The quality of this engraving is above average, and it remains in fine condition.
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Often referred to as "snuff spoons," they may also have been intended for use in children's play. We'll stay safe and simply call them miniature.
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The blade features an aesthetically pleasing and exceptionally well executed combination of geometric and floral engraving.
Over the years, we've bought and sold many King and King's variant items in coin silver, but this is a particularly fine example in terms of form, quality, and condition.
Marked only "coin," back in the day we would have hastened to read through many musty issues of "Silver Magazine" in order to find the maker of this fine ladle, but now, in our dotage, we will leave this task to you, dear reader.
One would be hard-pressed indeed to find a better set of dinner forks.
Leveridge was part of a prominent New York family, many of whom were attorneys. His grandfather John William Chase Leveridge (please see fourth photo) served in the war of 1812, and upon his death in 1886 was the oldest living lawyer in the city...
This spoon is not monogrammed and does not appear ever to have been, which is most unusual for early American silver.
Faithful readers of our little web page know we never tire of mentioning that Burt was a substantial and by all reports jovial fellow who weighed three hundred and eighty pounds.
Come ye citizens of Portsmouth and reclaim thy heritage!!
These are substantial and well made spoons, weighing in at 4.69 oz. Troy, the lot. The overall condition is excellent. Whether any of this lends them a premium over the silver value, or whether they'll be swallowed up by the smelter's gaping maw remains to be seen...
In an attempt to distinguish this ladle from its peers, we'll mention that the bowl has a slight boat shape when viewed head on, as you may see in photo number four.
French silver from this period is quite scarce. Price is for the total of eight pieces.
Readers of our little web page know that there's not much coin silver flatware here-- that is, pieces made between 1825 and 1868 in the good old U.S. of A. Why? Because most of it was thin, mass produced, and of inferior quality...
There is slight tip wear from right handed use, a few minor insults to the bowl (including a scratch, reverse), and significant wear to the monogram "B / E * E". On the whole, however, this spoon presents itself well. To quote Quimby in American Silver at Winterthur, "Stoutenburgh left a small body of high quality work"...
We could only wish that it had a fine old family name but alas there is no engraving and happily no removal.