"Moresque" is arguably the most complex of any iteration in this mode, and within its own line had variations.
Some examples have upturned and others downturned, handles. The pattern itself incorporates a plain, circular reserve a...
In this case, the primary piece is a 5 7/8" long, approximately 1.0 T. oz., teaspoon in Reed & Barton's "Les Cinq Fleurs," which is a highly textured, Art Nouveau floral design.
The bowl is bright cut engraved in a representation of the American Civil War, "Soliders and Sailors Monument" in "Cleveland, O.," as inscribed around the actual port...
Price for the set of six.
Each one measures 7 1/2" long, which is an unusual size by contemporary convention in that it is lengthier than a dessert spoon but not quite as long as a tablespoon. In their time, when large scale was favored, these would have served as standard place pieces.
They have a substantial feel, although they weigh marginally les...
The pattern is Alvin's "Raleigh," issued in 1900. It is a fancy bead and scroll design, with an upturned handle end.
The blade is essentially round and flat, and has a slightly tapered edge and measures 3 1/2" by 3". It has scalloped shoulders and an intricately cut surface.
The piece is without a monogram o...
Price for the set of eight.
Marked "Sterling," they were retailed by Boston's Crosby & Morse (1864-69) and carry forward some of the design sensibilities of earlier coin silver flatware.
They have plain handles with rounded and upturned terminals. The lower sections are engraved in a period design with a central palmette motif, while the ends have script "EL" monograms. The backsides are unadorned.
The design on this 8 3/4" long, approximately 2.0 T. oz., berry or other serving spoon features a bouquet of flowers, leaves, and grasses tied in a bow. It is altogether quite charming in a bit naive way, in its representation.
Commonly referred to as "Spray," it is sometime identified as "Bouquet," and while made by Durgin, is occasionally attributed to other makers.
Examples of this show up in both coin and sterling silver, sometimes carrying the Durgin name or "D" emblem, and...
This 6 7/8" long, .9 T. oz., spoon dates from the earliest years of the firm, and may have been produced by it.
It has a flat handle, with notched edges and an anthemion shaped tip. The surface front is extensively engraved with diamond bright cutting, wriggle work, and cross hatching. The backside shows much simpler, lar...
The pattern is Gorham's "Cottage," which according to company archives, was in active production for over thirty years, beginning in 1861.
As this pair are stamped "Sterling," they date post 1868 when Gorham adopted the sterling standard. Earlier examples of "Cottage" were made in coin silver. This is a...
This example is a 7 7/8" long, relatively weighty 1.0 T. oz., lettuce fork.
The overall condition is excellent and there is no monogram or removal. The tines retain a portion of an original gold wash and are pointed and free of bends or burrs. The pattern detail remains well-d...
One is the applied classical head of the sort that gave this genre, "Medallion," its name.
The second feature is the engine turned surface of the blade. This was a widely used decorative technique at the time, one because it was appealing, and likely two, because it demonstrated a specialized capacity of a given manufacturer.
This measures 9" long and weighs 2.0 T. oz. The blade is 4 1/4 by 2...
It has a solid handle and a rolled rim top, and retains hints of an original gold wash on the interior.
Never monogrammed or inscribed, it was produced about the middle of the 20th century.
It is in very good condition, free of dents or bends. It does show sever...
This 6" long, .8 T. oz., cucumber server is an old example that has never been monogrammed and remains in original condition.
The defining characteristic of this piece is its pierced, circular serving end that has six curved prongs on the lower edge, and a raised shoulders.
The pattern remains well-defined, the finish is bright and even, and the server is without bends, nicks, or burrs. ...
It measures 10" long overall and is exceptionally heavy at 3.8 T. oz.
The triangular blade is 4 1/2" long and 3" at the widest.
The handle has a period "Bead" pattern front, and curiously a "Thread" pattern on the reverse.
There is a fancy, feathered script "CAC" monogram on the obverse, and what appears to be a "CAP" monogra...
He is also associated with Savannah, Georgia where he spent some of his early working years.
This 6 9/16" long, heavy, 1.5 T. oz., probably youth fork is stamped "Marquand & Co." which dates it 1830-33.
It is a "Kings" pattern with a plain back. The front is inscribed "Rock...
It is solid silver, made by the Watson Company, whose "crown, W, lion," emblem, the word "Sterling," and the model number "A65" appear on the underside.
It is fully in the Mid Century Modern style, building upon sleek, plain, and clean design lines that are emblematic of the 1950s and 60s. It could readily serve as a prop in the home of Ward ...
It is a fine representation of the design sensibilities and manufacturing skills of the period.
The stem is twisted while the scalloped edged handle end is flat with a slightly upturned tip. The surface of this has an engine turned background complimented with bright cutting and a wriggle work border on the backside.
This 7" long, 1.4 T. oz., preserve spoon is an example of the original pattern, retaining side knobs and having a pointed anthemion tip.
It is marked "Tiffany & Company," "Sterling," Pat. 1869," and with a lower case "m," dating it no later than 1891.
Price for the set of six.
They are a "French Thread" aka "Fiddle Thread" design with slightly upturned handle ends, and oval, pointed, bowls.
Dating circa 1840, they are all stamped "G W & H" for the New York City partnership of William Gale, Jacob Wood & Jasper Hughes, along with a right facing eagle and bust pseudo hallmark that McGrew in his work on marks id...