Standing on a footed base that is 3" in diameter, it measures 4 3/4" high to the rim and 5 1/8" to the top of the handles, is 4" across rim to rim, has a maximum span of 7 1/4" handle to handle, and weighs a heavy 14.8 T...
Noted as a good maker in "Jackson's Hallmarks," his capacities show in this item measuring 5" long and weighing 1.3 T. oz.
They are solid silver, with cast, scroll form arms and clam shell grips.
The round crosspiece is inscribed "D" over "L*I" in block lettering...
Price for the pair.
Dating from the late 19th century, they are high quality items stamped "Hennegan, Bates Co." for the prominent Baltimore firm, and "Sterling."
The pattern is an engraved "Lily," which is more accurately "lily of the valley," and is one of several variations of the same theme made by numerous manufacturers...
This example of his work is a 7 3/8" long, weighty at 2.0 T. oz., gravy ladle.
It has a twisted handle and broad, shaped, flat handle that is bright cut engraved with an engine turned background.
There is a shield reserve with an Old English "CPK" or "CPR" monogram inscribed on it...
The pattern is a "Pointed Antique" with an engraved shield surrounded by a swag and ribbon.
Marked "Sterling," there is no manufacturer's identifier, although similar examples are marked for "Galt & Brother" of Washington, D.C...
Price per piece, three available.
Dating from the last quarter of the 19th century, it was made by Philadelphia's Peter L. Krider, whose name and three part, "lion, K, crown," hallmark appears on the backside, along with the word "Sterling."
It is without a monogram or removal and in immaculate condition. There are no signs of wear...
Price for the pair.
The theme on this companion youth spoon and fork set is "Diana and her nymphs," which was one of seventeen different subjects offered in this line.
The fork measures 6 1/4" long and is exceptionally heavy at 1.8 T. oz. Also weighty at 1.7 oz. the spoon measures 6 1/8" long, which is slightly larger than a teaspoon...
The pattern on this 6 3/8" long, .6 T. oz., olive spoon is "Douvaine," perhaps the company's most popular line.
It features a dolphin or fish like image at the tip of the handle, and a renaissance or gargoyle like figure set midway on the handle...
It has a 1 1/8" wide, rimmed border that is divided into fourteen panels. Each of these is acid etched in a scene that portrays a different children's rhyme.
These include (see image two for detail):
Jack the Giant Killer
The Merry Hunter
The Wolf and the Lamb
Tom the Piper's Son ...
This example is unusual in two ways. First, it is an "ideal" form olive spoon, meaning that it has two prongs at the end of the bowl, rather than the standard plain end. Often the bowl on an ideal olive spoon is open, but in this instance it is reticulated, with a scall...
This 10 1/8" long, 2.7 T. oz., item is a rare form, likely pudding, serving spoon.
It has a symmetrical, 4 3/4" long by 2 1/4" at the widest, oval blade or bowl with a slightly scooped interior. This has a deep, bronze colored, gold finish front and backsides, and delicate, stylized leaf and blossom engraving at the tip. There is a feathered script, possibly "JDQ," m...
Hotchkiss & Schreuder of Syracuse, NY, operated under various names from the mid to late 1800s. The "H&S" mark (along with "Sterling") imprinted on the blade of this 7" long, relatively weighty at 1.2 T. oz., master butter knife in the company's "Unique" pattern was used 1864-71 according to an entry in Rainwater's "Encyclopedia of American Silver Manufacturers."
The design is characteristic of the period, incorporating leaf and anthemion elements rather abundantly employed. It is doubl...
It is an original production example of Alvin's early 20th century, Art Nouveau, "Old Orange Blossom," informally known as "OOB."
It is imprinted with the Alvin emblem, and the words "Patent" and "Sterling," all in very fine lettering as would be expected of an early piece.
The handle end is upturned and has an Old English "W" monogram that is very shallowly inscribed and only faintly visib...
This example is a large, 10 1/2" long, just under 2.6 T. oz., serving spoon. It has an extra wide and deep bowl, to be distinguished from a nearly identical version with a smaller bowl.
This is assembled from a variety of parts, rather than being die struck as a unit, or a single casting. This approach was pop...
This 11 1/4" long example has an engraved margin, but is otherwise plain and without any erasures.
The large, 6" long by 3 1/4" at the widest, blade is sterling silver, as is the shank which is fitted with a turned, appearing to be rosewood or mahogany, handle. The piece weighs 4.8 T. oz., including the handle, which comprises a relatively insignificant a...
This example is an 8 1/8", .9 T. oz., olive spoon. It is long-handle, versus standard size, which is less than 6".
The flowers are delicately scaled and arrayed around the end of the handle, with trailing leaves and buds set along the length of the shank.
The pierced bowl has flange edges, a pointed tip, and retains most of an original pale gold fin...
Made for Colonial Williamsburg as part of an exclusive line, it is described in a 1976 catalog as "A design of classic simplicity copied from a bowl made by Philip Syng (1676-1739)."
It sits on a tiered base that is 3" across, and has an applied upper rim.
There is a line "MSB" script monogram on the side.
In exceptionally fine condition, it sits eve...
Price for the set of six.
They were made by Alvin, whose company emblem, "Sterling," and "Patent" appear on the backsides, in very fine, precise, raised lettering as it should be on original pieces..
The pattern is "Majestic," which is a multi-motif floral Art Nouveau line that in this instance portrays irises. It was introduced in 1900.
There is a single, large blossom set midw...