New York's Dominick & Haff seemed to favor its "Renaissance" pattern for this purpose, as this 6" long, just over .8 T. oz., teaspoon illustrates.
The design is intricate enough to accommodate enamel highlights as well as provide the necessary grid for the material to adhere to. (Enamel and silver ...
The handle is lengthy, slender, angular, and unadorned save for the domed terminus with a tipt backside. There is a thumb drop where the handle joins the 1 7/8" by 1 3/4" by 1/2 deep, oval bowl.
It has a two-dimensional, cursive, particular to Tiffany, "MKC" monogram on the front of the handle.
It is in excellent...
The item itself looks to date mid 20th century. It is cubist or blocky in form, comprised of a series of assembled, solid, rectangular bars with plain, polished surfaces. It is slightly curved, to fit...
Price for the set of ten.
Each one is stamped "E. Whiton," for Ezra, 1797-1858, working in Boston by 1821.
Measuring 4 3/4" long and weighing 4.0 T. oz. the lot, they all have the same, block letter, again 18th century in style, "A." over "M. B." monograms on the backsides, as well as line drops on the bowls.
The are in immaculate condition...
The nosegay (essentially a bouquet) is comprised of a gathering of floral elements and three clustered and one single cherub faces. The blossoms portrayed include irises and narcissus.
This example is a 5 3/4" long, just under 1.0 T. oz., teaspoon engraved "Lucile 1903" on the backside of the bowl.
It is in excellent condition. Polishi...
This example is a 6 3/4" long, 1.5 T. oz., cucumber or tomato server. It has a pierced blade that is roughly square at 2 1/2" wide and 2 5/8" back to front.
It is without a monogram or removal and in outstanding condition. All aspects of the engraved design remain sharp and free...
Modeled after a statue designed by Frederick William MacMonnies originally given to the Boston Public Library in 1894 by its architect, Charles Follen McKim, the libertine subject was offensive to the prudish sensibilities of some of Boston's citizenry of the time. The gift was then withdrawn and subsequently presented to the Metropolitan Museum of Art in New York.
Boston's public attitudes having become less r...
It has an upturned handle end, a 1 1/2" round bowl that retains a residue of its original gold wash, and is marked with the Simpson, Hall, Miller helmet over shield emblem of International, "Pat.," and "Sterling."
Without a monogram or removal, it is in superb condition. Pattern detail, with its stippled margins, remains sharp ...
It has a matte finish surface with knurled margins and a bright cut leaf and scroll design.
There is a "TGM" script monogram in the reserve area of the engraved design, while the inside of the band is inscribed "From J.W.F. Jr. Dec. 25 '99."
It is in excellent condition, f...
Price per piece, three available.
It is clearly stamped with a castle for Edinburgh, a thistle for sterling, a date letter W for 1828, and a bust duty mark. The maker's initials are "JH," for John Hay whose dates correspond with this.
The handle features a "Kings" pattern on the front, and a plain backside with a thumb drop on the heel of the bowl.
There is a script "G" monogram.
It is in exceptionally fine ...
The late 19th century pattern is expressive, portraying an abundance of chrysanthemum blossoms and leaves arrayed on both front ...
The pattern is Towle's courtly "Georgian." It resembles a Corinthian style column surmounted by a basket of roses and draped with a garland of roses. A third rose detail is set midway up the handle. The reverse adds shell and acanthus leaf components in addition to the roses, all of which rou...
Price per piece, three available
The backsides of the two designs mirror each other, while the front of "Colfax" adds an egg and dart margin and delicate central embellishment.
This example is a 6 1/8" long, weighty, 1.2 T. oz., individual salad fork. An early piece, it is stamped with the Durgin "D" on the reverse, along with the word "Sterling."
This example is a 6 1/16" long, relatively weighty, 1.1 T. oz., almond scoop.
The flower is "buttercup," which is gracefully arrayed on both the front and back sides of the handle. The pattern shows fine die work and finish, and is set in high, sculptural-like, relief.
The bowl is generously proport...
It is large, measuring 8 7/8" long, with an essentially round bowl that is 3" in diameter and 1/2" at the deepest, and heavy, weighing nearly 2.8 T. oz.
Rarely found, this is not a named line pattern with Gorham, but it is in the manner of a "Pointed Antique" with a broad, slightly down-turned, end. It has notched shoulders where it joins the bowl, an...
With one exception, standard references offer no information about this mark, and that one identifies it with David Mendel, 1852-65.
A private source, citing Boultinghouse "Silversmiths of Kentucky," notes there are two possibilities, David a...
This piece is a 6 1/8" long, just over .8 T. oz., sugar spoon.
It is unusual in that the upper end of the handle is hollow, while the lower portion is tubular. This provides for a thicker than usual grip, and also enables more detailed design elements, which include a blossom, bud, and sinuous leaves set against a textured background.
The bowl is decorative, in keeping with the overall de...
This example is a 6 5/8" long, approximately 1.0 T. oz., preserve spoon or large sugar spoon.
The style is characteristic of the period, with an "Oval Thread" pattern handle and a shell bowl. The backside carries a script "JAL" monogram.
In very good condition, it is essentially absent wear and has a warm, bright, patina. The bowl is free of dents, dings, cracks, or burrs.
Marks are a ...