The company was known for its outstanding Art Nouveau designs in both silver and jewelry, and this follows in that mode. The motif incorporates flanking violet blossoms embossed on front and back sides of the lid, with trailing, wispy leaves framing central reserve a...
The nearly round bowl measures 2" by 1 1/2" by 1/2", has a ribbed and decorated interior and scalloped edges.
The piece is in mint estate condition, and is without a monogram or removal. Pattern detail remains well-defined, down to the pollen flecks on the lily flower petals, and the stippled detailin...
Among those who pursue ultimate quality, Robinson has an outstanding reputation. Indeed, "Cigar Aficionado" magazine states in an article available online, "one can make a case that James Robinson's sterling flatware is the world's best crafted. The reason is simple: it's one of only two sources left anywhe...
An earlier example, it is stamped with the Whiting lion logo, "Sterling," "Pat. 1893," and with an Old English "O."
It is in excellent condition. The shell and leaf elements that constitute the design are free of polishing wear, remaining crisp and well-defined. The wispy tines are well-formed and without bends, nicks, or burrs. The finish is bright, warm, and smooth...
It is stamped "Gorham & Co.," "Patent 1861" and "Coin" on the backside of the blade, and is engraved "Bertha" in Old English lettering on the front of the handle.
Solid silver, it has a flat handle and blunt end blade. The pattern is raised and appears on both sides of the handle.
It is in very good condition, free of polishing wear and with a blade that is free of nicks or burrs. There are ligh...
The pattern is Whiting's late 19th century "Dresden," which is a charming and intricate floral design that features what appear to be forget-me-not blossoms and leaves trailing up the handle. A shell surmounts the handle tip and there is acanthus leaf detailing in other areas. The pattern repeats with slight...
The pattern is "Grecian" originated by Henry Hebbard, as evidenced by the "H.H. Pat. 862" imprinted on the backside. Early versions like this were frequently retailed by Tiffany, while the design itself became part of the Whiting stable of patterns circa 1882.
The motif features two figures. One is a ram's head placed at the t...
The execution on this is masterful. Aesthetic in design, the engraving shows the diamond like surfaces characteristic of bright cut work. The background is satin finish on both the reverse tipt handle, and the scallop flange edge bowl. This provides an offsetting surface that highlights the engraving to advantage.
There is a...
This example is long handle, 8 1/2", 1.0 T. oz., olive spoon.
The plum-shaped bowl has decorated, notched shoulders, while the piercing mirrors the grasses and clover of the overall pattern. There are remaining traces of an original gold wash.
It is without a monogram or removal and in flawless estate condition. Design d...
One, it is an example of Tiffany retailed coin silver. Early to adopt a sterling standard, coin instances perforce go deep into the history of that storied company.
Second, it an "Olive" pattern, which is one not commonly found among Tiffany's offerings.
Lastly the maker is unknown, with this only marked "Tiffany & Co." on the backside of the blade, and absent a manufacturer's identification that Tiffa...
Made by John Westervelt of Newburgh, New York, c. 1863, the handle is in his drooping leaf or wreath with acanthus leaf detailing design.
The blade is set at a twisted right angle to the handle and is engraved and engine turned on both sides. In addition, the front features an engraved warrior head.
Westervelt offered a primary line with this...
The portraiture on this 8 3/4" long, just under 2.0 T. oz., coin silver, berry spoon is anecdotally referred to as the "Diana Medallion," as identified by D.A. Soeffing in his 1988 benchmark work on this class of silver. He describes this design as "particularly Grecian in its appearance."
This is an exceptionally fine example in...
It has a 4 5/8" by 3" at the widest, blade with raised shoulders that have flange shoulders with scalloped edges.
The handle has a fan shaped end. It and the blade are extensively engraved in a stylized design that suggests a dating circa 1870.
The backside is plain save for the imprinted word "Sterling," without a maker's or retailer's identification.
It appears barely ever to have been u...
The fiddle shaped handle has beveled edges, a tipt backside, and curves downward. It has a feathered script "MTP" monogram on the front. There is an exposed drop where the handle joins the bowl.
A "Chinese Export" piece, it is stamped with four pseudo hallmarks used by "Wongshing," aka "Wong Shing," located in Canton c. 1810-35 according to...
It is stamped "Sterling" and "Black, Starr & Frost," for the New York City retailer that succeeded "Ball, Black" in 1874.
The handle is a rounded end "Antique." The pierced bowl has coffered walls and is finished with a gold wash inside and out.
The form is evocative of one commonly used by John Wendt who had a relationship with Ball, Black that ended...
Price for the set of six.
The "Ivy" design on these six, 5 7/8" long, 3.5 T. oz. the lot, matching teaspoons, is one of the firm's signature patterns. Made to both a coin and sterling standard, these are marked "Sterling," dating them to 1870 or later according to silver scholar D. A. Soeffing.
Each one has a feathered script "M.A.S." monogram ...
Price per piece, two available.
The pattern is Unger Brothers' Art Nouveau "Douvaine."
An expressive design, it features a dolphin or fish like image at the tip of the handle, and a renaissance or gargoyle like figure set midway on the handle.
This is all surrounded by an array of flowing detail that includes a crossed ribbon motif that extends down...
Price per piece.
They are long versions of an olive serving spoon and fork, with the former measuring 8 3/4" and weighing just over .9 T. oz., while the latter is 8 7/8" long and weighs just under .8 T. oz.
The spoon has a lattice work bowl with decorated shoulders. It and the two hooked tines on the fork are finished in a satin gold wash.
Neither piece has ever been monogrammed, and both of them ar...