$48.00
This lengthy at 7 1/2" and weighty at 1.3 T. oz., master butter knife is stamped with his "star, lion, D" emblem along with "Sterling" on the blade backside.
The pattern is Ivy, which was one of Westervelt's full line designs...
This ensemble is an ice cream set comprised of a server along with eleven (alas one of the no doubt once twelve has been lost to the group) individual spoons...
$44.00
It is marked with the company's "standing lion in a T," "925/1000," "Sterling," and "(Pat. 1895)."
The bowl is essentially round, 1 3/4" in diameter and 1/2" deep. Characteristic of the line, it has a faceted interior and a flanged rim with scalloped shoulders...
$115.00
One particular pattern that was widely embraced was the Lily, which is actually a lily of the valley engraved on this 8 3/4" long, 2.6 T. oz., berry or other serving spoon by Whiting...
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Stylistically it often mirrors silver from other countries, particularly France, and from earlier periods.
Marking is idiosyncratic, often even obscure, employing pseudo hallmarks that are generally challenging to identify.
This example is a 6" long, 1.1 T. oz...
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Dating from the late 19th century, it is a quality item stamped "Hennegan, Bates Co." for the prominent Baltimore firm, and "Sterling."
The pattern is an engraved Lily, which is more accurately lily of the valley, and is one of several variations of the same theme made by numerous manufacturers of the period...
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One distinguishing aspect is the combination of maker and retailer.
It is stamped with the "eagle, thistle, harp" mark of Philadelphia's Taylor & Lawrie." Catherine Hollan in Philadelphia Silver notes "they [T&L] advertised they had manufactured for Bailey & Kitchen then for Bailey & Co. for twenty years . . . (1857 adv)."
This is stamped "M.W. Galt & Bro.," for the Washington, D.C...
$90.00
The pattern is Whiting's Heraldic, which apropos of the pattern name, features the image of a medieval helmet prominently set at the top of the handle. The remainder of the design incorporates a dense array of high relief, scrolling acanthus leaves.
The bowl on this is the fancier of two that Whiting used for this line...
$110.00
$185.00
These four, Krider, Robbins, Clark and Biddle, were all well-known and well-regarded names associated with the manufacturing and marketing of silver, and they had intertwining histories. This particular configuration suggests an 1875-78 da...
$32.00
As this does, motes spoons typically have a pierced bowl on one end and a pointed or spear tip on the other.
Most commentary about their purpose indicates mote spoons were originally tea related, used for filtering loose leaves, with the point serving to clear a spout of clogs.
This 8 3/8" example was made by FS Gilbert, North Attlebor...
$65.00
The finely rendered design incorporates a series of repetitive scrolls and palmettes on a slightly upturned, rounded end, handle, and includes a shield reserve, which in this instance has never been monogrammed.
As a line, Hindostanee had an individualist...
Eleazer relocated to Portland, Maine about 1806, and from 1814-18 was in partnership there with Charles Farley.
Four of these six, essentially matched, coffee or tea spoons are marked "Wyer & Farley" along with an "ea...
Its distinguishing feature is the shell bowl with scalloped edges and a ribbed interior. This is finished in a matte gold on the front except for the heel, which along with the entire backside, has a bright gold surface.
The figure on this multi-motif line is a cherub hold...
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It has four, relatively broad, pointed tines that are joined to a deep-shouldered, wavy-edged, heel that is engraved with an acanthus leaf design surface.
The tines retain a portion of an original gold wash on the upper sides.
Most references date the pattern to 1880, although Charles Carpenter in his benchmark Gorham Silver places it about 1883. This is ...
It is clearly stamped with pseudo hallmarks that include a "lion passant," a "leopard face," "YS," and a "bust."
Intentionally mirroring late Georgian English style and period hallmarks, this is an example of Chinese Export silver, produced in this instance in Canton by the maker Yatshing aka Yat Shing.
As export silver, it would likely have been made to a sterling standard and is well crafted.
$45.00
Introduced in 1910 by Durgin, this colonial revival design proved immensely popular and was continued in production by Gorham after it absorbed Durgin in the early decades of the 20th century.
The slender and relatively deep, pointed end, bowl is especial...
$80.00
La Parisenne, the pattern on this 6 3/4" long, weighty at 2.12 T. oz., gravy is another expressive Reed & Barton design from this period.
A multi-motif floral line, the image on this is a water or pond lily (whether by inten...