Catalog

Albany circa 1790, rounded end with short back midrib and raised incised drop, monogrammed "P over L G" in period shaded block lettering, typical bright-cut and wriggle-work engraving, length 9 1/8 inches, weight 2.09 oz Troy.

There is a pinprick dent, visible mostly from the reverse, which we show in excruciating detail (see third enlargement); also an engraved inventory number, but aside from these issues the condition is very good.

craftsman Herman Glendenning, height 5 1/2 inches, total Troy weight 13.25 ounces, no monogram, some minor dents in base as shown in third and fourth enlargements but very good overall condition.

These have probably "been to the wheel" sometime during their career, and it pains me to see Mr. Stone's work treated in such a manner. We must asume that our readers will agree, or else they'd be looking at Replacements, not here. That said, this is a rare form from his workshop, and also emin...

craftsman Arthur Hartwell, height 3 1/4; diameter 7 1/4 inches, weight 14 Troy ounces, monogrammed on base as shown in fourth enlargement, some very minor scratches but excellent overall condition.

A similar example, held by the Art Institute of Chicago, is shown in Chickering, plate 52; page 111.

height 4 inches excluding handle, top diameter 3 1/4 inches, weight 6.67 Troy ounces, marked Wm Glaze with another partially effaced mark as shown in fourth enlargement.

Those with long memories will recognize this as the same mug which sold at Charlton Hall, June 14 2009, (lot 730) for 1725.00. Please take a moment to look at those catalogue photos (see fifth enlargement), and you will notice a few dents and some surface abrasion presumably due to improper cleaning with steel wool. We ...

height 9 1/8 inches to top of spout, weight 39 Troy ounces, no monogram, a few minor dents around the waist which won't show in a photo but fine overall condition, vintage CC (Calvin Coolidge, circa 1925).

With its gadrooned border and luxuriously chased acanthus leaf thumb rest, this is a refined, well constructed and massive piece of early 20th century Boston silver. Please see fourth enlargement for marks.

Compare elsewhere (hint: search "Tuttle sterling pitcher 2700") on this wo...

length 5 1/2 inches, discretely monogrammed "S" as shown, most of the original gilding remains on tines, total Troy weight 6.84 ounces, excellent overall condition.

Frequent guests of our little website will know that I'm fond of gushing about what an exceptional job the Durgin Corporation did in recreating New Hampshire's natural flora with solid silver. These Cat Tails, with their "fuzzy" flower heads, are perhaps the prime example of that work.

Finally we will mention that althoug...

length 5 3/4 inches, weight 7.37 Troy ounces, excellent condition, marked and monogrammed as shown in enlargements. Although these don't have the "h" weight designation, they are exceptionally heavy for their size.

Compare on the Big Bad Auction site (item 154699050597) @89.00 each!

circa 1830, 10 1/2 X 9 3/8 X 1 3/4 inches, some slight wear to gilding as shown but very fine overall condition.

3 1/2 inches from snout to tail, weight 3.86 Troy ounces, the pair, no monogram, excellent condition. Marked only "STERLING" with silversmith's scratch marks as shown in second enlargement.

It hardly needs to be said, but these are adorable.

comprising a heavy (1.33 Troy ounces), die-rolled band of silver cleverly seamed to make a circle. The interior diameter is 2 5/8 inches.

Like almost all items from the workshop of Colonial Williamsburg, it is of above average quality. Marked as shown in second enlargement.

length 5 3/4 inches, weight .93 oz. Troy, retailed by A.B. Griswold, monogrammed "Ninth Year."

There are some scratches on the reverse of the bowl, at end (see second enlargement) but the colorfully enameled head-dress is intact, and the face retains its original oxidation.

Boston circa 1900, richly decorated with Rococo revival ornamentation, crested but otherwise not monogrammed, height 12 1/4 inches, weight 14.58 Troy ounces, some polishing wear to high points but fine overall condition, marked as shown in fifth enlargement.

While quite common in the world of Continental silver, these are exceptionally scarce in Victorian era Americana.

length 6 3/4+ inches, total Troy weight 5.83 ounces, no monogram, stunning original condition, marked as shown in fourth enlargement.

engraved "Mary from Jennie / Dec 25/70", height 1 3/8; diameter 1 3/4 inches, weight 1.20 Troy ounces, fine condition, marked "S360" as shown in fourth enlargement.

We love that this was a Christmas gift from one woman to her friend, and also that the item is dated (presumbably from year of manufacture) 1870. If you're thinking that it might be nice to have a collection of napkin rings, this would be a great place to start!

length five inches, total troy weight 4.30 ounces, designer E.V. Hallett. These appear to have been tucked away in a drawer for the past one hundred thirty-two years, and are in untouched original condition. They have never been monogrammed.

The Granddaughter of whaling captain Seth Coffin (b. June 25, 1753), Emma V. Hallett was an author and a talented artist. She published "Tuckernuck, a Tale of Tuckernuck and the Coffin Family," and "Molly Cottontail," the story of a cat, abandoned in...

craftsman Clinton Ogilvie, diameter 6; height 2 1/4 inches, weight 8.33 Troy ounces, monogrammed as shown in second enlargement.

What sets this item apart from other examples which have recently been on the market is, simply stated, condition. Not only are the floral decorations crisp and untouched by polishing wear, but their gentle background of chasing marks remains (see third photo), creating an effect of kumatage, as if the decorations were suspended in a pool of rippling water.

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diameter 9 1/2 inches, weight 26.2 Troy ounces, craftsman [probably] David Carlson. There is a small divot along the rim which we've magnified twenty-fold so that it looks like a crater, but this is barely visible to the naked eye. There are also some salt spots on the interior, (see fifth photo) but the chasing is crisp and the overall condition is truly outstanding.

This is one of Stone's best designs, with similar examples held at Yale University Art Gallery and other major museums. T...

Let's crawl into our first new offering of 2024 at a turtle's pace with this handsome utensil, originally intended for eating (gasp!!) turtle stew, which was a trendy and popular dish among those folks who were of a means to spring for the tureen, a set of twelve forks, and twelve dishes all to match, back in 1890.

See item 20207411 at the Rhode Island School of Design's Gorham collection for an example of the tureen, and item 2020406 for an example of this fork, or simply search "Gorham T...