Price for the set of six.
The primary feature of the pattern is an apparent bat face situated at the end of the handle. This suggests some resemblance to a boar or devil as well.
Other design details include wings, and possibly toes, wrapping around both sides of the handle...
While not a line pattern, it has the plain, clean style of an Arts & Crafts piece, akin to Tiffany's "Gramercy" or "Hamilton," and, as do those pieces, likely dates from the second or third decade of the 20th century.
The handle wraps around to form an open loop.
Never monogrammed, it is in excellent condition...
While the marks are some rubbed, the maker's stamp is clear for Richard Gosling, London, and the date letter for 1733. Gosling must have been something of a scurrilous character as Grimwade's London Goldsmiths 1697-1837 notes, he was "tried and convicted [in 1742] for counterfeiting marks," although "This fall grace did not . . ...
The theme on this 7 3/8" long, very heavy at just under 3.8 T. oz., gravy ladle is "Paris, the son of Priam," which was one of seventeen different subjects offered in this line (William P. Hood Jr., Tiffany Silver Flatware).
It has a plain, oval, 2 3/8" by 2" by 3/8" deep, bowl, with a large classical face on the backside heel...
The theme is the turned back margin on the reverse of the handle, which is the defining element of the pattern. Subsets of this include plain, acid etched, and applied groupings, and within the latter two, there are further, seemingly countless, flora and fauna themed, iterations.
This piece, a 7 1/8" long, approximately 2.0 T...
Price per piece, two available.
Solid silver and nearly circular at 7" diameter, it weighs a substantial 5.9 T. oz., and stands 1 1/8" high, resting on three ball feet.
It has a 3/8" wide scalloped rim with a broad heel grip area that is finished with an applied, raised, leaf and shell detail...
It is hollow with three tines and is all silver, marked "Sterling," model number "1223," and with a maker's emblem, which is a triangle with a rubbed interior.
There is a feathered script "L" monogram engraved on one side of the handle...
This example is a 3 3/8" long, .4 T. oz., tea caddy spoon.
The bowl is scoop or shovel form and quite decorative. It has an embossed surface, cupped heel with scalloped shoulders, and is finished in a gold wash on the interior.
Never monogrammed, it is in very good condition. The pattern on the handle remains clear and well...
Introduced in 1887, and embodying an Aesthetic sensibility, "Palm" is a floral and leaf design with a large fan or spray element at the terminus that evokes a palm leaf. The design is raised, lending it a chiseled or sculpted quality.
The blade on this is a statement in its own right. It has a sweeping lower edge running to a defined point,...
The form is uncommon and hence of uncertain function. It may be a spinach or toast/bread fork, or for another purpose yet. The proportions assure it is definitely original and not adapted from another piece as, for example, most potato forks are derived from dinner forks.
The maker was George Sharp, Philadelphia, as indicated by his "lion, S, ...
Price for the pair.
They weigh 19.9 T. oz. the pair, but that is essentially irrelevant because of the fill in them.
A matched, baluster form, pair, they stand 6 1/2" tall, have bases that are 3 7/8" across, and have solid silver removable bobeches that are 2" in diameter...
Price for the set of six.
These six place or dessert spoons are all matching, were never monogrammed, measure 7" long each, and weigh 8.0 T. oz. the group.
They are in excellent condition, are absent polishing wear and have bowls that remain well-shaped and are free of dents, bends, ni...
The pattern is "Empire," which is a late 19th century design that incorporates imagery suggestive of majesty, nobility, and imperial realms. This includes a dominant crown, cornucopia, a torch and flame, a wreath and festoons of ribbons and flowers.
Marked "Berry & Co. Baltimore," for that city's firm with working dates 1880-94 according to Maryland Silver published by the Baltimore Museum of Art, and "Sterling," the pattern is a finely engraved flower and leaf design on the tipt back handle. This is interpreted in an Aesthetic manner, set against a satin matte finish.
The engraving repeats in an enlarged representation in the scallo...
It is fully stamped with Paris hallmarks for first standard, i.e. .950 pure (vs. .925 for sterling), including the "bearded man" head used 1819-38, a female head large guaranty mark, and a bigorne.
The maker's mark is diamond shape with a tower like image in the center, three letters in the left, right, and bottom corners, the right hand one of which is "G" whi...