$32.00
Sculptural in manner, the central design element is a cherubic figure set against a dense, decorative background.
It is strongly reminiscent of Dominick & Haff's Labors of Cupid, which it predates by five years, introduced in 1895 vs. 1900.
It is a multi-motif line, meaning the figural representation varies between different pieces.
This example is a 5 5/8...
$32.00
This example is a 6" long, .77 T. oz., early production sugar spoon, marked with the R L & B three part emblem and the word "Sterling."
The handle is Old English in style with a plain Tipt backside and a front that is extensively and engagingly engraved in a star shaped flower ...
$24.00
It is stamped on the backside with the word "Gorham" over "H 824," and "Sterling."
The solid handle is tubular with a cross-hatched or knurled upper portion surmounted by a "dome and ball" detail.
The tines are relatively thick, with the outer two splayed, as is characteristic of lemon forks.
Never monogrammed...
$24.00
This 5 1/8" long, .45 T. oz., is model number "H239" from that series.
A lemon fork, it has the requisite three, narrow and splayed, tines that define its function.
Evidencing the precision of finish and substance of H series items, it has an open work handle that is reminiscent of the Chippendale style, rendered i...
$24.00
An example from that series, this 5 7/8" long, .74 T. oz. teaspoon is number "107" as imprinted on the backside, along with Wallace's "R W deer head & S" emblem and the word "Sterling."
An openwork design, the handle obverse features perhaps palm or other leaves on a stem.
The reverse is plain save for a fancy, delicate, feathered script "ENL" monogram.
...
$24.00
An example from that series, this 5 9/16" long, .61 T. oz. teaspoon is number "219" as imprinted on the backside, along with Wallace's "R W deer head & S" emblem and the word "Sterling."
The handle portrays a robust cluster of chrysanthemum blossoms, buds, and leaves on both the front and back sides.
The handle obverse is engraved "EF" in fancy Old English let...
$22.00
Dating from the early 20th century, the handle design is an Art Nouveau style Carnation surrounding a cherubic-looking child's face. This feature is offered in relief and and quite charmingly presented, with clear features that include a shock of curly hair.
A 5 o'clock (tea) spoon, ...
These seven, 4" long, 2.35 T. oz. the group, coffee or demitasse spoons are early pieces marked with the company's "eagle, R, lion" (later items are stamped "Reed & Barton") along with "Sterling."
Cast rather than die struck, they are highly textured, possess intricate detail, and show a soft gray finish on the silver. Th...
$20.00
It is marked "S. Ayers Elmira" for Socrates Ayers born in 1814. He worked in Elmira as a silversmith, watchmaker and jeweler until about 1877.
It is also stamped with a "star D star," which mark John McGrew in his Manufacturer's Marks on American Coin Silver attributes to an "Unidentified - Up-State New York" maker.
The handle is engraved "Ruth Burnham" in script lettering set sideways...
$18.00
While most sources place H. Hastings in Cleveland, Ohio, circa 1820, William McGrew in Manufacturers' Marks on American Coin Silver introduces the possibility of a Connecticut location.
He labels this particular "eagle" as "a frustrating mark because so many of the retailer names are unidentified," but questions whether Hastings could have been located in Hartford, Connecticut, given other instances wher...
It has a Fiddle Tipt handle that is engraved "S M R" in fine script lettering set sideways on the front.
The bowl is well-formed, proportionate, has a pointed end, and rounded, tapered fins at the join with the handle.
Coin silver, it is marked "R.R. Conn" for the Fitchburg, Massachusetts jeweler. While not an uncommon piece per se, thi...
On Hold
They are stamped on backsides "G.C. Shreve & Co., which firm according to an entry in Dorothy Rainwater's Encyclopedia of American Silver Manufacturers, was established in 1852.
It eventually became the West Coast's premier jeweler and silver manufacturer.
In its early years, however, as noted by Rainwater, flatware was sourced from...
On Hold
This piece is evidence of the above assertion. It is a 7 1/8" wide, heavy at 6.95 T. oz., plate with a 1" wide raised rim with an applied double lined edge.
It is imprinted with Stone's characteristic "hammer" emblem and "Sterling," along with a "T," for shop assistant Herbert Ta...
On Hold
It is firstly a 4 3/4" by 3 1/2" by 13/16" high, hinged, oval box. The hinge is on the short end, with a lip for opening on the opposite end.
It is made of 950 fine, i.e. first standard, silver (slightly higher than sterling) and marked with a "Minerva head" on the lid edge, underside of the cover, and on the lip of the base.
It also has a small, hard to discern, "caret" maker's mark i...
On Hold
He was a freeman worker in 1765, dating this group of six, matched, 5 1/2" long, just over 3.0 T. oz. (95 grams) the lot, to the decades between then and Grigg's death in 1797.
They are all stamped "W.Grigg" in a serrated cartouche, which is one of four marks...
On Hold
Also marked "Pure-Coin," this doubtlessly has Boston origins, likely made by Farrington and Hunnewell, based on the design.
It has an Old English, i.e. downturned, rounded end, Reverse Tipt handle.
The 4 1/2" long by 2 3/4" at the widest, blade is unusually shaped, with a double scalloped edge, a raise...
On Hold
They are all stamped "Duhme & Co.," for the Cincinnati manufacturer and jeweler, and all have the same feathered "TGM" monogram inscribed sideways on their handle.
The pattern is "No. 1," introduced in 1869.
These have twisted stems with flat, oval, ends, which are engraved with wriggle work borders as well as leaf and other period detailing."
An online commen...
On Hold
Finely made, showing a level of elegance and refinement that are peculiarly French, the pattern is a "Thread" aka "French Thread" aka "Fiddle Thread."
The hand...