Catalog

diameter 9 5/8; height 4 1/4 inches, weight 25 Troy ounces, fine condition, no monogram, craftsman Herbert Taylor. Please see third photo for marks.

This pattern is among Stone's finest designs. A nearly identical though not quite so desirable piece is held by Yale University Art Gallery, see Chickering p. 147, plate 134. Similar examples may also be seen in the collection of Boston's Museum of Fine Arts, and the Detroit Institute of Arts.

length 6 1/2 inches, weight 1.85 Troy ounces, excellent condition, no monogram, craftsman Charles Brown.

A nearly identical though slightly smaller example is pictured in Chickering, p. 157; plate 160.

craftsman Charles W. Brown, length 8 3/8 inches, weight 1.65 Troy ounces, excellent condition, no monogram.

Chickering shows a fish knife in a similar pattern with notes that Stone was heavily influenced by Dresser's "The Art of Decorative Design (pl. XXVI)", which we have reproduced here in enlargement number five.

length 9 1/4 inches, weight 3.07 Troy ounces, no monogram, some light surface scratches which we've exaggerated here but fine overall condition.

A lovely complement to any "Berry in Calyx" holloware, this fine piece by craftsman Charles W Blanchard is not a commonly encountered pattern.

length 6 7/8 inches, weight 1.19 Troy ounces, excellent condition, no monogram.

Please see third enlargement for mark. The craftsman is Charles W. Brown

Chickering & Ross, 196 pages hardbound, new, with dust jacket, pub. Boston Athenæum. A well illustrated and informative catalogue of the 1994 exhibition. Includes biographical data, descriptions of life in Gardner, reminiscences of individual crafstmen.

each square face 15 X 15 millimeters, or if you'd prefer 9/16 X 9/16 inches, weight .46 oz. Troy or 14.3 grams or if you're old school 9.2 dwt. Marked on reverse 18k and L in diamond as shown in second enlargement.

These are quite stylish and in wonderful condition. The posts are marked only 14k, which I suppose means they'd run out of 18k backs on the day that they were assembled, and made due with what was on hand.

One is just cause to raise the flag, but a pair? Splendid! These are oval, 2 1/8" X 1 3/8", and stand 1 3/4" off the table. Unmarked, but attributed by a VERY knowledgeable fellow to F.A. Durgin of St. Louis. I tried to put both in the same frame but couldn't get sufficient detail, thus the two similar looking enlargements. One has some dents of the type made by a small, sharp object on the back side, as shown in photo three . There is slight wear to the high-points. Overall, however, the ...

Bored and in need of a new game? How about one that doesn't require a computer or, for that matter, electricity? Measuring 4 3/8 by 1 1/8 by 1 3/8 inches, this set will fit easily into your purse or briefcase, but at 31 oz. Troy (that's two pounds, two ounces in lay terms) it may weigh you down a bit. The case has some minor dents, as one might expect, from its occupants which are small and dense. There is also a spot on the "M" where the engraver bore down too hard and went through the cover...

length 8 5/8 inches, weight 3.9 Troy ounces, monogrammed "B", outstanding original condition, marked "Shreve Crump & Low" with 925 in oval. Though not a "first demand" pattern, the Antique Ivies were made by several manufacturers, and involved extensive skill and hand work to produce. Expensive when first sold, they are members of a dying breed, as most flatware of this quality has now been consigned to the melting pot. This handsome pair was given as a twenty-fifth wedding anniversary gift i...

gilt pear shaped bowl, monogrammed "LC" (script, reverse), excellent condition, length 4 1/8 inches, marked only Bigelow Kennard and "sterling" but looks to be Wood & Hughes.

Barnstable, MA circa 1790, length 5 1/2 inches, weight .47 oz Troy, some wear to engraving but good overall condition, note seagull device accompanying mark as befits a proper Cape Cod spoon.

guilloché enamel box, three distinct patterns visible in the engine turned engraving depending on your angle of vision (see enlargements), double hidden integral hinges opening outward from the center, gilt interior, 3 1/4 by 2 1/8 by 3/8 inches. There is a minor flake in the enamel (see third photo) which doesn't extend through to the metal, and some scuffing around the edges on reverse but aside from this the condition is superb. Marked with maker's initials F.N., .900 standard mark and ...

spoons, length 5 3/4 inches, Total Troy weight 4.6 ounces, excellent original condition, crested and monogrammed as shown in first enlargement, with half-matte engraved bowls, marked with retailer's mark only and "sterling"; see photo number four.

Also available as a set of twelve, at a slightly more attractive price.

Baltimore circa 1860, length five inches, weight .52 Troy ounces, no monogram, excellent condition. Please see third photo for mark. Gilding appears to be original but there is no way to know this, for sure.

This pattern is not common in American silver of the 19th century.

souvenir spoon "Electric Tower," 5 3/8 inches long, no monogram, may have some extremely minor edge loss to enamel (see photo of bowl at 9 o'clock position) but fine overall condition. Marked "American Souvenir Co./ *s* / Sterling Pat. / Buffalo, NY."

retailed by Palmer and Newcomb, length overall 23 1/2 inches, each coaster eight inches in diameter, gross weight 47 Troy ounces, engraved with an old English "m" and the crest of the Muir family (please see fourth photo). Overall condition is superb, though we will mention that the wooden inserts are later made but period accurate replacements.

Known for his ecclesiastical silver, Cooper's work can be found in major museums, notably an enameled chalice and paten in Boston's Museum of Fi...

Boston circa 1926, with applied molded rim and gently slanting sides, height 3 1/2; top diameter 4 inches, weight 6.6 Troy ounces, no monogram, fine condition.

Also known as a mint julep cup, this form is not common among early 20th century hand wrought items made here in the U.S.