It is apparently modified from a Whiting "Louis XV" pattern. It retains the "Sterling" and "Pat. 1891" marks of that line, accompanied by "Geo. C. Shreve & Co." It apparently dates between 1891 and 1894, when the name of the firm became "Shreve & Co."
The piece incorporates two modifications, both of which reflect h...
It is an English, Victorian era item, fully hallmarked for George Adams of London, with a date letter for 1852. Chawner was of the Firm Chawner & Co., which reference work "Jackson's Hallmarks" describes as "the most important [English] mid 19th century firm of spoon ma...
His work was of the highest order and exemplary of the silversmith's art. That is the case with this 7" long, weighty, 2.3 T. oz., silver gravy ladle.
Inspired by American colonial period design, about which Gebelein was a scholar, it has a clean, straightf...
Staunch and clean, these were made to a standard and no doubt intended to serve dutifully while presenting with a quiet nobility.
The elongated cup grips have high shoulders that, which, along with the length of the arms, have beveled edges. The arch i...
This example is a 6 1/2" long, 1.2 T. oz. sauce ladle.
The handle is slender and elongated, and is joined to a 2" diameter, round shell bowl with a scalloped rim and a flat bottom. This is finished on both sides with a bright gold wash that extends to the lower of two...
Made by Philadelphia's George Sharp, who is most associated with this style, and particularly so his "Ball End," it is stamped "Patent 1863," "G.S.," and "Sterling," on one of the facets of the six-sided handle.
The cube is substantial, measuring 3/4" square, and si...
This premier San Francisco firm was known for its Arts & Crafts designs, and this essentially falls within that category.
It has a solid, four sided handle that is joined by a ball at the lower end to the two tine fork.
The tines are lengthy at 2", slender, and finished in a gold wash.
Apart from a slight bit of waviness in one tine, there is no visibl...
It is a very fine period example of this particularly English form, produced by a well-recognized maker.
The larger of the two elongated ends shows a thumb drop on the back and is inscribed with a crest of a long-necked bird with a snake in its beak.
It is in outstanding condition. It is f...
Appropriate to the period, it is "Old English," style, with a downturned, reverse tipt, handle and a thumb drop on the bowl. The front has a feathered script "R" monogram.
The bowl is unusual in that it is a perfectly shaped hemisphere, 2 1/16" in diameter and 3/4" deep.
It is in very good condition, absent any bends, breaks, or cracks, ...
The pattern is "Acorn," which is one of Georg Jensen's defining designs.
Emblematic of the Danish Modern mode, it features a stylized acorn set at the tip of the columnar handle.
This is an exquisite example, showing no wear whatsoever, with even, pointed tines, and a brilliant finish.
Marks are "Georg Jensen" set within a circle of dots, used since 1945, "Sterling,"...
Price for the pair.
Each one has three legs and stands 1 1/4" high to the top of base and 1 5/8" tall with the liner in place, and is 1 3/4" wide at the maximum. The combined weight of the metal is .7 T. oz.
German in origin, they are stamped "800" for the grade of the silver. These marks are on the rims, and are flanked by two other imprints. These are so small they are indecipherab...
The form is unusual in that the serving end is oriented sideways to the handle, with an upraised, flange edge on the right, and a smooth lip on the left. The interior is extensively pierced, while the entire surface front and back sides...
Priced as a pair.
The pitcher is 3 3/8" tall, 3" across to the handle tip, has a 1 1/2" rimmed base, and weighs 3.0 T. oz.
The design is a study ...
It appears to be a pen tray, and is indeed very similar to the item alongside it identified as that, but late Victorian sensibilities provided for separate items for each functional need of the time.
It is particularly handsome and intricately detailed. The motif appears to be taken from English court style, ...
Identified in company catalogs of the period (see image 2) as a "bread" fork, it is commonly identified today for toast, all of which is a small distinction.
The piece is hollow, with an elaborate scroll design that is the same on both sides of the handle and three, one straight and two curved, tines.
Without a monogram or r...
The form was popular in the late 19th century, and no company was more successful in producing impressive examples than Gorham. This example is model number "588" offered by that firm.
It is medium-sized, measuring 6 1/8" long, has a bowl that is roughly 2 3/4" in diameter, and weighs just under 2.0 T. oz.
It is cast rather than die struck, as these forms generally were. Casting allows for the introduction of more intricate detail and great...
It was made by Gorham, whose "lion, anchor, G" emblem, the word "Sterling," and model number "D1656" appear on the lower edge of the cover.
The cover is domed and acid etched in a design that includes various blossoms, acanthus leaves, and other elements set against a double band. The area around the etching has a...
Made by Gorham, whose "lion, anchor, G" emblem is stamped on the inside, it is model number "673" which is also imprinted on the interior, along with the word "Sterling."
Dating circa 1880, it is Aesthetic or Eastlake in style, engraved in a pattern that is part foliate and part stylized.
It has a fancy, feathered script, "HMR" monogram.