$65.00
It was made and sold by Philadelphia's "Bailey & Co.," and is so marked, along with a "lion, S, shield" with additional "lion" pseudo hallmark that was used while George Sharp was the company's manufacturing manager 1852-c. 1862 (Catherine Hollan Philadelphia Silversmiths).
The "S" indicates sterling, while a like mark with a "U" indicates coin silver, with the former introduced in 1855 (Hollan).
Th...
$125.00
An approach to silver flatware construction that was popular in the period, and one which showcases the artfulness of a given manufacturer, such items are assembled from a variety of components.
Made in a limited n...
$65.00
This source also notes that he "conducted his highly successful jewelry and silver shop under the name Webb & Co. on Baltimore and Light Streets with W.H. Sexton as a partner 1877-86."
As this 9" long, 2.2 T. oz., serving spoon carries this mark, along with the word "Sterling," it can be def...
$80.00
Generally identified as a large sugar sifter, there is some argument to be made that pieces this scale from this period were actually early ice spoons.
In either case, it is a fine representation of what it is.
It is stamped "R. Fisher, Jr." and "331 Broad Way, N.Y." on the reverse, for Richard Fisher, working 1846-50, also ...
They are English in origin and fully hallmarked for London, 1897-98, sterling, and WG/JL for William Gibson and John Langman (also operating as the Goldsmiths & Silversmiths Co.).
Traditional in design, they are round, with heavily repoussed bodies, applied hatched rims, and stand on three lion's paw and shell legs.
Each piece has a reserve area which ...
$68.00
The pattern, "Raphael," is Renaissance Revival in style, with a strongly Moorish influence.
Essentially non-figural, it does incorporate a bird with raised wings in the midpoint of the handle, just below the shield-shaped reserve area that is monogrammed "HWS" in Old English lettering.
The deep, oval bowl has...
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This substantial sized gravy ladle, 7 1/2" long, 2.0 T. oz., with a 2 5/8" wide, 1" deep, oval bowl is a case in point.
It is distinguished by its extensive bright cut engraving that appears on a rounded end "Antique" handle, and additionally in the bowl with double vee shaped grooves and scalloped shoulders.
Portraying a floral...
$90.00
Rococo in manner, the pattern also incorporates a series of scrolls and leafy elements that are complementary to the main figure.
This example is a 5 13/16" long, .9 T. oz., four tine sardine fork. The heel area is cupped and has raised scroll detailing on the shoulders.
There is a delicately engraved, fancy script "CLA" monogram...
$275.00
The full length of the handle is nubby, slightly twisted, and stem like. The bowl is virtually a leaf, with piercings that resemble veins, and a surface that is engraved with additional leaves.
The applied olive and two leaves attached to the stem appear to grow out of it, and appear full...
$95.00
Soeffing shows a sugar sifter, while this is a 6 1/4" long, just over .8 T. oz., sardine fork.
The "Medallion" is cast and applied, portraying in this case a right facing female figure surrounded by engraved detailing, and on the sif...
The line is number "26," by Whiting, and this number, along with the company "lion" logo and "Sterling," appears on the backsides of this youth set, comprised of a 6 3/8" long fork and 5 7/8" long spoon, with a combined weight of 2.1 T. oz.
Each piece is engraved "Ellen Burdett" in script on...
$105.00
The form is uncommon and hence of uncertain function. It may be a spinach or toast/bread fork, or for another purpose yet. The proportions assure it is definitely original and not adapted from another piece as, for example, most potato forks are derived from dinner forks.
The maker was George Sharp, Philadelphia, as indicated by his "lion, S, ...
$65.00
Produced at a time when the company was enjoying great prosperity and was especially productive, it exhibits sophisticated design and high quality execution. This is especially evident in the plum-shaped, notched edge, bowl that is intricately engraved and finished with a matte gold surface on the interior and bright gold on the exterior.
The name...
$115.00
The lower portions of the handle where it joins the bowl suggest an Egyptian Revival influence, while other areas point toward Renaissance Revival inspiration. In addition, the dense floral clusters employ imagery similar to Gorham's "Cluny" pattern that was designed by Antoine Heller, who was highly regarded for his Classical motifs.
Lastly, ...
$85.00
They measure 4 5/8" long, are 1 3/4" across at the handles when closed, and open to a span of 3 5/8" at the shell grips. Weight is .9 T. oz.
Each arm is cast solid silver with a round finger grip attached to arms that are a series of ...
$85.00
It is a substantially sized piece at 9" long and weighing just under 1.5 T. oz.
Having a scalloped handle with an engraved surface, it reads as both characteristic for the period and for Philadelphia. The backside is plain save for the marks.
There is a handsome, feathered sc...
$68.00
It is a fine representation of the design sensibilities and manufacturing skills of the period.
The stem is twisted while the scalloped edged handle end is flat with a slightly upturned tip. The surface of this has an engine turned background complimented with bright cutting and a wriggle work border on the backside.
There i...
$85.00
Marked only "Coin," without a maker's or retailer's identification, the rounded handle with notched tip essentially matches Gorham's early, 1865, "Italian" pattern, and the quality of manufacture suggests such a significant maker.
This is bordered by fine wriggle work engraving and has an elegant period "EC" feathered script monogram set in the center of the plain area of the surface.
The lower por...