Catalog: Silver

A well-regard name among mid 19th century Philadelphia silver manufacturers, James Watts produced this lengthy, 8 7/8", nearly 1.5 T. oz., berry or other serving spoon.

His readily recognizable "horse head over chevron," emblem appears on the handle backside, along with the word "Coin" and the name of the retailer, "George H. Bechtel," also Philadelphia...

Measuring 6 5/8" long and weighing .9 T. oz., this item could be a preserve or large sugar spoon. It has a shovel shaped bowl which, while not unique to its mid 19th century period, is certainly less common than other forms.

The handle is fiddle shaped with a Tipt backside and rounded shoulders off the shovel. There is a script "JEH" monogram on the front...

A noted 19th century Philadelphia silver manufacturer, William Faber, later joined by his sons, produced items of high quality and lasting appeal as evidenced in this solid silver 7 1/2" long, 1.1 T. oz., master butter knife.

Dating circa 1870, the handle is of a form that Faber favored. It has a curved surface handle with a gently pointed tip and scalloped sides...

Issued in 1895, Durgin's Empire draws from classic French design sensibilities. It incorporates a crown, cornucopia, torches, a crossed ribbon wreath, and other festooning on the handle front and back on this server, although place pieces have simpler laurel and acanthus leaf and ribbon detailing on the reverses.

This item is a quite remarkable ice cream knife. It measures 10 1/8" long, has a hollow handle, and a solid silver, flat, blade that can only be described as a cleaver...

An original production example of Versailles, this 5 7/8" long, 1.0 T. oz., piece is stamped on the backside heel with Gorham's "lion, anchor, G" emblem, "Sterling," and "Copyrighted '88."

An old style pastry fork, it has three tines, one of which is wider than the other two and has a hooked tip.

The multi-motif pattern draws its imagery from the French palace for which it is named and in this instance features a pair of playful looking cherubs on the handle front...

An original knife, fork and spoon youth grouping, each of these pieces is stamped "C.A.W. Crosby" for the Boston jeweler, 1855 onward, and "Pure-Coin," which is a characteristic New England term indicating the silver content.

A double die struck (meaning the design appears on both sides) Olive pattern popular in the mid 19th century, each handle is inscribed in script lettering set sideways, "C.J.A. to C.A.P."

The blunt end, solid, knife measures 7 3/8" long and weighs 1.1 T...

A 19th century silver manufacturer with a long history, Joseph Seymour, Syracuse, New York, entered into a number of partnerships, one of which was with Benjamin Norton and David Hotchkiss from 1854 to 1857.

The mark on this 7" long, 1.3 T. oz., flat handle, coin silver master butter knife, "bust, NS & Co.," was used during that partnership.

While Seymour produced a number of named patterns, the one on this is known but unidentified...

In his comprehensive work Tiffany Silver Flatware, author William Hood discusses a number of "not-full-line patterns without a known name or description."

This 6" long, weighty at 1.2 T. oz., specialty teaspoon falls into this category...

While marked "Pat. Appld. For," along with maker's name "J[ohn]. Cook," New York City, later examples of this unnamed pattern indicate the patent was actually issued in 1869, dating this some time before that.

The piece is a large, 9 7/8" long, 2.4 T. oz., die struck, coin silver server, likely for ice cream.

The "rosette and bellflower" pattern is similar to A. & W...

A 7 3/8" long, 1.1 T. oz., preserve spoon, this 19th century piece is marked "Sterling" without a manufacturer's identification...

Relatively lengthy at 6", with slender, Fiddle Tipt handles in a style that is particular to Baltimore where they were made, this group of four, matching, teaspoons weigh 2.3 T. oz.

Each one is stamped "S. Kirk & Son" along with the standard mark "10.15," which is roughly equivalent to coin silver. This specific combination of marks was used 1846-61.

Each piece has a feathered script "EVE" monogram engraved on the front and an exposed thumb drop on the bowl reverse.

In very fine ...

A 9 3/8" long, 2.1 T. oz., solid silver pie server, this piece is marked "Coin" along with a maker's or retailer's mark that is too faint to identify with certainty, although it is likely Boston in origin.

Dating circa 1865, the pattern is Olive, which appears on both sides of the handle. The front is engraved in an elegant, feathered script, "SLM" monogram set sideways in the reserve area.

The blade is triangular-shaped, 4 3/4" long and 2 3/4" at the widest, and has slightly raised...

Each of these twelve identical, sterling silver, coffee--slightly larger than a demitasse--spoons measures 4 1/4" long with the set weighing 3.4 T. oz.

The pattern is Gorham's original Mothers issued in 1875, versus a new version introduced in 1926.

Mother's is essentially a Pointed Antique design with a plain back handle and exposed drop on the heel.

These are all engraved with the same "MTC" line script monogram on the fronts, and have gold washed finishes on both...

Little reference material is available about the Boston firm "N.G. Wood & Son" founded in the late 19th century, although based on the inventory of their goods still available, they were a major operation.

This item, a 5 3/4" long, .7 T. oz., circa 1880, sugar spoon, carries their mark along with the word "Sterling."

A high quality piece, it has an Old English Reverse Tipt handle that is bright cut engraved in an Aesthetic style floral, leaf, and grass design set on a satin finish g...

Measuring a lengthy 5 7/8" and weighing a hefty near 1.7 T. oz., this pair of tongs originated in Boston and date circa 1860. Probably intended for sugar, they are large enough to be used for ice.

They are stamped "Shreve, Brown & Co.," the 1857-60 predecessor of Boston's premier "Shreve, Crump & Low," on the inside of one arm, and "925 in an oval" on the inside of the other.

The pattern is an Oval Thread with cast, sturdy and highly articulated, grips.

Never monogrammed on eithe...

This mid 1850s piece is stamped with a three part, "bust, letter, lion" pseudo hallmark and the name "E. Benjamin," for the New Haven, Connecticut jeweler, Everard Benjamin, son of well-known silversmith Barzilli Benjamin.

An olive variant which incorporates what may more accurately be interpreted as anthemion or honeysuckle portraiture, this design is attributed in Silver in the Golden State to the San Francisco firm of Frederick R. Reichel, and identified by the name Olive.

Established in 1867, Schohay & Ludwig (later Schohay, Ludwig & Co.) produced high quality silver, although as the company was short-lived, examples of their wares are not commonly found.

Located in Philadelphia, the firm's work followed after regional style typical of the period and that is the case with this 7 1/8" long, .9 T. oz., preserve spoon.

It has a flat, ovoid handle with a Tipt end that is joined to a twisted stem. This is engraved in a bright cut, line, and wriggle work l...

This 6" long, very heavy at 1.4 T. oz., teaspoon is an early production example of Gorham's "Cluny," marked with the company's "lion, anchor, G" emblem, "Sterling," and "Copyrighted."

Originated by renowned designer Antoine Heller, the pattern features dense, high relief, floral elements with rosette and palmetto accents.

A commemorative item, it is engraved in the bowl "Stroudsburg" in script, as well as with the date "Nov. 10. 1903" on the handle backside.

Apparently little if ever us...