Catalog: Silver: Sterling

An Indo-Persian pattern, Gorham's Hindostanee was issued in 1878, as indicated by the "Pat. 78" that appears on the handle backside of this 7 3/4" long, 1.77 T. oz., serving spoon.

Other marks include the company's "lion, anchor, G" emblem, "Sterling," and the word "Gorham," which may indicate the piece was sold in the company's New York City store, or it may simply be a redundant mark...

Measuring 6 7/8" long, and weighty at approximately 1.5 T. oz., this spoon is stamped with Whiting's "winged lion" emblem, "Sterling," "Pat. Appd. For" (indicating it is an early production piece in the line), and with the name of the retailer, Brooklyn's "W(illiam). Wise."

The pattern is Persian, which dates from 1880. It is a Moresque design in the same genre as Tiffany's pattern of the same name, as well as Whiting's own Arabesque and Gorham's Hindostanee among others...

At 7 5/8" long and weighing 1.6 T. oz., this may be a preserve, jelly, or small berry serving spoon.

The pattern is John Wendt's "Florentine," which is a Renaissance Revival with Moorish influences design introduced in 1870.

There is a shield reserve on the front, which in this instance has never been monogrammed.

This has an elongated, 3" by 2", oval bowl with scalloped edges and fluted sides.

It is in very fine estate condition, free of polishing wear and with a bright finish...

An early example of Gorham's pattern inspired by imagery from the palace for which it is named, this 7 1/4" long, 1.6 T. oz., jelly spoon in Versailles is marked with the company's "lion, anchor, G" emblem, "Sterling," and "Copyrighted" on the backside heel of the bowl.

The main figure of the design is a classically presented female figure holding a cluster of grapes in one upraised arm and cradling a bowl of fruit in the other arm...

Solid silver, this piece measures 7 3/4" long and weighs a substantial 1.83 T. oz.

A master butter knife, the handle and broad blade with a scalloped upper edge are joined at a right angle.

The pattern is Luxembourg made by George Shiebler, whose "winged S" emblem and the word "Sterling" are imprinted on the blade, along with "1885" and "Patented" on the handle.

The handle is splayed and incorporates three raised channels with rounded ends...

Reed & Barton held a commanding position within the realm of Art Nouveau silver producers at the turn of the 20th century, with designs such as Love Disarmed an unexcelled figural offering and Les Six Fleurs a benchmark among florals.

La Parisenne, the pattern on this 6 3/4" long, weighty at 2.12 T. oz., gravy is another expressive Reed & Barton design from this period...

Without a formal name, but commonly referred to as "Peony" for the large, single, arched, blossom that appears on the end of the handle, this circa 1885 pattern is also characterized by its twist stem.

The line is number "26," by Whiting, and this number, along with the company "lion" logo and "Sterling," appears on the backsides of this youth set, comprised of a 6 3/8" long fork and 5 7/8" long spoon, with a combined weight of 2.1 T. oz...

This lengthy at 7 5/8" and robust at approximately 1.5 T. oz., solid silver master butter knife was made by New York's John Wendt, whose characteristic "Patent 925" (for sterling) and "Bailey & Co.," for the Philadelphia retailer appear on the blade.

The pattern is "Union," and is quite similar to "Gibney," designed by F.H. Gibney, later Whiting, with both it and "Union" issued in 1862...

This 6" long, just over 1.0 T. oz. (32 grams) teaspoon incorporates a cast and applied, high relief, cherub or baby's face set on an Old English handle.

It was made by Gorham whose "lion, anchor, G" emblem, the word "Sterling," "M" for medium weight designation, model number "H 1467," and date symbol for 1899 appear on the backside.

A youth or child's spoon, the name "James" is engraved sideways in script on the handle front...

A large piece measuring 8 1/2" long and weighing 1.8 T. oz., this table serving spoon bears one of the earliest marks, a "bird surrounded by a wreath," that the William B. Durgin Company used on its flatware.

It is also stamped "M.F. Robinson" for the Springfield, Massachusetts jeweler with dates of operation 1860-99, and "Sterling."

A non-line pattern, its relatively plain style with a broad, fanned, handle end with bright cut diamond and bellflower components, suggests a date circa 1880....

Catherine Hollan in Philadelphia Silversmiths offers dates of 1876-87 for the firm of "McCarty & Hurlbert," which is the name that is imprinted on the backside of this 9 1/4" long, 2.4 T. oz., berry spoon. Antecedent firms trace back to c. 1845.

It is also marked "Coin," which is late for this standard, as most manufacturers had converted to sterling by the 1870s.

It has an "Old English" handle with a tipt backside and a bright cut fine flower and leaf theme on the front.

The poi...

One of Gorham's earliest full line patterns, references date it to 1865 although this 7 3/4" long, 1.4 T. oz., solid silver master butter knife is stamped "Patent 1867," indicating a later date and situating it just before the company's conversion to a sterling standard in 1868.

Other marks on this include Gorham's "lion, anchor, G" emblem, and the name of the retailer, Philadelphia's "Geo. H. Bechtel."

"Ionic" is a Greek Revival design that incorporates a central rosette with a stylized a...

Readily identifiable from their length and round bowl spoon, chocolate muddlers are designed to reach deep inside tall chocolate pots to stir any settled powder on the bottom.

This example measuring 7 1/2" long and weighing 1.3 T. oz. was made by Dominick & Haff in the "No. 10" pattern.

A dense yet delicate multi-floral design dominated by a single chrysanthemum set at the handle end, "No. 10" was patented in 1896, as marked on backside.

Other marks include the company's three part embl...

Measuring 6 7/8" long and weighing approximately 1.0 T. oz., this place, sometimes referred to as a regular, fork was made by Watson whose Mechanics Division pennant emblem and the word "Sterling" appear on the handle backside.

The pattern is Bacchante, issued in 1895. It features a nude female figure holding a bay in one arm and a cluster of grapes, a reference to Bacchus, the God of wine, and the source of the pattern name, in the other arm.

The image is modeled after a statue desi...

A decorative item, this 5 7/16" long, approximately 1.1 T. oz., sugar sifter has a rounded end Antique handle with a Tipt backside.

The front is bright cut engraved in a floral, starflower like, pattern along with a fancy, feathered script, "AMJ" monogram.

The essentially round, 2" diameter, pierced bowl has a scalloped edge, coffered sides, and a raised circle in the base. The interior has a satin matte finish that is wriggle work engraved with "pom pom" like detailing that ...

A virtually unused example of Wood & Hughes' Renaissance Revival Angelo pattern, this preserve spoon measures 6 15/16" long and weighs just over 1.0 T. oz.

The intricate detail of the design on the handle is complimented in this instance with a bowl engraved with particularly fine, decorative, palmetto leaves, all set against a soft, satin finish on the interior.

The backside of the handle is engraved "Irene." in script. This may have been a cherished gift, and left unused, thus off...

Issued in 1910 (some sources indicate 1890), Alvin's Marie Antoinette, bespeaks its French design origins in its delicate, raised, detailing which includes garlands, wreaths, ribbons, and laurel leaves, all set on a plain ground. The pattern repeats on both sides of the handle.

This example is a 7 7/8" long, 2.2 T. oz., small berry or perhaps vegetable serving spoon.

It has a large, 3 3/8" by 2 3/8", bowl with squared corners.

Never monogrammed, this is in pristine condition, sho...

Standing 1 3/4" tall and 1 3/4" in diameter, this 1.3 T. oz., sterling silver napkin ring is a relatively large item.

It is marked "S 135" on the interior, which designator is thought to have been used by Wood & Hughes, New York City.

Dating circa 1880, it has a flat walled body with top and bottom rims. These are bordered by a repeating design that is in the manner of a Vitruvian scroll.

Apropos of its period, the sides are engraved in an Aesthetic design that features ferns or ...