Place pieces are much rarer than servers in this grand old Durgin pattern whose name is a subject of some disagreement, which leads me to believe that not many were produced.
Leveridge was part of a prominent New York family, many of whom were attorneys. His grandfather John William Chase Leveridge (please see fourth photo) served in the war of 1812, and upon his death in 1886 was the oldest living lawyer in the city...
There is a file cut (visible from side and reverse only; see fourth photo) which we've pictured in excruciating detail, and some light pitting on the blade which we've mostly polished out and probably will address a bit more, as time allows. Aside from this, the condition is excellent.
This spoon is not monogrammed and does not appear ever to have been, which is most unusual for early American silver.
Faithful readers of our little web page know we never tire of mentioning that Burt was a substantial and by all reports jovial fellow who weighed three hundred and eighty pounds.
Come ye citizens of Portsmouth and reclaim thy heritage!!
If the hostess gift still lives, then this (and a pound of great coffee) would make a fine one...
These are substantial and well made spoons, weighing in at 4.69 oz. Troy, the lot. The overall condition is excellent. Whether any of this lends them a premium over the silver value, or whether they'll be swallowed up by the smelter's gaping maw remains to be seen...
French silver from this period is quite scarce. Price is for the total of eight pieces.
Born in Winchester, England (1839), Mockford trained as a miller. He originally established himself in Tompkins County as a baker and flour merchant, then a jewelery pedlar, and finally a retail jeweler. For a peek back in time at how his mill would have looked in 1890, see photo number five.
Most American silver manufacturers of the late nineteenth and early twentieth centuries offered some variant of the Chrysanthemum pattern. As faithful readers of our little web page will know, here is my favorite one of them all...
This pattern, known as "berry in calyx", is among Stone's best designs. A nearly identical though not quite so desirable piece is held by Yale University Art Gallery, see Chickering p. 147, plate 134. Similar examples may also be seen in the collection of Boston's Museum of Fine Arts, and the Detroit Institute of Arts.
What is Freemasonry? The short answer is that it’s a group of good men who choose to come together with the goal of becoming better human beings and providing assistance when needed for each other and for the community at large...