Catalog: Silver: Sterling

A commemorative of the Shriner's 1903 convention in Pittsburgh, Pennsylvania, this 5 3/4" long, .7 T. oz., spoon was made by the Shepard Manufacturing Company, whose "S in a circle" emblem and the word "Sterling" appear on the backside. The word "Saratoga" and date "1903" appear in the bowl.

The handle front features a full figure American Indian wearing a headdress with a quiver of arrows on his back and a bow and two arrows in his hand. He is positioned above two ears of corn...

Measuring 6 7/8" long and weighing approximately 1.0 T. oz., this place, sometimes referred to as a regular, fork was made by Watson whose Mechanics Division pennant emblem and the word "Sterling" appear on the handle backside.

The pattern is Bacchante, issued in 1895...

This 6" long, very heavy at 1.4 T. oz., teaspoon is an early production example of Gorham's "Cluny," marked with the company's "lion, anchor, G" emblem, "Sterling," and "Copyrighted."

Originated by renowned designer Antoine Heller, the pattern features dense, high relief, floral elements with rosette and palmetto accents.

A commemorative item, it is engraved in the bowl "Stroudsburg" in script, as well as with the date "Nov. 10. 1903" on the handle backside...

Well-regarded in its late 19th/early 20th century period, the Newark, New Jersey firm of William B. Kerr was particularly well-known for its Art Nouveau jewelry as well as children's items, of which this 6 1/4" diameter, 4.2 T. oz., solid sterling silver plate is an example.

It has a rolled edge with a 1 1/4" wide rim that is acid etched with the words Old Mother Hubbard interspersed with a variety of figures evoked by this nursery rhyme...

Measuring a lengthy 5 7/8" and weighing a hefty near 1.7 T. oz., this pair of tongs originated in Boston and date circa 1860. Probably intended for sugar, they are large enough to be used for ice.

They are stamped "Shreve, Brown & Co.," the 1857-60 predecessor of Boston's premier "Shreve, Crump & Low," on the inside of one arm, and "925 in an oval" on the inside of the other.

The pattern is an Oval Thread with cast, sturdy and highly articulated, grips...

Born in 1897, James Brett Hamlin's life encompassed nearly the full span of the 20th century as he lived until 1994.

A silversmith and pewterer with a specialty in jewelry, he studied and worked in New York City until settling in Maine about midpoint in his life, and where he remained active until about 1980. One source describes him as a "true modernist."

This 5 7/8" long, nearly 1.3 T. oz., gravy ladle is an apparently rare example of his flatware work executed in sterling silver...

Little reference material is available about the Boston firm "N.G. Wood & Son" founded in the late 19th century, although based on the inventory of their goods still available, they were a major operation.

This item, a 5 3/4" long, .7 T...

Each of these twelve identical, sterling silver, coffee--slightly larger than a demitasse--spoons measures 4 1/4" long with the set weighing 3.4 T. oz.

The pattern is Gorham's original Mothers issued in 1875, versus a new version introduced in 1926.

Mother's is essentially a Pointed Antique design with a plain back handle and exposed drop on the heel...

A 7 3/8" long, 1.1 T. oz., preserve spoon, this 19th century piece is marked "Sterling" without a manufacturer's identification.

Essentially flat-handled with a shaped margin, raised central oval, and bright cut engraved detailing, the style suggests maker Fessenden of Providence, Rhode Island.

The rounded end, shallow, bowl, has flanged and notched shoulders, a central raised vee, and is wriggle work engraved in a leaf motif set against a matte ground.

The handle front is engraved "E.C...

In his comprehensive work Tiffany Silver Flatware, author William Hood discusses a number of "not-full-line patterns without a known name or description."

This 6" long, weighty at 1.2 T...

An 8 3/8" long, approximately 1.9 T. oz., table serving spoon, this piece is fully hallmarked for London, sterling silver, 1775, and maker Stephen Adams I (S·A).

Having a Hanoverian handle, the end is upturned and tipt, while there is a long drop, evolved from a rattail, on the bowl backside.

The handle reverse is engraved in a period "S + S" monogram.

In very fine condition, this is free of noticeable signs of use, has a well-shaped bowl that retains a rounded tip, is free ...

An original production example of Versailles, this 5 7/8" long, 1.0 T. oz., piece is stamped on the backside heel with Gorham's "lion, anchor, G" emblem, "Sterling," and "Copyrighted '88."

An old style pastry fork, it has three tines, one of which is wider than the other two and has a hooked tip.

The multi-motif pattern draws its imagery from the French palace for which it is named and in this instance features a pair of playful looking cherubs on the handle front.

The reserve on...

Issued in 1895, Durgin's Empire draws from classic French design sensibilities. It incorporates a crown, cornucopia, torches, a crossed ribbon wreath, and other festooning on the handle front and back on this server, although place pieces have simpler laurel and acanthus leaf and ribbon detailing on the reverses.

This item is a quite remarkable ice cream knife. It measures 10 1/8" long, has a hollow handle, and a solid silver, flat, blade that can only be described as a cleaver. It mea...

A noted 19th century Philadelphia silver manufacturer, William Faber, later joined by his sons, produced items of high quality and lasting appeal as evidenced in this solid silver 7 1/2" long, 1.1 T. oz., master butter knife.

Dating circa 1870, the handle is of a form that Faber favored. It has a curved surface handle with a gently pointed tip and scalloped sides. This is bright cut and wriggle work engraved in a period, toward a Greek Revival style, design that incorporates a leaf and flower...

Illustrative of the popularity of the poppy motif in Art Nouveau silver design, Gorham's Patrician and Poppy were both issued in 1902, followed in 1904 by Virginiana, with all three patterns featuring this motif.

Patrician and Poppy in particular seem little distinguished from one another, save apropos of its name, Patrician incorporates high, rather "proud," shoulders and acanthus leaf detailing on the middle and lower areas of the handle front and b...

Dating from the reign of George III, this 5 1/2" long, just over 1.0 T. oz. (32 grams) pair of English tongs are fully hallmarked for sterling silver, London, 1802-03, and makers Peter, Ann and William Bateman of the legendary family of silversmiths associated with Hester.

A period piece, this has shaped arms, a broad arch, and cupped, aka acorn, grips.

All the exterior surfaces are bright cut and wriggle work engraved.

The arch has a reserve area that appears never to have been monogra...

A large, 2 3/8" tall by 2 5/8" base diameter, and heavy 5.8 T. oz. silver content, this mustard pot is fully hallmarked on the side for Sheffield, England, 1914, sterling, and prominent maker Thomas Bradbury & Sons (TB & S in a shield).

The lid is counterstamped on the underside with the maker's mark and a lion passant for sterling.

Edwardian in period, but Georgian in style, it has applied top and bottom rims (tiered on the base) and a solid, scroll handle with a robust hinge attached to...

Flat handled, this master butter, or possibly individual fish, knife measures 7 5/8" long and weights a substantial 1.5 T. oz. It has a broad blade with a scalloped upper edge, a partially scalloped lower edge, and an upswept, pointed tip.

The pattern is Princess originated by John Polhamus and continued in production by George Shiebler, both New York City. Shiebler's "winged S" emblem, the word "Sterling," and the name of the retailer, "R. Smith," Newark, New Jersey appear on the blad...