Exceptionally quality, it has three, cast and applied, pad feet, with raised anthemions where they join the body. The splayed rim has a repeating leaf and bead design, while the interior is finished in a bright gold wash.
It is stamped on the underside "Eng'Sterling," which was a term in limited use circa 1870, and below this "925-1000" flanked by an Old Engli...
This example is an impressively scaled at 9 5/8" long, 3.1 T. oz., serving spoon. It has a large scoop bowl with rolled, flange shoulders and a broad, rounded end. The reverse of the bowl has a matte finish while the obverse has a bright finish.
The matte surface handle has a rounded end and eleven applied daisies. These are joined by a ...
Price for the set of twelve.
They are unusual form with narrow, 1 7/8" long by 15/16" at the widest, deep at 3/8", bowls with oval tips and gold finishes both front and back sides.
They are clearly distinct from typical citrus or orange spoons but are likely to be used for eating fruit.
The pattern is Gorham's "St. Cloud...
Price for the set of eight.
Each piece measures 5 3/8" long and has a script monogram that appears to be "GEHA" on an otherwise plain backside. They are relatively heavy, weighing 6.7 T. oz. the group.
All the pieces are in excellent condition, showing no polishing wear and having fine finishes. The tines r...
It features the figure of a bearded man at the handle terminus, a pedestal urn laden with fruit midway up the handle, and an array of other fruit and acanthus leaf elements overall.
This example is a 9" long, very heavy at 4.3 T. oz., berry spoon.
The bowl is large, 3 5/8" long by 2 7/8" at the widest, has decorated flange shoulders, and retains traces of an original gol...
The pattern is "Rose," introduced in 1892, and which is a hallmark repousse design for this company and for Baltimore silver in general.
This is the open shield variant of the line, which in this instance is engraved "Suzanne" in script.
The high relief chased work encompasses the entire band and is ...
Made by Durgin, whose "D" emblem appears on the backside, along with "Sterling" and "Pat. Apd. For," it measures 6" long and weighs .8 T. oz.
The piece is well-crafted, with a sculptural quality to the detailed, high relief, imagery that includes a box turtle at the join between the handle and bowl and the word "...
Other marks include a "lion, anchor, G," and the name of the retailer, Baltimore's "Geo. Webb & Co."
The design incorporates a large, fan-like, anthemion end attached to a tubular handle. The backside of the anthemion is plain with a leafy border, and never monogrammed.
The bowl is melon fo...
Price for the pair as a set.
Made by George Sharp of Philadelphia, they are stamped with his "lion, S, lion" emblem, as well as "Tiffany & Co.," who would have retailed this pair about the mid 1860s. Presumably they are sterling rather than coin silver, given that Tiffany early on required this.
They are exceptionally large items, with the fork measuring 10 3/4" long and weighin...
This is high fashion and complimented by a fancy leaf style lettered "EGD" monogram.
It could be a plate or equally serve as a wine caddy, of a size that could accommodate either a 750 ml or 1.5 liter bottle.
It is stamped on the underside for pro...
The bowl is the story with this item. It is an artistically engraved representation of, at the time, the campus buildings of the "St. Johnsbury [Vermont] Academy."
The quality and precision of this work would be hard to overstate. Every facet of the two structures is rendered in intricate, fine line, detail. This is all set against a deep, bronze-colored, gold wash (fro...
He evidently designed a considerable amount of quality jewelry, and less so, flat and holloware, based on the ratio of what internet searches yield.
Although not identified as a worker for Georg Jensen, his name frequently seems to surface in conjunction with that renowned maker. His work is decidedly Danish Modern, in a Jensenesque manner.
The pattern is high style and shows to its fullest at the scale of this item.
This piece has an original form bowl with scalloped, flange, shoulders, a textured base, and a rich gold wash front and back sides. Later examples have plain, rounded bowls.
It has never been monogrammed and is in outstanding condition....
It is an English, Victorian era item, fully hallmarked for George Adams of London, with a date letter for 1852. Chawner was of the Firm Chawner & Co., which reference work "Jackson's Hallmarks" describes as "the most important [English] mid 19th century firm of spoon ma...
Price per piece, two available.
The pattern is "Old Orange Blossom." Issued in 1905, it quickly became a standard bearer among Art Nouveau designs and remains so today.
The high relief portraiture is intricate, richly textu...
Price per piece, five available.
The "Reverse Tipt" design on the handle of this 5 1/2" long, not quite .5 T. oz., teaspoon which carries this mark, suggests the earlier years.
The piece presents in a diminutive manner that in its delicacy is appealing. It has a broad handle end, with high, beveled "fins" off the join with the bowl.
The bowl itself ...
The pattern is "Queen Anne" which has a broad rounded end, upturned handle, narrow stem, and a mid rib. The backside is plain, save for the marks.
This piece is a four-tine cold meat fork that measures 8 1/2" long and weighs a robust 2.3 T. oz.
It was never monogrammed and is in excellent ...
Price for the set of eight.
Issued by Gorham in 1882, the pattern is "Fontainebleau," which is a design that features characters from the French Court of Francis I (see image 2 for all the figures). The specific image on these is a woman garbed in a bustled dress, carrying a kettle in one hand and supporting a large cup or mug in the other.
These are early examples, all marked with Gorham's "lion, anchor, G...