Catalog

The pattern is "Venetian," which is a Moorish or Renaissance Revival design.

The plum-shaped bowl is relative large and elongated at 3" by 1 3/4" at the widest, by 1/2" deep. It has a central groove in the base, a flange rim, and a pale, satin matte, gold finish on the engraved interior, and ...

Located in Philadelphia, the firm's work followed after regional style typical of the period and that is the case with this 7 1/8" long, .9 T. oz., preserve spoon.

It has a flat, ovoid handle with a Tipt end that is joined to a twisted stem. This is engraved in a bright cut, line, and wriggle work l...

Marked "Coin," they are without a maker's identification. The style suggests an 1860s date and the work is clearly that of a capable (American) manufacturer.

They have twisted shanks leading to broad, flat, upturned handle ends that are extensively and finely bright cut engraved on the top sides. Each piece has a feathered script "AMF" monogram.

The blades are oriented at right an...

This 7" long, relatively weighty 1.32 T. oz., preserve or jelly spoon is a particularly fine example in pristine condition.

It has a generously proportioned, 2 1/2" long, 1 5/8" at the widest, 1/2" deep, shell form bowl with scalloped edges and a ribbed interior, all finished in a pale, satin matte, gold wash front and back sides.

The sh...

It is stamped on the backside of the handle "J.E. Caldwell & Co." for the renowned Philadelphia jeweler and retailer of fine goods, and "Pure Coin," suggesting this piece may have been sourced from a New England manufacturer, given this term was typically used in that area.

It has a twisted central stem, with a broad, plum-shaped, tipt backside, end that is extensively engraved with br...

The imagery is fully developed on the reticulated bowl of this 4 7/8" long, weighty at approximately 1.2 T. oz., bon bon or nut spoon.

Presented in remarkable detail, the leaves show veined and textured surfaces, the rounded grapes are set in high relief, and the tendrils form an artful grid among the open ...

They are stamped "Shreve, Brown & Co.," the 1857-60 predecessor of Boston's premier "Shreve, Crump & Low," on the inside of one arm, and "925 in an oval" on the inside of the other.

The pattern is an Oval Thread with cast, sturdy and highly articulated, grips.

Never monogrammed on eithe...

Appropriate to the item function, the figure on this is young and could in fact be either male or female and thus a suitable association for a chil...

A clean design, French with a modernistic flair, this has scrolled margins which are expanded into a rosette on the handle end.

The blade is large, has scalloped edges, a pierced surface, and a slightly cupped heel.

Never monogrammed, this is in flawless esta...

Coin silver, it is stamped "J. Guthre" for James Guthre, who worked in Wilmington, Delaware in the second quarter of the 19th century. References record him in partnership with Emmor Jefferis c. 1840.

Well-crafted, this has an exceptionally wide, flat with a slight downward arc, front with a subtle Tipt back, Fiddle handle.

This is engraved with a feathered, line script, "CP" monogram on the ...

It could be argued the two patterns are variants of the same design, with the former incorporating English style detail and the latter French, as intimated by their respective names. Buckingham is also more robust, i.e. generally heavier weight, than Chantilly, and often has more elaborated serving ends.

T...

This factor may explain the reason why it was more often than not made to a sterling silver standard, which Tiffany required, versus the typical coin of the period.

This 5 7/8" long, .8 T. oz., sugar spoon mirrors this practice. It is marked with a "lion, anchor, G" emblem, "Pat. 1864," "Gorham & Co.," and "Sterling" on th...

This master butter knife is a lengthy at 7 7/8", and weighty at 1.61 T. oz., early example of Gorham's Old Medici marked with the company's "lion, anchor, G" emblem, "Sterling," and "Copyrighted" on the handle backside.

Old Medici is one of the many expressive patterns created by renowned Gorham designer Antoine Heller. It features a variety of figures and imagery drawn from the Italian Renaissance period.

Most references date this to 1880, although Charles Carpenter in hi...

Other marks are a "lion" for sterling, a "bust" duty mark, and date letter "G" for 1802-03.

Very much a period item, the slender, curvilinear, arms are bright cut and wriggle work engraved in a starburst and diamond pattern.

The grips are spoon bowl shaped and decorated with a novel wriggle work design on ...

It is also stamped "M.F. Robinson" for the Springfield, Massachusetts jeweler with dates of operation 1860-99, and "Sterling."

A non-line pattern, its relatively plain style with a broad, fanned, handle end with bright cut diamond and bellflower components, suggests a date circa 1880....

It is also marked "Coin," which is late for this standard, as most manufacturers had converted to sterling by the 1870s.

It has an "Old English" handle with a tipt backside and a bright cut fine flower and leaf theme on the front.

The poi...

Other marks on this include Gorham's "lion, anchor, G" emblem, and the name of the retailer, Philadelphia's "Geo. H. Bechtel."

"Ionic" is a Greek Revival design that incorporates a central rosette with a stylized a...

This example measuring 7 1/2" long and weighing 1.3 T. oz. was made by Dominick & Haff in the "No. 10" pattern.

A dense yet delicate multi-floral design dominated by a single chrysanthemum set at the handle end, "No. 10" was patented in 1896, as marked on backside.

Other marks include the company's three part embl...