Almost never marked, it frequently goes unrecognized for what it is, namely coin silver produced by the above maker...
Price for the set of six.
They have finely articulated, raised shell ends on plain back, arched, handles with exposed drops on the bowls. Each one is engraved with a large "EI" or "ET" feathered script monogram set sideways on the handle front.
The maker's mark is "*H*," which is attributed to Daniel B...
A popular design in its period, examples of it are readily found. This piece stands apart, however, for the naturalistic leaf, flower, and bird motif engraved on the blade.
It is also inscribed "Viola" on the backside of the handle...
It is a substantially sized piece at 9" long and weighing just under 1.5 T. oz.
Having a scalloped handle with an engraved surface, it reads as both characteristic for the period and for Philadelphia. The backside is plain save for the marks...
The design on this 8 3/4" long, approximately 2.0 T. oz., berry or other serving spoon features a bouquet of flowers, leaves, and grasses tied in a bow. It is altogether quite charming in a bit naive way, in its representation.
Commonly referred to as "Spray," it is sometime identified as "Bouquet," and while made by Durgin, is occasionally attributed to other makers...
This 6 7/8" long, .9 T. oz., spoon dates from the earliest years of the firm, and may have been produced by it.
It has a flat handle, with notched edges and an anthemion shaped tip. The surface front is extensively engraved with diamond bright cutting, wriggle work, and cross hatching...
The pattern is Gorham's "Cottage," which according to company archives, was in active production for over thirty years, beginning in 1861.
As this pair are stamped "Sterling," they date post 1868 when Gorham adopted the sterling standard. Earlier examples of "Cottage" were made in coin silver...
One is the applied classical head of the sort that gave this genre, "Medallion," its name.
The second feature is the engine turned surface of the blade...
This 6" long, .8 T. oz., cucumber server is an old example that has never been monogrammed and remains in original condition.
The defining characteristic of this piece is its pierced, circular serving end that has six curved prongs on the lower edge, and a raised shoulders.
The pattern remains well-defined, the finish is bright and even, and the server is without bends, nicks, or burrs. ...
It is a fine representation of the design sensibilities and manufacturing skills of the period.
The stem is twisted while the scalloped edged handle end is flat with a slightly upturned tip. The surface of this has an engine turned background complimented with bright cutting and a wriggle work border on the backside.
The engraving is finely rendered, as would be expected of this firm, and as was generally so of mid 19th century Philadelphia silver.
There is a reserve that has never been monogrammed.
The bowl is an unusual shape, with notched edges and raised ribbing on the interior. It is finished in an original bright...
The pattern is known as "Fox Head" or "Wolf Head," indicative of the three dimensional animal figure situated at the tip of the handle. This is embellished by ivy leaves that appear on both sides of the handle and backside heel of the bowl.
The actual sifter is round, 2 1/2" in diameter, has an essentially flat bo...
Made of coin silver, this dates c. 1865.
The pattern is described as "ornamental" in Rainwater's "Encyclopedia of American Silver Manufacturers." The design appears on both sides of the handle and features anthemion leaves, along with other period detailing.
The bowl is a shell form in the manner o...
Marked only "Coin," without a maker's or retailer's identification, the rounded handle with notched tip essentially matches Gorham's early, 1865, "Italian" pattern, and the quality of manufacture suggests such a significant maker.
This is bordered by fine wriggle work engraving and has an elegant period "EC" feathered script monogram set in the center of the plain area of the surface.
The lower por...
While "Tipt" end examples of their work, which this is, are readily found, this 6 3/8" long cream ladle stands apart for several reasons.
One feature is its heavy weight, 1.7 T oz., and consequent solid composition. A second feature is its perfectly round, hemispherical, bowl, which is 1 5/8" in diameter and 1/2" deep.
The handle has...
It is stamped "S.N. Story" for the Worcester, Massachusetts silversmith and jeweler. Also marked "Pure Coin," which was a regional term, this was likely made in Boston.
The pattern is "Olive," which was a very popular design in the period.
What sets this apart from other examples is its intermediate size, shell bowl, solid weight, quality manufacture, and good condition.
The partnership only lasted two years as Shaver sold out to Brown in 1858, but whose interest he bought back in 1863. All this history indicates the mark on this piece is rarer than most associated with the Shaver name.
The pattern is one described as "ornamental" in Rainwater's "Encyclopedia of American Silver Manufacturers." The design appear...
It is stamped "Canfield," referencing one of three (later two) brothers, Ira, William and Jared, the majority of whose working years were spent as partners.
The Baltimore Museum of Art reference work, "Maryland Silver," assigns this particular mark to Ira, located in Haddam, Connecticut until c. 1834, and Baltimore after that, where the partnership was situated.
It is also marked "10....