose work harkens to the Arts and Crafts Mo...
It is a large, 9 1/4" long, approximately 2.5 T. oz., ice cream server. It has an oval blade with two ribs in the bottom, notched shoulders, a beveled edge, and a gold washed upper surface. This is shallowly concave and more of a...
It is an exceptionally large, 12" long, and heavy, nearly 4.5 T. oz., fish slice. At this scale, the shank is thick and the beading high relief and tactile.
The blade is elegantly shaped, with a gently curved lower edge, scalloping on the upper end and shoulder, a notched lower corner...
This example is model number "D453M" as imprinted on the edge of the rim. Other marks include Gorham's "lion, anchor, G" emblem, "Sterling," and a date symbol for 1903. The rim is plain save for a beaded edge where it abuts the glass.
This is a particularly...