Catalog: Silver: Sterling

A late 19th century scroll pattern with a French flair as is appropriate to its name, La Reine was made by Reed & Barton.

As with much of R&B's work, the line was heavy, and that is so for this 6" long sugar spoon which weighs nearly 1.2 T. oz.

This has a generously sized, three lobe, bowl with embossed scrolling on the heel and shoulders. It is finished in a deep, matte, gold wash front and backsides...

One of the most expressive of renowned Gorham designer Antoine Heller's patterns, Medici aka Old Medici features figures and imagery drawn from the Italian Renaissance period.

Most references date the pattern to 1880, although Charles Carpenter in his benchmark Gorham Silver places it about 1883.

This piece is a large, 13" long, nearly 7.0 T. oz. (215 grams), all silver soup ladle.

The intricacy of the design shows to full advantage at this essentially massive scale...

This 5 1/4" long, .8 T. oz., bon bon (or petit fours server) was made by Alvin whose "A" flanked by an "eagle and a sword" emblem and "Sterling" is imprinted on the handle backside.

An unnamed pattern, its scrolling, asymmetrical margins are suggestive of Whiting's Louis XV, although this version is more elaborate than Whiting's.

The dominant feature of the piece is its large, 2 7/8" by 2 3/4", pierced and embossed, bowl with a piecrust front edge and flange rim...

A design originated by Henry Hebbard, New York City, and later offered as a line pattern by Whiting, Mask was also retailed by Tiffany under its own name in the 1860s. This 6 1/8" long, .8 T. oz., sugar spoon is a case in point...

An early production piece in Whiting's commanding King Edward pattern, this grandly-scaled, 9 3/4" long, weighty at 4.0 T. oz., berry or other (rice, entree, or vegetable, for example) serving spoon is marked with the company's "lion and W" logo, "Sterling," and "Pat. Ap. 23, 1901," as well as the retailer's name, "Shaw & Berry Co.," Washington, DC...

Rooted in Moorish design, Whiting's Arabesque features a standing griffin with widespread wings set against a vine, leaf, and rosette background that are the defining elements of arabesque design.

This example is an 8 7/8" long, 2.4 T. oz., all silver, pie server that was retailed by "Ettenheimer [& Co.]," Rochester, New York, as stamped on the handle backside. Other marks include Whiting's "standing lion with a W" emblem, "Sterling," "Pat...

Slightly smaller than full sized teaspoons, "5 o'clocks" were used for late afternoon tea.

This group, a hard to find matching set of twelve in Whiting's Art Nouveau Violet, measure a typical 5 3/8" long each and weigh a relatively light 5.8 T. oz. the lot.

Introduced in 1905, these are early issue items marked "Pat. App. For." Other marks include Whiting's "lion and W" logo, "Sterling," and the name of the retailer, "I. Lewkowitz," located in New York City's lower East Side...

The larger of two sizes of sugar tongs that Reed & Barton produced in one of its flagship Art Nouveau designs, Les Cinq Fleurs, this item measures 4 5/8" long and weighs a relatively heavy 1.2 T. oz.

Issued at the turn of the 20th century, the pattern features a variety of deeply textured and highly detailed flowers, each one specific to the particular item.

The portraiture on this is poppy.

It has talon grips and a wide arch with raised edges on either side...

Lengthy at 10 1/4" and weighing 2.6 T. oz., this all silver server is likely a fish slice although some sources identify it as an ice cream server...

A long handled version, this olive spoons measures 7" as against a regular length 5 1/2" or so for this form. It weighs .7 T. oz.

Made by Watson, the pattern is Bridal Flower, introduced in 1910.

Although dating from late in the Art Nouveau period, this follows fully after that style, with a very fluid interpretation of the lily blossoms that form the centerpiece of the design.

The gold finish bowl (front and back sides) is shell form, with scalloped edges and a ribbed and...

One of several specially designed, numbered, oyster, aka shrimp or seafood cocktail, forks that Gorham presented in its 1886 catalogue (see enlargement 2), No. 10 features a ball top with twisted stems.

This offering is for a full set of twelve matched pieces, all in flawless, original condition.

Each one measures 5 7/8" long, while the group weigh 4.7 T. oz.

They have three tines, the center one of which is spear form, joined to a cupped heel with scalloped shoulde...

Marked with Durgin's "D" emblem along with "Sterling" and the number "2," this 7 3/4", approximately 1.0 T. oz., long handle olive spoon is not immediately identifiable as a regular line pattern.

The open work at the end of the handle, in company with the design details, evoke the Durgin's rarely found 1887 Alcazar pattern, although this is not an exact match. Other aspects of the pattern resemble Durgin's (French) rococo 1891 Louis XV.

Whether a variant of one of these patte...

Marked with Gorham's "lion, anchor, G" emblem, "Sterling," and "Copyrighted" on the backside heel of the bowl, this is an early production example of the company's 1888 Versailles pattern.

A table, i.e. serving, spoon, it measures 8 1/2" long and weighs an exceptionally heavy 2.44 T. oz.

The pattern is multi-motif and known for its portraiture of scenes from daily life at the palace of Versailles and the court of French King Louis XIV.

The imagery on this features a seated...

Measuring 5 1/2" long and weighing .5 T. oz., this souvenir spoon is comprised of three sections.

The top consists of a well-articulated cast figure of a standing miner with a hat on his head, boots on his feet, balancing a pick axe in his right hand and contemplating a chunk of ore that he is holding in his left hand.

There is a small crossbar below the figure and it reads, "Millions in It."

The shank of the piece is comprised of a pair of twisted wires that resemble rope. These end in...

This wine funnel is a two piece item consisting of a 3 1/2" diameter, 1 3/8" high, strainer basket, and the actual fitted funnel that is 3 1/2" long. The two pieces together weigh 3.3 T. oz.

The bowl is fully hallmarked with a "lion," "leopard," date letter "C" for 1818-19, duty "bust," and "W.B" in a double rounded cartouche for William Bateman, whom Jackson's Hallmarks identifies as "very good (best of the Batemans)."

The funnel is counter stamped with a "lion," "bust" and corresp...

Designed for a very specific purpose, claret ladles are necessarily lengthy, and this solid silver example is especially so at 13 1/4". It weighs a substantial 2.4 T. oz.

Made by Gorham, it is stamped with the company's "lion, anchor, G" emblem, "Sterling," and model number "912."

While the handle is rendered in Gorham's beaded-with-tipt-end Newcastle pattern, the fact that it is numbered indicates it was a specialty piece independent of the flatware line per se.

The central sec...

A 7" long, 1.1 T. oz., preserve or jelly spoon, this piece has a generously sized, 2 1/2" by 1 5/8", shell shaped bowl with a scalloped edge and slightly pointed tip.

Made by John Wendt in his Medallion pattern, it is stamped with his characteristic "Patent" and "925," along with the name of the retailer, Boston's "Bigelow Bros. & Kennard."

One of the most impressive of the myriad Medallion figures offered by American manufacturers in the 1860s, the line featured a variety of...

Stamped "Sterling" and with the "H&S" emblem of Hotchkiss & Schreuder, Syracuse NY, and retailed by "Austin & Prescott," Batavia NY, this piece measures 8 3/4" long and weighs 1.7 T. oz.

The pattern is Longfellow, which clearly follows after the Moorish and Egyptian Revival trends popular in its 1870s period.

It features a repeating series of palm fronds, palmettes, rosettes and ivy leaves along a shaped handle with a pyramid end.

There is a central reserve area on the handle fro...