This piece is a 6 1/2" long sugar sifter with an oval 2" by 2 1/2" bowl. It is remarkably heavy, weighing 2.7 T. oz., resulting in an usually thick handle and substantial bowl.
The rather strict bluntness of the design is offset by the delicate, patterned piercing in the gold finished bowl.
It is without a monogram or removal and in ve...
Marked "T.W. Baily" and "Coin" on the reverse, it traces to Philadelphia. Essentially "Old English" in design, with a rounded, "Tipt" end, it has an engraved surface with wriggle work borders. The design includes a reserve where the inscription is applied.
The condition is very good. The engraving remains crisp and ...
It is more substantial than the diminutively scaled, delicate tine, pieces used for soft lettuce, but it is not as robust as a salad serving fork.
The lengthy handle is the proportion of a lettuce fork, but more substantial. The tines, two of which are splayed and one barbed, are relatively wide and joined to a cupped, pierced heel, but still smaller than regular salad servers.
The pattern is Tiffany's turn of the 20th century, "Florentine," which is an elaborate and richly textured design.
It is in choice estate condition, showing no polishing wear, having a bright finish, and retaining its original gold wash, front and backside, bowl.
There is an Old English "C" monogram on the handle reverse.
Marks are "Tiffany & Co.," "Sterling," ...
This example is a 7 1/8" long, nearly 1.2 T. oz., dessert or oval soup, spoon.
It is engraved "Tryon" in script on the interior side of the bowl. Both the name, which could be a first or a surname, and its location are unusual, all of which add interest and implied provenance to this.
The condition is outstandin...
Whatever name is applied, this example is characteristic of the piece. It measures 3 7/8" long, with a short handle and a 1 5/8" diameter bowl with two tabs to lock over the rim of a brandy snifter. It weighs .6 T. oz.
While brandy warmers are readily available, this piece is uncommon. Figural and decorative whereas many are plain, it is a limited lin...
One only available.
Intricate and high relief like its successor designs, it is more two-dimensional in profile than they are.
The leaf and floral portraiture is more organic and naturalistic than Alvin's better known version of this same motif, "Old Orange Blossom" (OOB).
Durgin's is also less commonly found. Indeed this 5 3/8" long, just over ...
The serving end has two hooked tines that are splayed outward. These are joined to a cupped heel that has three piercings.
Without a monogram or removal, the piece is in choice estate condition. There is no polishing wear and the finish is bright and warm. The tines are free of bends or burrs and remain even and pointed.
Examples of his work can be found at Yale University, Winterthur, and the Metropolitan Museum of Art. A pair of canns, i.e. mugs, larger than but otherwise matching this one, are illustrated online, with a date of circa 1815, and identified as in a private collection....
This example is a 6" long, just under .9 T. oz., youth fork. It is an early example, stamped with Gorham's "lion, anchor, G" emblem, "Sterling," and the word "Copyrighted" set on the edge of the handle.
Its age is further evidenced by the inscription on the reverse, which reads in fine script le...
It is a 4 7/16" long, just over .4 t. oz., lemon fork with three tines, the outer two of which are splayed. The center one is wider and slightly more elongated than the other two.
It is without a monogram or removal, and in immaculate condition. The high relief, clustered fruit pattern detail remains clear and well-d...
It appears to be a pen tray, and is indeed very similar to the item alongside it identified as that, but late Victorian sensibilities provided for separate items for each functional need of the time.
It is particularly handsome and intricately detailed. The motif appears to be taken from English court style, ...
This example is a substantial sized, 8 7/8" long, 2.1 T. oz., table or serving spoon.
It has an arched, fiddle shaped handle with a raised "Kings" pattern on the front, a plain reverse, and a shell back bowl. ...
Issued in 1925, it is markedly similar to Towle's popular "Mary Chilton" which was introduced a decade earlier in 1912.
Sharing the same diamond-shaped handle, Watson's iteration is more elaborated than Towle's. Rather than plain, the handle a...
The pattern is clearly rooted in Aesthetic sensibilities, with a marine theme. There are two shell motifs, one in the heel of the central of three tines, and one at the tip of the handle.
Radiating lines fan out from the broad, angular, handle shoulders, and meet a series of ripples that evoke waves, which probably not without coincidence, resemble Tiffany's "Wa...
It is stamped "Duhme & Co." for the prominent Cincinnati firm. While the shape of the handle and the detailed engraving are characteristic of the company's output in the period, the twist handle is not nearly as common as the more typical solid handle.
It is in immaculate condition, showing essentially no wear. The...
The defining feature of the line is a cast, in most instances female, "bust" that surmounts the slender, square handle.
A product of the Classical Revival movement of the period, the figure sits atop a pedestal base, much as she might be presented in a museum or salon, or in a wall niche in an athenaeum.
This piece is a 5 7/8" long, not quite 1.0 T. oz., coin ...
Price for the pair.
Marked on the undersides "S. Kirk & Son Inc.," "Sterling," "Hand Decorated," and with the model number number "3," they date 1925-32.
The pattern is "Repousse," which is the hallmark design of this firm. They have three paw feet each that are joined to the bodies in a leaf form. The bottoms are engraved "MCR" in sc...