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This 8 5/16" long, 2.12 T. oz., berry scoop or shovel (sometimes identified as a cracker scoop) is marked "W. Gale & Son" along with "Sterling," with this identifier used 1853-59 and aga...
$38.00
With family roots in Gardner, Massachusetts, George originally worked with Arthur Stone. Porter went on to establish one of the most well-known silver workshops in California, where the family also founded the California Society of Arts & Crafts.
The "B09 in an oval" that appears on this 6 3/16" long, .87 T. oz., teaspoon was an early mark of the partnership,...
$46.00
This example, a 6 3/16" long, .96 T. oz., serving spoon, is marked for Phildadelphia's Peter Krider and follows standard conventions for the pattern.
Catherine Hollan in Philadelphia Silver illustrates this specific design within her section on handle patterns save she identif...
$1,325.00
It stands 11" tall to the highest point of the lofty handle, has a bulbous, eight panel, baluster-shaped body that is 6" across at the widest, sits on a rimmed, 4 1/2" diameter, octagonal base, weighs 25.75 T. oz., and holds four pints (64 ounces) of liquid.
Each of the eight panels is engraved in a delicately rendered leaf and floral moti...
$36.00
It is marked J.C. Kelley, along with "Sterling," for the Philadelphia jeweler in business 1849-77.
The pattern is an engraved leaf and grass design presented in an Aesthetic manner on a convex Antique Tipt handle with a mid point crossed ribbon.
This is one of two similar designs produced by James Watts, also Philadelphia, and Kelley and Watts are paired on other jointly...
$46.00
This example, a 6 7/8" long, 1.25 T. oz., coin silver jelly or preserve spoon bears the four part pseudo hallmark that John McGrew in his benchmark work Manufacturers' Marks on American Coin Silver attributes to the "Gilbert, Cunningham, Cooper" complex of New York City.
This has a shell form bowl and is engraved "M....
$44.00
Straightforward in design, it has a (Fiddle) Tipt handle set at a right angle to a scalloped edge, pointed end, blade.
Architectural in manner and ruggedly plain, it has flat surfaces throughout. The handle tapers to a square, solid, block where it joins the blade (this strengthens the piece at this natural stress point).
The piece is without adornment, although its clean, serviceable, character and balanced prop...
These eight pieces are from an original, old, set of 5 1/8" long, 4.56 T. oz. the group, 5 o'clock spoons marked with R&B's "eagle, R, lion" emblem and "Sterling."
The bowls all have the same soft satin very pale gold surface and are engraved with "HVR" monograms in flowing script lettering.
Cast rather than die struc...
$45.00
This is attached to an ovoid bowl with a curved device.
Such replica pieces were inspired by items found in what is identified as the Traprain Hoard of ancient artifacts unearthed in East Lothian, Scotland.
In a description o...
$65.00
This 6" long, relatively weighty at 1.2 T. oz., sturdy sauce ladle marked "Sterling" and "Theodore B. Sarr New York" dates from the early 20th century, and, although marked for Starr, may actually have been made by Marshall Field who produced a wel...
$85.00
W.J. Behan is an elusive name to document, at least as relates to silver.
It is most associated with William J. Behan, who was mayor of New Orleans from 1882 to 1884, but there is no record that he was ever involved in the silver retail trade.
There is also a reference in an 1898 edition of the Jewelers' Circular and Horological Review to a person of this name representing the "Newark ...
$325.00
Heller was a classicist much of whose work reflects the Beaux Arts style. This mode is very much evident in Coligni which is a multi-motif line that incorporates draped, romantic figures arrayed amid opulent background imagery.
This example is a very large, 9 5/8" long, 4.6 T. oz., serving ...
$65.00
It is also stamped with the words "Coin" and "Patent" and the name of the retailer, Philadelphia jeweler "J. Einstein."
Catherine Hollan notes in Philadelphia Silver that Butler was "a member of the extended Butler-Peters-McCarty families" and that he worked as a partner with James Watts for one year, 1867.
The leaf and rosette with an ant...
$34.00
Decidedly distinct from a standard Tipt design, it incorporates period Greek and/or Egyptian Revival motifs such as palmettes, reeds, and beading, set on a broad, pointed end, handle with a tubular shank.
This example is a 5 5/8" long, .7 T. oz., early pastry or pickle fork.
This has an Old English letter "B" monogram on the handle backside, and is in flawless estate condition, free of...
$42.00
Introduced in the 1860s, it was initially made in coin silver and continued in production long enough to arc the transition to sterling, as examples in both standards exist (se...
$60.00
The handle has straight, tapered sides with a curved end with angular shoulders.
The surface is diamond cut engraved in a brilliant Aesthetic design with an open area at the end that has a satin matte finished surface. This is engraved "Sam." over "July 11th" "1892." in fancy script letterin...
$425.00
It is marked on the underside with the "hammer over Stone" emblem of Arthur Stone, "Sterling," and "G" for benchman Herman Glendenning, who was with Stone from 1920 to 1936.
Glendenning seems to have been a major presence in the Stone studio. He is referenced numerous times in Elenita Chickering's foundational volume Arthur J. Stone 1847-193...
$115.00
An expressive pattern from renowned Gorham designer Antoine Heller, Old Medici features a variety of figures and imagery drawn from the Italian Renaissance period.
This example, a 7 1/4" long, 1.54 T. oz. preserve or jelly spoon portrays a matronly looking woman in festooned garb. She is carrying a tray laden with fruit with a basket or other container hanging below this.
Additional details include a gargoyle, a pair of doves with raised wings, and leafy tracery.
Most referen...