Price for the set of six.
They are a "French Thread" aka "Fiddle Thread" design with slightly upturned handle ends, and oval, pointed, bowls.
Dating circa 1840, they are all stamped "G W & H" for the New York City partnership of William Gale, Jacob Wood & Jasper Hughes, along with a right facing eagle and bust pseudo hallmark that McGrew in his work on marks id...
It was made by Gorham, whose "lion, anchor, G" emblem, the word "Sterling," and model number "B2306" are imprinted on the inner wall.
It is engraved "Betty" flanked by "four years old . . . April 3 1904.," which date is consistent with the low tone Art Nouveau style of the piece.
The undulating edges have applied, acanthus leaf pattern rims, while the body has ...
The engraving is finely rendered, as would be expected of this firm, and as was generally so of mid 19th century Philadelphia silver.
There is a reserve that has never been monogrammed.
The bowl is an unusual shape, with notched edges and raised ribbing on the interior. It is finished in an original bright...
It is fitted with a natural, likely bone, handle that has a rounded end and polished surface.
The bowl has a small, flat, hood that covers the heel, and a silver sleeve that accommodates the handle.
The piece is in excellent condition, showing no bends, tears, or other damage in the bo...
The pattern is known as "Fox Head" or "Wolf Head," indicative of the three dimensional animal figure situated at the tip of the handle. This is embellished by ivy leaves that appear on both sides of the handle and backside heel of the bowl.
The actual sifter is round, 2 1/2" in diameter, has an essentially flat bo...
It stands 3/4" high and rests on four silver ball feet, which distinguishes it from most other similar items which do not have feet.
The body is thick glass with a plain surface. This is encased in a sterling frame (not overlay) with leaf and flower engraving. There is a reserve area, which in this instance was never monogrammed.
In keeping wit...
It is stamped "KLF & Son" and "Sterling" for the renowned Finnish born and trained silversmith Karl F. Leinonen, who headed the (Boston) Handicraft Shop from 1901 to at least 1932.
The design of this is in the manner of Georg Jensen,...
It is engraved "Martha" in script on the handle front, and "Akron. O." "Dec. 25. 1891." on the reverse.
Made by Wood & Hughes, the pattern is that company's "Venetian," which is a Moorish or Renaissance Revival design.
The plum-shaped bowl is relative large and elongated at 3" by 1 13/16" wide, by 3/4" at the deepest. It has a central groove in the base, a flange rim, ...
The pattern is the company's fabled "Olympian," which builds upon motifs drawn from classical mythology.
The theme on this is "satyrs receiving instructi...
The pair is comprised of a 7 3/8" long knife and a 6 3/8" spoon. Both are very heavy, with the knife weighing 1.8 T. oz., and the spoon 1.5 T. oz.
Made by Whiting, the handles have the same shape and proportion as that company's "Berry" pattern, save the design on these is acid etched (rather than die struck) and portrays characters from children's rhymes. On a par with Tiffany's "Jack and Jill" youth items...
It has a flat, solid silver, handle with a square end, and a pointed and tapered blade, and may be a (butter or cheese) spreader or for fruit. Whatever its function, it is not a readily found piece.
Never monogrammed or inscribe...
The pattern is "Tuscan," which is an "Olive" variant developed by Michael Gibney (later marketed by Whiting) and in this instance retailed by New York's prominent "Ball, Black & Co.," whose name, along with "Sterling," is imprinted on the handle backside.
The name "Benedict" is engraved on the front, while "ABG" ap...
While a relatively contemporary piece, the scrolled terminal pattern, "Onslow," is an older English design, and the three tine configuration also harkens to an earlier period, all defining this as a reproduction piece.
Never monogrammed, it is in excellent estate condition. There is no visible wear, the t...
Price for the set of six.
They are early production items in Whiting's scroll motif, "Louis XV" pattern. All the pieces are stamped with the company "lion" logo, "Sterling," and "Pat. 1891."
Never monogrammed, they are in excellent estate condition. The handles are free of dents or splits, and remain tightly secured with the blades, which apart from slight wear o...
Price for the pair.
This matched pair of 3" long, .6 T. oz. combined, master salt spoons marked with the company "CR" emblem, "Sterling," and "26 S," are no doubt inhouse production items, consistent with the firm's best work generated during the first quarter of the 20th century.
The pattern is "Onslow," which is an older English design that features ...
Price for the set of six.
First, they are exceptionally fine, extra weight, 5.9 T. oz. the group, examples of Wood & Hughes' Moorish or similar, Renaissance Revival, "Venetian" pattern.
Second, they are anniversary presentation pieces, with mirror inscriptions front and back sides of the handles. The reverses read "HCA" in an elegant, feathered script "HCA" over "Nov. 3d, 1852." The obverses are identical save for a different year, "1877."...
It is an elegantly crafted, sterling silver, piece made by London's George Smith and William Fearn in 1787-88, with sharp, clear hallmarks for the same.
It is an "Old English" pattern, with a downturned reverse tipt end, and a thumb drop on the bowl backside.
The handle front has a diamond bright cut edge with wriggle work detailing, and a lion's head crest...
The pattern is Dominick & Haff's "Renaissance," which features images of Florentine style, bearded figures on the end of the handle and the backside heel of the bowl.
This example, retailed by Boston's "Bigelow, Kennard & Co.," as indicated on the handle reverse, along with the D&H three part emblem, the word "Sterling," and "Pat-d. 94.," is the pierced version of this pattern.
The more common examples of "Renaissan...