Catalog: Silver: Sterling: Flatware

English in origin, this George III gravy ladle measures 7" long and weighs 1.7 T. oz.

It is fully hallmarked for London, 1793-94, sterling silver, and well-known makers George Smith and William Fearn (GS/WF).

It has a downturned, reverse tipt, Old English, handle with a thumb drop on the hemispherical, 2" diameter by 3/4" deep, bowl.

The handle front is inscribed with a leaf script "R" monogram.

In very good condition, it shows minimal wear...

This 4" long, .6 T. oz., piece has a shield, wreath, and bow motif engraved on a Pointed Antique handle.

The heavily hammered, oval, bowl with notched shoulders, is a telling feature that places it within the Arts & Crafts mode, dating from the early decades of the 20th Century.

Further evidence of its construction is the fact that the handle and bowl were individually made and joined with an exposed drop on the backside...

Dating from 1861, Beaded is one of Gorham's earliest line patterns. It was produced for a considerable number of years, and as such, was made in both coin and sterling silver.

This example, an exceptionally large, 12" long, heavy and thick-shanked, nearly 4.5 T. oz., solid silver, fish slice is to the latter standard.

The blade is elegantly shaped, with a gently curved lower edge, scalloping on the upper end, an upswept, rolled back, and notched shoulders...

These twelve, matching, 4" long, 3.9 T. oz. the lot, likely cast rather than die struck, coffee spoons are as singular as they are appealing.

Made by Whiting, the company's "lion" emblem and "Sterling" are stamped on the backside of each piece.

Dating from late 19th century to early 20th centuries, and toward Art Nouveau in manner, this non-line pattern features a stylized, raised grape cluster and leaf motif on the terminal end...

A pattern entered into the 1892 costing books of the Gorham Company, Fifteenth Century was offered in a limited number of pieces, including this 8 1/2" long, weighty at 3.0 T. oz., (berry) serving spoon.

Singular in design, it appears to take its inspiration from early Scandinavian motifs.

The handle has a broad, rounded end with an engraved (leaf) surface. The mid and lower portions of the shank are block form and include a sharp-edged central ridge...

No. 1 in Watson's Fruit Series of patterns introduced in 1903, the orange (or grapefruit) portraiture on this is set in detailed, high, relief and reflects the Art Nouveau design sensibilities of the period.

Made in a variety of pieces, the citrus spoon was a popular item, offered in a number of close on sizes and with at least two different bowls, a plain one, and the one found on this lengthy, 6 1/4" long, and weighty at 1.1 T. oz., example...

An 8 1/2" long, approximately 2.8 T. oz., pie server aka pie knife, this piece is an early example of Gorham's Imperial Chrysanthemum, introduced in 1894.

It is solid silver, marked with Gorham's "lion, anchor, G" emblem and "Sterling" on the handle backside.

The flower from which the pattern takes its name is arrayed in dense relief on both sides of the handle...

Gorham produced a range of specialty pieces circa 1900 designated by numbers beginning with an "H," of which this 4 5/8" long, relatively heavy at .5 T. oz., lemon fork is one.

It is stamped on the backside with the word "Gorham" over "H 824," and "Sterling."

The solid handle is tubular with a cross-hatched or knurled upper portion surmounted by a "dome and ball" detail.

The tines are relatively thick, with the outer two splayed, as is characteristic of lemon forks...

Measuring 6 3/8" long and weighing just over .8 T. oz...

A matched pair, this 9" long fork and 8 7/8" spoon could be used in combination as a serving set or individually.

Heavy items, the fork weighs nearly 3.6 T. oz., and the spoon close to 3.4 T. oz., for just under 7.0 T. oz. combined.

The pattern is Gorham's Coligni. These are early, original issue, items marked with Gorham's "lion, anchor, G," "Sterling," and "Copyrighted '89" on the backsides.

This Antoine Heller design stands alongside other enduring Gorham patterns originated b...

An elaborate figural design ssued in 1891, the central motif of Dominick & Haff's Cupid is a winged cherub. While always a cupid's face and portion of the upper torso, there is variation in the specific portraiture from piece to piece.

Overall, the pattern is rococo in style, featuring a series of scrolls and leafy elements arrayed in an asymmetrical manner.

This example, a 10" long, heavy at 3.9 T. oz., solid silver ice cream knife is one of the largest and most commanding serving...

A 6" long, just under 1.0 T. oz., item, this ladle has a bowl that measures 2" in diameter and is 1/2" deep.

It is a cream or sauce ladle in Whiting's Heraldic, which apropos of the pattern name, is dominated by the image of a medieval helmet set at the top of the handle. The remainder of the design incorporates a dense array of high relief, scrolling acanthus leaves.

The bowl on this is the fancier of two that Whiting used for this line. It has a scalloped rim and raised, leafy ...

Offered in both sterling silver and silver plate, Harlequin was a floral series issued by Reed & Barton and generally made in a variety of generally smaller items.

These seven, 4" long, 2.35 T. oz. the group, coffee or demitasse spoons are early pieces marked with the company's "eagle, R, lion" (later items are stamped "Reed & Barton") along with "Sterling."

Cast rather than die struck, they are highly textured, possess intricate detail, and show a soft gray finish on the silver. Th...

Note: while the above image shows six of these forks, this listing is actually for eight identical, all original, pieces.

Made by Frank Whiting, this set of forks is marked with the company's "W in a circle" emblem, "Sterling," and the number "2" on the backsides.

Measuring 5 3/4" long each and weighing 4.0 T. oz. the group, they are oyster, shrimp, or seafood cocktail forks.

Each piece has three tines, one of which is hooked, all joined to cupped heels with subtly notched should...

Made by Reed & Barton and akin to the company's Harelquin line of flower designs, this orange or grapefruit spoon has a cast handle with a narrow, branch-like stem.

An older piece, it is marked with R&B's "eagle, R, lion" emblem and the word "Sterling."

Measuring 5 3/8" long and weighing .6 T. oz., the pattern is an Orange or Orange Blossom, interpreted in something of an Art Nouveau manner.

Strongly naturalistic and intricately detailed, the fruit is round and full...

An early piece marked on the inside of one leg with Gorham's "lion, anchor, G" emblem, "Sterling," and "Copyrighted," this pair of tongs measure 5 1/4" long and weigh a substantial 1.55 T. oz.

Introduced in 1883, the pattern is Cluny, which is one among the many enduringly appealing lines originated by Gorham's renowned designer Antoine Heller.

The pattern features dense, high relief, floral elements with rosette and palmetto accents, set on a three-lobed handle end.

The grips a...

A spectacular example of pattern and form preserved in impeccable condition, this solid silver cake saw measures 10 3/4" long and weighs 2.8 T. oz.

Made by Wood & Hughes, the pattern is Viola, issued in 1875. The design incorporates an arch, palmettos, anthemia, and scrolling, drawing together Greek, Egyptian, and Gothic Revival elements in a successful amalgamation of period motifs.

The handle front incorporates an elegant, engraved, Victorian style, "OR" or "RO" monogram.

The f...

Measuring 8 3/16" long and weighing approximately 1.3 T. oz., this lettuce fork is more substantial than most examples of this form, which tend in general to be delicately scaled.

The pattern, Altair by Watson, dating from 1904, is broadly rococo in manner. Named for a star, and having Arabic roots meaning "flying eagle," the design possesses a celestial quality to it, resembling perhaps a cosmic cloud.

The tines, two of which are splayed and one barbed, are relatively wide and join...