Made by Durgin, the pattern is "Bead," which was introduced in 1893.
The design incorporates a beaded border on the handle, which has a tipt end on the slightly upturned front and a plain end on the back.
There is an Old English "H" monogram.
An estate piece, this is ...
This example is a large, 8 3/4" long, 1.8 T. oz., berry spoon. It has a scallop shell bowl that has an essentially intact gold wash finish on the interior and an enlarged repeat of the leaf motif on the backside heel.
The handle has a fancy, feathered script "JL" monogram.
It is in outstanding condition. There is minimal polish...
Price for the pair.
They also have deeply beveled and highly angular shoulders coming off the bowls.
The pair weight approximately 1.0 T. oz. combined, and each one has the same feathered script, period "HM" monogram engraved on the front.
Each one is imprinted with a right facing "eagle" pseudo hallmark...
One of several sizes made in the "Repousse" pattern, probably varying over the decades long production run of this pattern, this one is medium length.
It has highly articulated talon grips.
Never monogrammed, it is in choice condition. There is no polishing wear and the finish is bright. The ...
The pierced bowl is stamped "Plata Industria Argentina" and "800" in a diamond. This is hinged for opening and has a threaded end that fits into the tube.
The tube itself has a gold tip that is stamped "18K." This appears to be a solid band wrapped around an inner lining. The stem is divided into several distinct sections, two of which are knurled. The upper portion has a facet...
An innovative producer, Dorthy Rainwater in her "Encyclopedia of American Silver Manufacturers" notes that he received a patent for making spoons in 1859, and further that, "the company was one of the first to mak...
The piece is cast open work, rococo in style, and fully marked for sterling, William Comyns, London, 1895-96.
The design is intricate and incorporates a variety of figures and leaf and floral elements surrounding two roughly heart shaped, 1 1/2" by 1 1/4", areas for pictures.
A pair of cherubs flank a shield on th...
Price for the pair.
The pattern is Gorham's old "Medici," which is an elaborate design that features Renaissance period figures, including a woman carrying a bundle of fruit in her skirt, as well as satyr and gryphon images
These are particularly early examples, marked "lion, anchor, G," "Sterling," and "Co...
This 7 5/8" long, heavy at nearly 2.2 T. oz., cold meat fork is an early example of the line marked "925/1000," with the Towle "standing lion in a T" emblem, "Sterling," "Patent 1898," and the name of the retailer, "Bruce & Chapin," of Worcester, Massachusetts.
It has four tines, one of which has a beveled edge; the basket of flowers and ...
Price per piece, three available.
This example is a 5 3/16" long, just under .5 T. oz., five o'clock coffee spoon.
This is a particularly elegant item, with a relatively large bowl that is finished in a bright gold wash front and back sides.
This attribution is further reinforced by the somewhat eggplant-shaped bowl with raised central ribbing on this 8 1/2" long, approximately 1.8 T. oz., berry or serving spoon. This is a form singular to Krider.
The interior of the bowl has a matte gold finis...
Price for the pair.
Made by Tiffany, they are hollowware accompaniments to the company's 1872 "Persian" flatware line. The Moorish pattern is replicated on the two handles of the bowl and the single handle of the creamer, with a modification of the design appearing on the banding that encircles both the top and bottom of each piece.
The creamer measures 3...
It is stamped "Sterling" and "Robbins, Clark & Biddle" on the reverse. According to Catherine Hollan in "Philadelphia Silversmiths," this firm was operating by 1876, which is the approximate date of this piece. Samuel Biddle left the company in 1878 to form Bailey, Banks & Biddle.
An ice cream server, it has a large, concave, blade. There are two round bottom vees with cur...
It measures 4" at the widest, is 2 1/2" across on the base, and stands 2 1/2" high to the top of the knob on the lid. The total silver content is 4.0 T. oz.
The interior is finished in a bright gold wash, and the piece retains its original (lambswool?) puff in mint condition.
The reason for its fine condition is bittersweet, as it was lit...
It is imprinted on the backside with the horse head chevron of Philadelphia maker James Watts, and the word "Coin."
The design bespeaks its period and area of manufacture. The handle has a twisted shank and slightly upturned, broad end that is engine turned and bright cut engraved.
There is a feathered script "MEP" monogram in the shield-shaped reserve area.
The bowl is shell form, with a notched ed...
It is stamped "Lincoln & Reed" for the Boston firm with dates 1838-48, and "Pure Silver Coin," which is a term typically used only in New England.
It is a thoroughly engaging period piece which takes its character from the delicate engraving on the top surface. The portraiture is of a wreath comprised of innumerable flowers that include among others, morning glories, peo...
This candle snuffer has a multiple provenance.
It is stamped on the end of the handle, "Perlita," which sources indicate was a Mexico City retailer, "Taxco," for the renowned center of modernist silver manufacturing, "Sterling 925," and with an eagle symbol with a "9" on its chest, which was the number assigned by convention to Hector Aguilar.
Aguilar was a shop manager for the legendary William Spratling before he opened his own operation in 1939, and became prominent in his own righ...
It was made by Gorham, whose "lion, anchor, G" emblem, the word "Sterling," and model number "D1656" appear on the lower edge of the cover.
The cover is domed and acid etched in a design that includes various blossoms, acanthus leaves, and other elements set against a double band. The area around the etching has a...