The pattern is Tiffany's turn of the 20th century, "Florentine," which is an elaborate and richly textured design.
It is in choice estate condition, showing no polishing wear, having a bright finish, and retaining its original gold wash, front and backside, bowl.
There is an Old English "C" monogram on the handle reverse.
Marks are "Tiffany & Co.," "Sterling," ...
Whatever name is applied, this example is characteristic of the piece. It measures 3 7/8" long, with a short handle and a 1 5/8" diameter bowl with two tabs to lock over the rim of a brandy snifter. It weighs .6 T. oz.
While brandy warmers are readily available, this piece is uncommon. Figural and decorative whereas many are plain, it is a limited lin...
One only available.
Intricate and high relief like its successor designs, it is more two-dimensional in profile than they are.
The leaf and floral portraiture is more organic and naturalistic than Alvin's better known version of this same motif, "Old Orange Blossom" (OOB).
Durgin's is also less commonly found. Indeed this 5 3/8" long, just over ...
The serving end has two hooked tines that are splayed outward. These are joined to a cupped heel that has three piercings.
Without a monogram or removal, the piece is in choice estate condition. There is no polishing wear and the finish is bright and warm. The tines are free of bends or burrs and remain even and pointed.
Examples of his work can be found at Yale University, Winterthur, and the Metropolitan Museum of Art. A pair of canns, i.e. mugs, larger than but otherwise matching this one, are illustrated online, with a date of circa 1815, and identified as in a private collection....
This example is a 6" long, just under .9 T. oz., youth fork. It is an early example, stamped with Gorham's "lion, anchor, G" emblem, "Sterling," and the word "Copyrighted" set on the edge of the handle.
Its age is further evidenced by the inscription on the reverse, which reads in fine script le...
It is a 4 7/16" long, just over .4 t. oz., lemon fork with three tines, the outer two of which are splayed. The center one is wider and slightly more elongated than the other two.
It is without a monogram or removal, and in immaculate condition. The high relief, clustered fruit pattern detail remains clear and well-d...
It appears to be a pen tray, and is indeed very similar to the item alongside it identified as that, but late Victorian sensibilities provided for separate items for each functional need of the time.
It is particularly handsome and intricately detailed. The motif appears to be taken from English court style, ...
Issued in 1925, it is markedly similar to Towle's popular "Mary Chilton" which was introduced a decade earlier in 1912.
Sharing the same diamond-shaped handle, Watson's iteration is more elaborated than Towle's. Rather than plain, the handle a...
The pattern is clearly rooted in Aesthetic sensibilities, with a marine theme. There are two shell motifs, one in the heel of the central of three tines, and one at the tip of the handle.
Radiating lines fan out from the broad, angular, handle shoulders, and meet a series of ripples that evoke waves, which probably not without coincidence, resemble Tiffany's "Wa...
The defining feature of the line is a cast, in most instances female, "bust" that surmounts the slender, square handle.
A product of the Classical Revival movement of the period, the figure sits atop a pedestal base, much as she might be presented in a museum or salon, or in a wall niche in an athenaeum.
This piece is a 5 7/8" long, not quite 1.0 T. oz., coin ...
Early pieces distinguish themselves from later ones (and fakes) by their exceptionally fine detail and finish. The handle is up-tipped, which is another feature associated with older examples; subsequent issues had flat handle ends.
A mint condition estate item, this small chipped beef fork possesses every quality for which this pa...
Other elements of the design incorporate more typical to Wallace floral elements, including a bold iris that appears in two places on the handle and in the heel of the bowl, along with wild rose and violet blossoms.
This example is a 7 1/8" long, weighty at 1.8 T...
Price per pair. Please ask about individual purchase.
They are marked "Benedict," for Samuel Ward Benedict, a well-known New York City jeweler and watchmaker, working 1818-60.
In his work on marks, John McGrew attributes the "bust, lion, C" pseudo hallmark that also appears on them to the "Gilbert-Cunningham/Cooper Complex."
They are a "Prince Albert" pattern...
Priced as a pair.
Examples of this show up in both coin and sterling silver, and are only occasionally identified as by Durgin. This youth set provide that association, as both pieces are stamped "Wm. B. Durgin" and "Sterling."
The knife measures 7 1/2" long, while the fork is 6". Both pieces combined weigh just...
They produced an extensive line of souvenir spoons, many with a mining theme, as is the case with this 6" long, 1.0 T. oz. example. It features a die cut image of a miner panning for gold in a stream flowing from distant mountains. A stand of evergreen trees forms a backdrop for him and his t...
It is lone coffee pot made imprinted on the underside "S. Kirk & Son," "Sterling," model number "184 A F," and "Hand Decorated."
It is a "Half Chased" Repousse, meaning there is a plain area on the upper and lower portions of the main part of the body.
There is a script "FFM" in the open area at the top of the body, just below the lid.
Identification for this, presumably, retailer is elusive, but other pieces with the same name bear the pseudo hallmark of silversmith Richard Huntington of Utica, so this likely places Le Gross in central New York.
It is a well-formed item, with a broad end, and high, rounded shoulders off the somewhat elongated, pointed tip bowl.
What particularly d...