Catalog: Silver: Sterling

This item was made by the Watson Company, whose "crown, W, lion" emblem is imprinted on the edge of the piece, along with the words "Sterling Silver" and model number "W16."

It is a double shot jigger comprised of two similarly shaped cups joined by a center bar. It stands 3 1/2" tall and weighs nearly 2.4 T. oz...

A relatively long piece at 8 7/8", and weighing 2.0 T. oz., this spoon is fully hallmarked for Dublin, Ireland, sterling, 1804 and "JP" for maker John Power.

It is an "Old English" pattern, meaning it has a downturned handle with a reverse tipt back and an exposed drop on the bowl heel.

There is a feathered script "EC" monogram on the front.

It is in very good condition. The overall form is without wear, although the monogram shows slight softening from polishing...

One of William B. Durgin's earliest patterns, dating circa 1865, and not formally named but commonly called "Spray, this design features a bouquet of woodland flowers and grasses tied by a bow.

This motif appears in the top center of the handle, and is repeated on the lower front at the join with the blade and on the backside heel.

This example is a 9" long, 2.1 T. oz., pie or pastry server...

A relatively large item, this piece measures 4 1/2" wide and stands 3" tall.

It is a dresser jar made c. 1900 by Newark, New Jersey's William B. Kerr & Co., whose "mace" emblem, "Sterling," and model number "7200-4" are stamped on the edge of the silver lid, which by itself weighs nearly 2.1 T. oz.

The bulbous glass base is panel cut with a star pattern on the underside.

The lid is relatively plain, with a rimmed and scalloped edge and a line script "EP" monogram in the center...

A full size teaspoon measuring 6" long and weighing a substantial 1.0 T. oz., this piece was made by Dominick & Haff and retailed by Baltimore's Hennegen, Bates & Co., as indicated on the reverse along with the word "Sterling."

A highly collectible item, it is one of those items by which the whole notion of souvenir spoons is defined...

The William B. Durgin Company, which produced such renowned patterns as "New Art," "Dauphin," and others, offered a line of tea caddy spoons all of which utilized a single bowl form shaped like a sawtooth edge, tea leaf, companioned with various handle designs.

This 5 7/8" long, .8 T. oz., example is a naturalistic form, portraying a twisting vine that turns back on itself to form a looped handle. The surface is textured, lending it a fully authentic look...

This 5 3/4" long, approximately .8 T. oz., teaspoon is an example of a line pattern appropriated as a souvenir piece.

The pattern is Whiting's 1880 "Berry," a multi-motif design that in this instance features blueberries. It is marked with the Whiting "lion" logo, "Sterling," and the name of the retailer, Boston's "A...

A full figure nude in the manner of "Bacchante," a design that offended the sensibilities of turn of the 20th century Bostonians, Watson's companion "Phoebe" (1895) likewise expresses the freedoms of style and subject found in the Art Nouveau mode.

The figure is surrounded by considerable imagery including wheat, a grape cluster, a shell, and clouds, this last details perhaps derivative of her mythological identity as a Titan associated with light.

This 5 3/4" long, just over .8 T...

A large, 10 1/2" wide by 2" tall, and weighty at 15.1 T. oz., this item is aptly described as a centerpiece or console bowl, as it is of a caliber to serve as a prominent display item.

It is sterling silver, model "4805A" made by Gorham in 1907, all of which information is indicated by the marks on the underside.

It is decidedly Art Nouveau in style, featuring raised wild rose blossoms and trailing stems arrayed on an undulating rim...

Definitely a product of the Gilded Age, this 6 5/8" long, 2.2 T. oz., glove stretcher bespeaks a refined lifestyle.

This example is model number "5" by Gorham, and so identified by marks on the inside of the handle, which also include the word "Sterling" and a date symbol for "1889."

One other imprint by the pin that holds the two pieces together reads "Pat. 75," which no doubt is a reference to the spring mechanism that controls the pivoting arms.

The design on the hollow but all silve...

Introduced in 1945, Frank Smith's clean and stylized "Woodlily" (trillium), pattern is a mid century modern design that evokes earlier Danish modern sensibilities.

This example is a 7 1/2" long, weighty at 2.2 T. oz., all silver gravy ladle.

It has a large bowl that measures 2" in diameter and 1/2" deep.

The backside of the piece is plain, save for the Frank Smith "lion and S" emblem and the word "Sterling."

In excellent condition and never monogrammed, the only signs of use are sligh...

A very early example of Gorham's "Chantilly," marked "lion, anchor, G," "Sterling," and "Pat. 1895," this olive spoon is the long version, measuring 8 1/2" and weighing 1.0 T. oz.

There are subtle aspects to the reticulated bowl that confirm the age of this. Having a shape that mimics an olive spoon, it has notched and chamfered shoulders, and a pointed and upturned end. The soft, satin matte, finish has a pale gold wash on front and back surfaces.

There is a flowing script "SS" monogram ...

In business from 1879 to 1918, Coddington Brothers & Heilborn of North Attleboro, Massachusetts, was a manufacturer of silver novelties.

This 5 1/8" long, light weight, three tine, strawberry fork illustrates the imaginative diversity of the firm's products.

Apropos of the firm's New England location, the handle features a sculptural portrait of a Victorian woman in bathing or beach garb, with her hand resting on a pier post. Below this is an array of seashore creatures, including a fish, ...

A matched pair, this spoon and fork could readily be used as a salad serving set, or individually as buffet or platter pieces.

Made by George Shiebler, with a likely late 19th century date, they are imaginatively designed--which in reference to Shiebler is often an understatement--and extravagantly scaled. Both items are stamped with a "winged S" emblem, "Sterling," and model number "2733."

Each piece measures 10 1/2" long, with the fork weighing 3.2 T. oz. and the spoon nearly 3.4 T. oz. ...

Measuring 7" in diameter, this relatively heavy at 6.7 T. oz., plate or shallow dish is marked "S. Kirk & Son Co" and "925/1000" on the underside, which was a mark used 1896-1924.

It has a 1 3/4" wide, double border rim that has a hand raised leaf and floral design. Repousse as represented on this reflects a style and technique that was a hallmark of Baltimore silver, and this applies especially so to Kirk.

The interior has a line script monogram. As the base is flat bottomed, the piece co...

A 6 1/2" long, .6 T. oz., piece, this butter pick has a pierced and twisted end.

It is a fully original piece, i.e.not made up or custom, produced by William B. Durgin in its 1897 "Madame Royale" pattern.

The scroll, leaf and berry design borders the handle and flat area of the pick, repeating on the backside of the handle but not the pick.

There is a script "LHB" monogram engraved on the front.

It is in immaculate estate condition, free of bends or polishing wear, and having a brigh...

An extremely rare item in the original, this 6 3/4", 1.0 T. oz., example of a corn fork is an older, custom made, or adapted, piece of old "Chantilly" marked "lion, anchor, G," along with "Sterling," "Pat. 1895," and "T," which is a weight designation meaning "trade."

The multi-tine, reticulated serving end is quite faithful to the original, although there are subtle differences that distinguish it.

It is in flawless estate condition, and without a monogram or removal. The finish is bright...

Heavy at 2.0 T. oz., this 7" long place fork is marked "Tiffany & Co.," "Sterling," and "m."

The pattern, "Hamilton," dates from 1938, the late Art Deco period.

The thick handle is fiddle shaped with a double lined border, and otherwise plain save for a bit of extra shaping around the shoulders.

Never monogrammed, this is in very fine estate condition. Apart from light surface scratches, there are no signs of use. The tines remain pointed, straight and even, while the finish has a soft...