There is a file cut (visible from side and reverse only; see fourth photo) which we've pictured in excruciating detail, and some light pitting on the blade which we've mostly polished out and probably will address a bit more, as time allows. Aside from this, the condition is excellent.
This spoon is not monogrammed and does not appear ever to have been, which is most unusual for early American silver.
Faithful readers of our little web page know we never tire of mentioning that Burt was a substantial and by all reports jovial fellow who weighed three hundred and eighty pounds.
Come ye citizens of Portsmouth and reclaim thy heritage!!
If the hostess gift still lives, then this (and a pound of great coffee) would make a fine one...
In an attempt to distinguish this ladle from its peers, we'll mention that the bowl has a slight boat shape when viewed head on, as you may see in photo number four.
French silver from this period is quite scarce. Price is for the total of eight pieces.
Born in Winchester, England (1839), Mockford trained as a miller. He originally established himself in Tompkins County as a baker and flour merchant, then a jewelery pedlar, and finally a retail jeweler. For a peek back in time at how his mill would have looked in 1890, see photo number five.
Most American silver manufacturers of the late nineteenth and early twentieth centuries offered some variant of the Chrysanthemum pattern. As faithful readers of our little web page will know, here is my favorite one of them all...
This pattern, known as "berry in calyx", is among Stone's best designs. A nearly identical though not quite so desirable piece is held by Yale University Art Gallery, see Chickering p. 147, plate 134. Similar examples may also be seen in the collection of Boston's Museum of Fine Arts, and the Detroit Institute of Arts.
What is Freemasonry? The short answer is that it’s a group of good men who choose to come together with the goal of becoming better human beings and providing assistance when needed for each other and for the community at large...
Don't get me wrong, we love a nice 1820's piece of S.O.W. ever so much, but you'll never see this amount of detail in a sheaf which some brawny silversmith made by whacking a swage with a big hammer.
Inscribed “To Louis Ettlinger from his friends and associates in the American Lithographic Co...