While a relatively contemporary piece, the scrolled terminal pattern, "Onslow," is an older English design, and the three tine configuration also harkens to an earlier period, all defining this as a reproduction piece.
Never monogrammed, it is in excellent estate condition. There is no visible wear, the t...
They are early production items in Whiting's scroll motif, "Louis XV" pattern. All the pieces are stamped with the company "lion" logo, "Sterling," and "Pat. 1891."
Never monogrammed, they are in excellent estate condition. The handles are free of dents or splits, and remain tightly secured with the blades, which apart from slight wear o...
Price for the pair.
This matched pair of 3" long, .6 T. oz. combined, master salt spoons marked with the company "CR" emblem, "Sterling," and "26 S," are no doubt inhouse production items, consistent with the firm's best work generated during the first quarter of the 20th century.
The pattern is "Onslow," which is an older English design that features ...
Price for the set of six.
First, they are exceptionally fine, extra weight, 5.9 T. oz. the group, examples of Wood & Hughes' Moorish or similar, Renaissance Revival, "Venetian" pattern.
Second, they are anniversary presentation pieces, with mirror inscriptions front and back sides of the handles. The reverses read "HCA" in an elegant, feathered script "HCA" over "Nov. 3d, 1852." The obverses are identical save for a different year, "1877."...
It is an elegantly crafted, sterling silver, piece made by London's George Smith and William Fearn in 1787-88, with sharp, clear hallmarks for the same.
It is an "Old English" pattern, with a downturned reverse tipt end, and a thumb drop on the bowl backside.
The handle front has a diamond bright cut edge with wriggle work detailing, and a lion's head crest...
The pattern is Dominick & Haff's "Renaissance," which features images of Florentine style, bearded figures on the end of the handle and the backside heel of the bowl.
This example, retailed by Boston's "Bigelow, Kennard & Co.," as indicated on the handle reverse, along with the D&H three part emblem, the word "Sterling," and "Pat-d. 94.," is the pierced version of this pattern.
The more common examples of "Renaissan...
This 7 1/2" long, weighty at 2.1 T. oz., tablespoon is an early example of his work and is imprinted on the backside "W. Mitchell Jr." in a banner.
It is a "Reverse ...
The marks are rubbed, but clear enough to identify the maker's stamp, TC on the horizontal intersecting with WC on the vertical, belonging to Thomas and William Chawner, as attributed by Grimwade in the "unregistered marks" section. The leopard and lion are blurred but legible, while the date letter is difficult to identify precisely, but the Got...
This example is a 7 1/8" long, substantial weight at 1.7 T. oz., preserve or jelly spoon.
It has a decorative bowl, with scalloped shoulders and a swirling design in the interior, which is engraved in a flower and leaf motif that matches the overall pattern. The matte surface retains a portion of its original pale gold finish.
It is in excellent condition an...
The mark could be for either of two brothers, Abraham or James, both born in the eighteenth century, an...
It has a broad, down turned, "Reverse Tipt," handle end, a narrow shank with beveled edges, and high, rounded shoulders off the bowl.
The bowl has a pointed tip and a raised shell design on the backside heel.
It is stamped "R[ichard]. Smith" and "Newark," along with a "lion, D, bust...
Made of coin silver, this dates c. 1865.
The pattern is described as "ornamental" in Rainwater's "Encyclopedia of American Silver Manufacturers." The design appears on both sides of the handle and features anthemion leaves, along with other period detailing.
The bowl is a shell form in the manner o...
It is a solid silver ice cream slice or knife in Frank Smith's "Newport Shell" pattern, which features a shell end handle with beaded border on the front, and double lined edges and the shell crest on the backside.
The commanding blade is essentially rectangular, measuring 6 1/2" at the longest and 1 7/8" at the widest. With largely flat margins, there is one scalloped area on the upper edge, and a rolling ...
The pattern is "Lotus," which is an Egyptian Revival design that is nearly identical to Gorham's pattern of the same name, save Whiting's version shows five fronds while Gorham's has three.
It is solid silver, with a flat handle joined to an upswept blade with a scalloped top edge.
It has a plain, concave body that is ringed on the top and bottom margins by a series of five, cast, high relief, winged cherub or putti faces.
Childlike in appearance, their mien is consistent with this being a birth or baptism p...
It has an end that mimics Jensen's "Pyramid" and design elements around the band that abuts the stainless steel opener that are reminiscent of his "Bittersweet" and "Cactus."
Cubic and angular in construction, the handle is robust and tapers inward somewhat.
Without a monogram or inscription, the piece remains in excellent condition. The silv...
It reflects a form that saw various expressions in the mid 1860s. The common characteristics of this style are a faceted, which this is, or tubular stem, surmounted by any number of ends, for example, knob, ball, sphere, cube, or as in this instance, "dome."
The top on this is more precisely a hemisphere, wit...
It is model number "S623," as stamped below the hinge, along with "Sterling." Gorham's "lion, anchor, G" hallmark appears on the underside of cap, as well as "Sterling" and a date symbol for "1890." All these marks repeat on the lower rim, save the date symbol there is for 188...