Price for the pair.
Made by Tiffany, they are hollowware accompaniments to the company's 1872 "Persian" flatware line. The Moorish pattern is replicated on the two handles of the bowl and the single handle of the creamer, with a modification of the design appearing on the banding that encircles both the top and bottom of each piece...
It is stamped "Sterling" and "Robbins, Clark & Biddle" on the reverse. According to Catherine Hollan in "Philadelphia Silversmiths," this firm was operating by 1876, which is the approximate date of this piece. Samuel Biddle left the company in 1878 to form Bailey, Banks & Biddle.
An ice cream server, it has a large, concave, blade...
It measures 4" at the widest, is 2 1/2" across on the base, and stands 2 1/2" high to the top of the knob on the lid. The total silver content is 4.0 T. oz.
The interior is finished in a bright gold wash, and the piece retains its original (lambswool?) puff in mint condition...
This candle snuffer has a multiple provenance.
It is stamped on the end of the handle, "Perlita," which sources indicate was a Mexico City retailer, "Taxco," for the renowned center of modernist silver manufacturing, "Sterling 925," and with an eagle symbol with a "9" on its chest, which was the number assigned by convention to Hector Aguilar...
It was made by Gorham, whose "lion, anchor, G" emblem, the word "Sterling," and model number "D1656" appear on the lower edge of the cover.
The cover is domed and acid etched in a design that includes various blossoms, acanthus leaves, and other elements set against a double band...
Dating from the last quarter of the 19th century, it was made by Wood & Hughes, whose "WwH" emblem, the word "Sterling," and the model number "41" is imprinted on the inside lip of the lower half.
The design is exceptional, deriving from the intricate reticulation on both the top and bottom halves of the ball...
Price for the set of ten.
Originally identified as "A" to "L," this group encompasses ten of those pieces, omitting "D" and "H." The above image shows the ten arrayed corresponding with the catalogue page.
Each piece measures approximately 4 1/4" long, while the set weighs just under 3.4 T. oz...
Price for the set of twelve.
They have heart, or spade, shaped stirring ends that are engraved in a leaf and scroll design and stamped "Sterling" on the backsides. The sipping ends have ball or sphere like attachments.
They are in excellent condition, free of bends, breaks, or splits, and have bright finishes. One has a pinprick dimple and that seems to be the only sign of use among the whole set.
Exceptionally quality, it has three, cast and applied, pad feet, with raised anthemions where they join the body. The splayed rim has a repeating leaf and bead design, while the interior is finished in a bright gold wash...
This example is an impressively scaled at 9 5/8" long, 3.1 T. oz., serving spoon. It has a large scoop bowl with rolled, flange shoulders and a broad, rounded end. The reverse of the bowl has a matte finish while the obverse has a bright finish.
The matte surface handle has a rounded end and eleven applied daisies...
Price for the set of twelve.
Price for the set of eight.
Each piece measures 5 3/8" long and has a script monogram that appears to be "GEHA" on an otherwise plain backside. They are relatively heavy, weighing 6.7 T. oz. the group.
All the pieces are in excellent condition, showing no polishing wear and having fine finishes. The tines r...
It features the figure of a bearded man at the handle terminus, a pedestal urn laden with fruit midway up the handle, and an array of other fruit and acanthus leaf elements overall.
This example is a 9" long, very heavy at 4.3 T. oz., berry spoon.
The bowl is large, 3 5/8" long by 2 7/8" at the widest, has decorated flange shoulders, and retains traces of an original gol...
The pattern is "Rose," introduced in 1892, and which is a hallmark repousse design for this company and for Baltimore silver in general.
This is the open shield variant of the line, which in this instance is engraved "Suzanne" in script.
The high relief chased work encompasses the entire band and is ...
He evidently designed a considerable amount of quality jewelry, and less so, flat and holloware, based on the ratio of what internet searches yield.
Although not identified as a worker for Georg Jensen, his name frequently seems to surface in conjunction with that renowned maker. His work is decidedly Danish Modern, in a Jensenesque manner.
The pattern is high style and shows to its fullest at the scale of this item.
This piece has an original form bowl with scalloped, flange, shoulders, a textured base, and a rich gold wash front and back sides. Later examples have plain, rounded bowls.
It has never been monogrammed and is in outstanding condition....
It is an English, Victorian era item, fully hallmarked for George Adams of London, with a date letter for 1852. Chawner was of the Firm Chawner & Co., which reference work "Jackson's Hallmarks" describes as "the most important [English] mid 19th century firm of spoon ma...
Price per piece, two available.
The pattern is "Old Orange Blossom." Issued in 1905, it quickly became a standard bearer among Art Nouveau designs and remains so today.
The high relief portraiture is intricate, richly textu...