$110.00
Shell form dishes were produced by many makers throughout the 20th century, and they were typically based on scallops . This one, however, is modeled after a large, hard shell clam, specifically known as a quahoag in New England, Rhode Island in particular...
$24.00
An example from that series, this 5 7/8" long, .74 T. oz. teaspoon is number "107" as imprinted on the backside, along with Wallace's "R W deer head & S" emblem and the word "Sterling."
An openwork design, the handle obverse features perhaps palm or other leaves on a stem.
The reverse is plain save for a fancy, delicate, feathered script "ENL" monogram...
$24.00
An example from that series, this 5 9/16" long, .61 T. oz...
Auction
This example is a 7 1/4" long, 1.3 T. oz., preserve or jelly spoon.
A large blossom occupies the central portion of the handle and is surrounded by additional blossoms, buds, and leaves the full length of the handle and on the backside.
The pattern also extends onto the scalloped edge, rounded end, bowl.
Never monogrammed, this is a fine example, with clear pattern detail...
This example of his work is a 7" long, weighty at 1.3 T. oz., place or dessert spoon.
The marks on this, "A.E...
$55.00
The pattern, Altair by Watson, dating from 1904, is broadly rococo in manner. Named for a star, and having Arabic roots meaning "flying eagle," the design possesses a celestial quality to it, resembling perhaps a cosmic cloud...
$75.00
The pattern is Bacchante, issued in 1895...
$60.00
Made by Watson, the pattern is Bridal Flower, introduced in 1910.
Although dating from late in the Art Nouveau period, this follows fully after that style, with a very fluid interpretation of the lily blossoms that form the centerpiece of the design...
$42.00
The pattern is a Daisy and appears to be a variant from Watson's Floral Series No. 2 issued in 1903.
As was characteristic of the company's products, the die work is intricately detailed, presented in high relief, and struck with precision.
The finish is a soft, satin gray...
$46.00
This example is a 5" long, .9 T. oz., cream ladle.
The flower is fully three-dimensional, rising out of the end of handle and folding over on itself in a highly expressive manner, with trailing leaves tracing their way up the handle margins, front and back sides.
The scalloped edge bowl has a flange margin an...
$32.00
Sculptural in manner, the central design element is a cherubic figure set against a dense, decorative background.
It is strongly reminiscent of Dominick & Haff's Labors of Cupid, which it predates by five years, introduced in 1895 vs. 1900.
It is a multi-motif line, meaning the figural representation varies between different pieces.
This example is a 5 5/8...
$235.00
Marked "Ball, Black," "925" for sterling, and "Patent," the pattern is Arabesque, made by John Wendt, New York City, and issued in 1871. Arabesque is often (mis)identified as Monroe.
A Moorish design, Philadelphia's George Sharp produced a similar unnamed line. Whiting's version of Arabesque was introduced later in the 18...
$80.00
The pattern is John Wendt's "Florentine," which is a Renaissance Revival with Moorish influences design introduced in 1870.
There is a shield reserve on the front, which in this instance has never been monogrammed.
This has an elongated, 3" by 2", oval bowl with scalloped edges and fluted sides.
It is in very fine estate condition, free of polishing wear and with a bright finish. The ...
$68.00
This 7" long, relatively weighty 1.32 T. oz., preserve or jelly spoon is a particularly fine example in pristine condition.
It has a generously proportioned, 2 1/2" long, 1 5/8" at the widest, 1/2" deep, shell form bowl with scalloped edges and a ribbed interior, all finished in a pale, satin matte, gold wash front and back sides.
The sh...
$165.00
Made by John Wendt in his Medallion pattern, it is stamped with his characteristic "Patent" and "925," along with the name of the retailer, Boston's "Bigelow Bros. & Kennard."
One of the most impressive of the myriad Medallion figures offered by American manufacturers in the 1860s, the line featured a variety of...
On Hold
It features a lined handle with a fan, i.e. palmette, end. This in turn is framed by two acanthus leaves at the point where the handle turns tubular.
This example is 5 7/8" long, relatively substantial weight 1.0 T. oz., teaspoon that was retailed by carriage trade New York City jeweler "Howard & Co.," as st...
$95.00
The pattern is Union, made by John Wendt, and in this case retailed by "Starr & Marcus," New York, as stamped on the handle backside, along with "Sterling" and "Patent."
Introduced in 1862, Union is a period design that is similar enough to Gibney by F.H. Gibney, later Whiting, and also dating 1862, that the two ...