This 8 5/8" long, nearly 1.9 T. oz., coin silver tablespoon is marked with the "T.U" and "I.V" indicative of that partnership.
It has a rounded, "Reverse Tipt," down-turned, end and a pronounced drop on the bowl. The shank is narrow, thick, and smoothly joined with th...
Most frequently found as teaspoons, the series was produced in a variety of other place and serving pieces. Large items such as this 9 5/8" long, nearly 3.5 T. oz., likely fish serving fork, however, are quite rare.
The detail of the Art Nouveau design shows to advantage at ...
It is a sophisticated piece, and all the more so for its early date. It is a "Kings" pattern, with a pronounced shell end with leafy borders. The backside heel of the bowl also has a shell imprint. The ...
Priced as a pair.
The engraving is Aesthetic in manner, which is consistent with the 1884 date of this design. The backsides are plain, save for elegant, feathered script "ARF" monograms.
The 7" long knife is solid silver while the four-tine fork measures 6 1/8". The two together weigh 1.8 T. oz., ...
Almost never marked, it frequently goes unrecognized for what it is, namely coin silver produced by the above maker. Wood & Hughes made a nearly identical pattern with the same ...
This 6" long, 1.2 T. oz., sauce ladle dates from this transition time. It is marked with the "Stone with hammer" emblem, the "h in a shield" emblem for Heywood, "Sterling," and a benchmark "B," likely for Charles Brown whose tenure ran to 1937.
The markedly curved...
This example is a 4 3/16" long, relatively weighty .8 T. oz., pair of sugar tongs.
A muli-motif floral design drawing from Aesthetic sensibilities, this pair features what appear to be peony blossoms, leaves, and branches.
The detailing is extensive, with a textured background adding character and depth to the overall imagery.
It is qui...
It employs a robust amount of detailing, all well-balanced and set in high relief.
Known for heavy pieces, D&H went all the way with weight in this 7 1/4" long gravy ladle which tops the scale at a full 4.0 T. oz.
The round bowl is generously proportioned, measuring 2 1/2" in diameter and 1 1/8" deep. The stylized shell fo...
The handle is open, featuring trellis like borders that are interspersed with trailing posies or similar flower. The mid portion of the handle is demarcated by a single blossom set against a shell, while the area below this has an Aesthetic style scrolling desi...
Price per set of six. Two extra pieces available.
These examples are stamped "S.Kirk & Son," which was used beginning in 1932 until 1961 according to one reference and until 1979 according to another.
They are cream soup spoons, measuring 6 1/8" long. There are 14 of these, all matching, with the same script "ELS" monogram on the backside. They all weigh between 1.2 and 1.3 T. oz., with one exception which is extra weight at 1.5 T. oz.
Priced as a set of six.
The pattern is Whiting's "Heraldic," which appropriately enough is dominated by the image of a medieval helmet set at the top of the handle. The remainder of the design incorporates a dense array of high relief, scrolling acanthus leaves.
The bowls are a fancy version, with flanged shoulders, ...
That article spawned (pun intended) an intensified interest in this already enchanted, and immensely costly, pattern. It also prompted the assignment of the label "Narragansett...
Price per piece. September not available.
This trio includes the months of "April," "September," and "November," and portrays respectively, a lily, a poppy, and a chrysanthemum.
Each spoon measures 6" long, and is heavy, weighing something over 1.0 T. oz. each, with slight variation piece to piece.
The condition of all the spoons is excel...
This example is an unusual form server that measures 9 1/2" long and weighs a relatively heavy 2.9 T. oz.
It has a flat blade, with a rounded edge. The upper edge is scalloped and decorated with pattern elements. There i...
It is marked "Sterling," "Patent," and "Starr & Marcus" for the New York City retailer.
Made by John Wendt, it does not carry an official pattern name, but has come to be known as "Diana," in reference to Diana Cramer, silver scholar, former editor of "Silver Magazine," and Wendt authority.
An 1860s design, it is quite similar to John Polhamus' "Armor" of the same period. Both of them bespeak th...
Highly detailed, the imagery is iconic. The bowl portrays the Chicago Herald building constructed in 1891, which date appears on the lower portion of the handle. There is a pennant that reads "Herald" flying from the flagpole atop the building.
Close inspection reveals a figure standing on a pediment placed on a...
It has a broad, "Tipt" end, high shoulders off the bowl, and a generously proportioned, 3" long by 1 7/8" at the widest, scallop shell bowl.
There is a fancy, feathered script "HMM" monogram on the front of the handle.
It is stamped with the name of Philadelphia retailer "S.M. Hopper," and a three part "arrow, W, shield" pseudo hallmark. In his benchmark work "Manufacturers' Marks on American Coin ...
Starting with the top of the handle, there are a pair of upraised (presumably eagle) wings. These appear to rise out of a crown, which itself sits over a lion rampant on a shield. Lastly there is an upraised steed projecting out of a castle turret.
The background around all of this is a dense array of acanthus leaves, which motif is carried over to the bac...