Catalog

Bright cut engraved designs were popular among American silver manufacturers during the last quarter of the 19th century, with this generously-sized, 9 1/4" long, nearly 2.7 T. oz., pie server a quality example of the style.

Made by Gorham, whose "lion, anchor, G" emblem and the word "Sterling" appear on the "Old English" tipt handle backside, the pattern is "Chrysanthemum," issued in 1885.

The imagery is finely rendered in bright cut work set against a satin ground.

The broad, 2 3/4" w...

A pattern for which John Polhamus and Henry Hebbard, who worked individually and in a short-lived partnership in New York City in the mid 19th century, held a joint patent, Oriental was a favored design for marketing by Tiffany in its early years.

The dies for the pattern were eventually acquired by George Shiebler, who extended production subsequent to all these antecedent firms.

These four, matching, 6" long, 3.2 T. oz. the group, teaspoons are older pieces, marked "H.H." for Henr...

An important name among late 18th/early 19th century New York City silversmiths in his own right, Thomas Richards also paired with other significant smiths of his period, beginning with his father-in-law Daniel VanVoorhis, with whom he apprenticed starting in 1790 and partnered with from 1798-1802.

He was also associated at various times with John Sayre, William Pelletreau, and William Morrell prior to his death in 1830.

This pair of 6 1/4" long, 1.45 T. oz., coin silver tongs are stamped ...

The larger of at least two sizes of model number 393 dishes made by Wallace, this piece measures 6 1/4" by 4 1/8" and stands 1 1/4" tall at the highest. Solid silver, it weighs a substantial 2.96 T. oz.

Shell form dishes were produced by many makers throughout the 20th century, and they were typically based on scallops . This one, however, is modeled after a large, hard shell clam, specifically known as a quahoag in New England, Rhode Island in particular.

The origins of medicine spoons trace to a device patented in England by Charles Gibson in 1827.

This expression of the form, made by Gorham in the early decades of the 20th century, evolved from the much earlier Gibson one, although it is different in construction, and in actuality as much a novelty or collector's item as it is a utilitarian piece.

Solid silver, it is comprised of two different sized bowls, one the size of a tablespoon, the other the size of a teaspoon, with each hinged to...

Syracuse, New York, was a major silver manufacturing center in the mid to late 19th century. Joseph Seymour, the maker of this 8 1/4" long, 1.9 T. oz., berry spoon, was one of the most prominent names among that city's firms, with a history that began in 1846, terminating in 1905.

An innovative producer, Dorthy Rainwater in her "Encyclopedia of American Silver Manufacturers" notes that he received a patent for making spoons in 1859, and further that, "the company was one of the first to mak...

Marked "Patent 1861," "Beaded" is one of Gorham's earliest line patterns. It was produced for a considerable period of time and made in both coin and sterling silver. This example is marked "Coin," so dates no later than 1868, the year Gorham went to sterling.

It is a large, 9 1/4" long, approximately 2.5 T. oz. ice cream server.

It has an oval blade with two ribs in the interior, notched shoulders, a beveled edge, and a gold washed upper surface. This is shallowly concave and more o...

Issued in 1880, Gorham's "Empress" incorporates a number of design elements, all evident on this 9 3/8" long, just over 3.0 T. oz., serving spoon.

The lower portions of the handle where it joins the bowl suggest an Egyptian Revival influence, while other areas point toward Renaissance Revival inspiration. In addition, the dense floral clusters employ imagery similar to Gorham's "Cluny" pattern that was designed by Antoine Heller, who was highly regarded for his Classical motifs.

Lastly, ...

This group of three pieces comprise a matched set, for either youth or traveling.

Sterling silver, they were made in Birmingham, England in 1833-34 by the firm of Taylor & Perry. The spoon is stamped with five identifying hallmarks, with the fork and knife having confirming partial marks.

The pattern is a robust grape leaf and fruit cluster that appears on the front and backsides of all three pieces. The spoon also has an elaborate, raised shell, motif on the heel reverse.

The solid sil...

Marked for the prominent Cincinnati firm of "Duhme & Co.," this 6" long fork, 6 3/8" knife, and 6" spoon set has additional provenance as each piece is engraved what appears to read, "Andrew K. Reuss" on the handle front and "Jan. 26th 1872." on the reverse.

Artfully crafted, the hollow handles have rounded ends with a "Thread" design and arum leaf detailing at the join with beaded and engraved banding.

The knife blade, fork, and spoon themselves are all solid silver, and each one is delic...

Taking its name from the novel by Sir Walter Scott, "Kenilworth" originated with Albert Coles in the 1860s and was later continued in production by George Shiebler.

This 7 1/2" long, 1.2 T. oz., tea aka breakfast aka dessert knife is an early solid coin silver example marked with Coles' three part "eagle," "A/C," "bust" emblem.

Classified as a "Medallion" pattern by D. Albert Soeffing in his foundational work on this design genre, he cites a May 8, 1895 article in the Jewlers' Circular ...

An early example of Gorham's Cottage, which was issued in 1861 to a coin silver standard and continued in production for many years through and beyond the company's transition to sterling in 1868, this 9" long, approximately 2.5 T. oz., ice cream spade is marked "Patent 1861," "Coin," and "Shreve Stanwood & Co.," for the Boston firm that eventually became that city's renowned "Shreve, Crump & Low."

A relatively plain pattern, this is embellished on the handle front with a delicately en...

An early piece marked on the inside of one leg with Gorham's "lion, anchor, G" emblem, "Sterling," and "Copyrighted," this pair of tongs measure 5 1/4" long and weigh a substantial 1.55 T. oz.

Introduced in 1883, the pattern is Cluny, which is one among the many enduringly appealing lines originated by Gorham's renowned designer Antoine Heller.

The pattern features dense, high relief, floral elements with rosette and palmetto accents, set on a three-lobed handle end.

The grips a...

Founded in Providence, Rhode Island, by William B. Fessenden (who had a prior working history in Boston with various and New York City with Whiting) in 1858, the firm that bore his name was one of numerous silver manufacturers located in the Providence to North Attleboro, Massachusetts corridor, all anchored by Gorham. Given this concentration of industry, there was a body of skilled workers in the area available to Fessenden, which enabled it to produce quality items from its onset.

This exa...

Engraved patterns were immensely popular in the late 19th century and consequently many manufacturers produced them in an array of designs, especially florals.

One particular pattern that was widely embraced was the Lily, which is actually a lily of the valley engraved on this 8 3/4" long, 2.6 T. oz., berry or other serving spoon by Whiting.

Introduced in 1882, the naturalistic floral and leaf elements are represented in an Aesthetic manner, set on a rounded end, Antique

An expressive pattern from renowned Gorham designer Antoine Heller, Old Medici features a variety of figures and imagery drawn from the Italian Renaissance period.

This example, a 7 1/4" long, 1.54 T. oz. preserve or jelly spoon portrays a matronly looking woman in festooned garb. She is carrying a tray laden with fruit with a basket or other container hanging below this.

Additional details include a gargoyle, a pair of doves with raised wings, and leafy tracery.

Most references...

A naturalistic pattern that shows Art Nouveau influences, Royal Oak was patented in 1902, as imprinted on the backside of this lengthy, 8 1/16" long, and weighty at nearly 1.9 T. oz., master butter knife.

Other marks include Gorham's "lion, anchor, G" emblem and the word "Sterling."

The oak and acorn elements that constitute the design are offered in high relief, densely arrayed, and finely detailed, front and backsides of the handle and extending onto the heel of the blade.

The ...

Generously scaled, this coin silver server measures 10 1/8" long overall, has a 4 1/2" by 3" at the widest, blade, and weighs 3.3 T. oz.

It is marked "Blynn & Baldwin," for the Columbus, Ohio, pair of jewelers with approximate dates 1850-60.

The handle is in a double-sided "Kings" pattern that almost surely has Philadelphia origins, with kindred patterns illustrated in Catherine Hollan's encyclopedic Philadelphia Silversmiths.

Intended to serve pie or pastry, the blade is a study...